embroidery
(تطريز)

Title embroidery
Title Original تطريز
Publication Date: Early 12th century/early 18th century
Publication Place - Riddarholm Church, Stockholm, presented by Emmerentia von Dobben in 1728
Subject Silk and chiffon embroidery with golden threads.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الارتفاع: 115سم؛ العرض: 114سم
Library: Museum With No Frontiers
Library Asset ID 5049:d
Record ID object;ISL;se;Mus01_A;39;ar
Library Location National Archeology Museum
Date Early 12th century/early 18th century
Notes The ground of this embroidery is made of transparent chiffon, and flowers have been scattered over the entire surface of the soft fabric, and executed in multiple shades of colored silk, while the borders and branches are executed with golden threads. It appears from the circle appearing in the middle of the approximately square-shaped embroidery that the piece of fabric may have been used as a turban cover, while the Riddarholm Church in Stockholm used the piece as a cover for the baptismal font.
Sample Text Friederike Voigt “Embroidery” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;se;Mus01_A;39;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

embroidery

(تطريز)
Publication Date Early 12th century/early 18th century
Publication Place - Riddarholm Church, Stockholm, presented by Emmerentia von Dobben in 1728
Subject Silk and chiffon embroidery with golden threads.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الارتفاع: 115سم؛ العرض: 114سم
Library Museum With No Frontiers
Library Asset ID 5049:d
Record ID object;ISL;se;Mus01_A;39;ar
Library Location National Archeology Museum
Date Early 12th century/early 18th century
Notes The ground of this embroidery is made of transparent chiffon, and flowers have been scattered over the entire surface of the soft fabric, and executed in multiple shades of colored silk, while the borders and branches are executed with golden threads. It appears from the circle appearing in the middle of the approximately square-shaped embroidery that the piece of fabric may have been used as a turban cover, while the Riddarholm Church in Stockholm used the piece as a cover for the baptismal font.
Sample Text Friederike Voigt “Embroidery” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;se;Mus01_A;39;ar
Museum With No Frontiers - Ottoman library catalog search
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