Author
Baron Al-Mukhtari.
Author Original
بارون المختاري
Publication Date
1151 / 1738
Publication Place
-
Museum of Turkish and Islamic Arts
Subject
Burning (Edirnkari technique) on wood.
Type
Other
Language
Undetermined
Digital
Yes
Manuscript
No
Physical Dimensions
القطر: 31 سم
Library
Museum With No Frontiers
Library Asset ID
157 A-B
Record ID
object;ISL;tr;Mus01;41;ar
Library Location
Museum of Turkish and Islamic Arts
Date
1151 / 1738
Notes
The Qibla compass is a portable astronomical instrument used to determine the direction of the Qibla. It is a round wooden instrument with a lid, plated with gold and decorated with lacquer, known as the Edirnkari technique, in red, pink, black and green colors. The main body includes a compass and pointer. The areas where the tool can be used are shown on a map accompanied by a list of cities written in Arabic. On the upper part of the interior surface, over a green background, are the minarets of the Grand Mosque in Mecca, and the Qibla in the middle of the courtyard. To the left are pictures of the holy places in Arafat. There are also palm and olive trees to the right and in the upper part of the scene, which serve as symbols of paradise and blessing. The background spaces are filled with decorative drawings of pomegranates placed within pages, suggesting abundance. There is a frame decorated with bouquets of flowers on a gilded background and surrounded by plant leaves extending from among the pomegranate fruits. The bouquet is considered a symbol of the Prophet Muhammad, and was a common subject in Ottoman literature and flower paintings in the 18th century AD. Placing fruit in a bowl, as a symbol of fertility, abundance, and immortality, was a typical theme for that period. The inscription on the lower part of the inner cover shows that the instrument was made in Istanbul by Baron al-Mukhtari in 1151 / 1738; It also includes instructions on how to use the tool. The outer surface of the cover is decorated with a natural pattern known as Turkish Baroque-Rococo on a gilded background. You see vases filled with roses and blossoms surrounded by garlands of acanthus leaves and vines. There are six oval medallions inside the composition, which show many natural images, similar to which were found in wall paintings of the same period. These pictures include scenes of lakes, houses between beach trees, luxurious homes, and villages on the opposite shore, all of which are drawn in a deep, visually deceptive way.
Sample Text
Gönül Tekeli “Astronomical Instrument: Qibla Compass” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;tr;Mus01;41;ar