table top
(سطح طاولة)

Title table top
Title Original سطح طاولة
Publication Date: Late 13th century and beginning of the 14th century AH / late 19th century AD
Publication Place - National Museum of Art of Romania
Subject Ceramic piece, painting/drawing under glass
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر : 50 سم
Library: Museum With No Frontiers
Library Asset ID 18776 / 2428
Record ID object;EPM;rm;Mus21;34;ar
Library Location National Museum of Art of Romania
Date Late 13th century and beginning of the 14th century AH / late 19th century AD
Notes Large circular tiles surrounded by a border of smaller tiles were used as table tops. They were often decorated with banquet scenes, which is a recurring theme in Persian art. Here the composition shows a section of Ferdowsi’s epic Shahnameh (Book of Kings), which is a punishment for Al-Dahhak: who was pursued and expelled far away by the Iranian King Jamshid. Al-Dahhak was sentenced to be a tyrant and imprisoned for a thousand years, but he was removed by Fereydun after a popular revolution led by the blacksmith Kawa. His life was saved, but he will be imprisoned in a cave in Mount Damavand, where he will remain until the end of the world. The scene shows Al-Dahhak's procession being led to his place of imprisonment. The tyrant rides a camel and appears in the upper left corner, and there are two snakes devouring a human brain that grow on his shoulders. To the left is Kawa in a green dress carrying a banner made of the skin of his loincloth with Arabic numbers written on it. To Kawa’s left is the young king Feridun riding a bull and carrying a bull-headed mace, the weapon with which he defeated Al-Dahhak. The magnificent procession is meticulously depicted in a complex scene: pyramidal proportions and diagonal formation are used here to give emphasis to the main characters and are accompanied by the rich, crowded retinue riding on elephants.
Sample Text "Table Top" within Discover Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;rm;Mus21;34;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

table top

(سطح طاولة)
Publication Date Late 13th century and beginning of the 14th century AH / late 19th century AD
Publication Place - National Museum of Art of Romania
Subject Ceramic piece, painting/drawing under glass
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر : 50 سم
Library Museum With No Frontiers
Library Asset ID 18776 / 2428
Record ID object;EPM;rm;Mus21;34;ar
Library Location National Museum of Art of Romania
Date Late 13th century and beginning of the 14th century AH / late 19th century AD
Notes Large circular tiles surrounded by a border of smaller tiles were used as table tops. They were often decorated with banquet scenes, which is a recurring theme in Persian art. Here the composition shows a section of Ferdowsi’s epic Shahnameh (Book of Kings), which is a punishment for Al-Dahhak: who was pursued and expelled far away by the Iranian King Jamshid. Al-Dahhak was sentenced to be a tyrant and imprisoned for a thousand years, but he was removed by Fereydun after a popular revolution led by the blacksmith Kawa. His life was saved, but he will be imprisoned in a cave in Mount Damavand, where he will remain until the end of the world. The scene shows Al-Dahhak's procession being led to his place of imprisonment. The tyrant rides a camel and appears in the upper left corner, and there are two snakes devouring a human brain that grow on his shoulders. To the left is Kawa in a green dress carrying a banner made of the skin of his loincloth with Arabic numbers written on it. To Kawa’s left is the young king Feridun riding a bull and carrying a bull-headed mace, the weapon with which he defeated Al-Dahhak. The magnificent procession is meticulously depicted in a complex scene: pyramidal proportions and diagonal formation are used here to give emphasis to the main characters and are accompanied by the rich, crowded retinue riding on elephants.
Sample Text "Table Top" within Discover Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;rm;Mus21;34;ar
Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers You are being redirected...

Please wait