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Bottle of eyeliner
(قارورة كُحل)

Title	Bottle of eyeliner
Title Original	قارورة كُحل
Publication Date:	327 – 400 / 939 – 1010
Publication Place	- National Archaeological Museum
Subject	Carved jandali crystal.
Type	Other
Language	Undetermined
Digital	Yes
Manuscript	No
Physical Dimensions	الارتفاع: 9.5 سم؛ العرض: 8.2 سم
Library:	Museum With No Frontiers
Library Asset ID	62317
Record ID	object;ISL;es;Mus01;16;ar
Library Location	National Archaeological Museum
Date	327 – 400 / 939 – 1010
Notes	A small bottle made of chandelier crystal in the shape of a lens, the upper and lower parts of which were broken. The relief decoration provides several records; Above the upper part appears an inscription band engraved with lush Kufic letters, within which we read on both sides: “God’s grace.” While the next register represents two birds of prey facing each other, possibly falcons, with a floral decoration in the form of spiral inlays running between them. The piece presents, as is often the case in this type of pieces, a “hollow” (a central hole in the shape of a cylinder), because it was used to store kohl, or antimony chlorine used as a cosmetic. This vessel was mounted on a support and equipped with a glass straw that was inserted into the storeroom in order to collect and apply cosmetic powder. The treatment of chandelier crystal, a colorless type of flint, gave it a transparency that had not yet been achieved by medieval glassworkers. Moreover, the difficulty of the technique nevertheless added some value to this piece, which was always highly appreciated; These pieces made of chandelier crystal were often given as diplomatic gifts. We do not have remains of traditional craftsmanship in Andalusia dedicated to this type of piece. It is possible that its arrival to the Iberian Peninsula occurred during the tenth - eleventh centuries through trade from Fatimid Egypt. A number of Islamic pieces made of crystal, which arrived from the East during the Caliphate of Cordoba across the Iberian Peninsula, were dispersed and reused during the Christian period, after they were provided with new and luxurious cases.
Sample Text	Margarita Sánchez Llorente “Kohl Bottle” inDiscover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;es;Mus01;16;ar

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Bottle of eyeliner

(قارورة كُحل)

Publication Date 327 – 400 / 939 – 1010

Publication Place - National Archaeological Museum

Subject Carved jandali crystal.

Type Other

Language Undetermined

Digital Yes

Manuscript No

Physical Dimensions الارتفاع: 9.5 سم؛ العرض: 8.2 سم

Library Museum With No Frontiers

Library Asset ID 62317

Record ID object;ISL;es;Mus01;16;ar

Library Location National Archaeological Museum

Date 327 – 400 / 939 – 1010

Notes A small bottle made of chandelier crystal in the shape of a lens, the upper and lower parts of which were broken. The relief decoration provides several records; Above the upper part appears an inscription band engraved with lush Kufic letters, within which we read on both sides: “God’s grace.” While the next register represents two birds of prey facing each other, possibly falcons, with a floral decoration in the form of spiral inlays running between them. The piece presents, as is often the case in this type of pieces, a “hollow” (a central hole in the shape of a cylinder), because it was used to store kohl, or antimony chlorine used as a cosmetic. This vessel was mounted on a support and equipped with a glass straw that was inserted into the storeroom in order to collect and apply cosmetic powder. The treatment of chandelier crystal, a colorless type of flint, gave it a transparency that had not yet been achieved by medieval glassworkers. Moreover, the difficulty of the technique nevertheless added some value to this piece, which was always highly appreciated; These pieces made of chandelier crystal were often given as diplomatic gifts. We do not have remains of traditional craftsmanship in Andalusia dedicated to this type of piece. It is possible that its arrival to the Iberian Peninsula occurred during the tenth - eleventh centuries through trade from Fatimid Egypt. A number of Islamic pieces made of crystal, which arrived from the East during the Caliphate of Cordoba across the Iberian Peninsula, were dispersed and reused during the Christian period, after they were provided with new and luxurious cases.

Sample Text Margarita Sánchez Llorente “Kohl Bottle” inDiscover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;es;Mus01;16;ar