A piece of carved wood
(قطعة من خشب منحوت)

Title A piece of carved wood
Title Original قطعة من خشب منحوت
Publication Date: 242-249 AH / 856-863 AD
Publication Place - Museum of Islamic Arts; sluggishness Kairouan
Subject Carved Indian plane wood.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الطول: 64 سم؛ العرض: 5.5 سم؛ السماكة 3.5 سم
Library: Museum With No Frontiers
Library Asset ID BS 200
Record ID object;ISL;tn;Mus01;9;ar
Library Location Museum of Islamic Arts; sluggishness Kairouan
Date 242-249 AH / 856-863 AD
Notes This piece belongs to the pulpit of the Great Mosque of Kairouan, which was given to the mosque by the Aghlabid Emir, Abu Ibrahim Ahmad, and is the oldest dated pulpit in the Islamic world. This pulpit, made of Indian plane wood, consists of more than three hundred carved and assembled pieces. The framed panels, with their rare richness of decoration, indicate the diversity of the material from which the African (Tunisian) decorative artist draws his models. This piece forms part of the supports that were used as the upper frame for the pulpit’s railing. It is a panel decorated with rich floral decoration, consisting of a twig twisted into successive rings, each of which contains a flattened vine leaf attached to a cluster of dangling grapes. This decorative element, which revolves around a simplified five-lobed or curved three-lobed vine leaf, is a favorite theme among the ornamental plants used during the Aghlabid period. All of these decorations, which are imbued with Byzantine influences, bear a resemblance to the decoration that we find on monuments and carved objects dating back to the Umayyad period. The subtlety of the botanical decoration and the richness and precision of the execution, in addition to the nature of the woods used, all indicate the maturity of African (Tunisian) art during that era and its ability to flourish as well as to develop the Umayyad decorative heritage, and thus it can claim to be its heir.
Sample Text Mourad Rammah “Piece of carved wood” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;tn;Mus01;9;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

A piece of carved wood

(قطعة من خشب منحوت)
Publication Date 242-249 AH / 856-863 AD
Publication Place - Museum of Islamic Arts; sluggishness Kairouan
Subject Carved Indian plane wood.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الطول: 64 سم؛ العرض: 5.5 سم؛ السماكة 3.5 سم
Library Museum With No Frontiers
Library Asset ID BS 200
Record ID object;ISL;tn;Mus01;9;ar
Library Location Museum of Islamic Arts; sluggishness Kairouan
Date 242-249 AH / 856-863 AD
Notes This piece belongs to the pulpit of the Great Mosque of Kairouan, which was given to the mosque by the Aghlabid Emir, Abu Ibrahim Ahmad, and is the oldest dated pulpit in the Islamic world. This pulpit, made of Indian plane wood, consists of more than three hundred carved and assembled pieces. The framed panels, with their rare richness of decoration, indicate the diversity of the material from which the African (Tunisian) decorative artist draws his models. This piece forms part of the supports that were used as the upper frame for the pulpit’s railing. It is a panel decorated with rich floral decoration, consisting of a twig twisted into successive rings, each of which contains a flattened vine leaf attached to a cluster of dangling grapes. This decorative element, which revolves around a simplified five-lobed or curved three-lobed vine leaf, is a favorite theme among the ornamental plants used during the Aghlabid period. All of these decorations, which are imbued with Byzantine influences, bear a resemblance to the decoration that we find on monuments and carved objects dating back to the Umayyad period. The subtlety of the botanical decoration and the richness and precision of the execution, in addition to the nature of the woods used, all indicate the maturity of African (Tunisian) art during that era and its ability to flourish as well as to develop the Umayyad decorative heritage, and thus it can claim to be its heir.
Sample Text Mourad Rammah “Piece of carved wood” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;tn;Mus01;9;ar
Museum With No Frontiers - Ottoman library catalog search
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