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Painting with a hunting scene
(لوحة ذات مشهد صيد)

Title	Painting with a hunting scene
Title Original	لوحة ذات مشهد صيد
Publication Date:	AH 1085 - 1111 AD / late seventeenth century
Publication Place	- Museum of Arts and Crafts (MKG)
Subject	Ceramic pieces, painted with dry rope technique
Type	Other
Language	Undetermined
Digital	Yes
Manuscript	No
Physical Dimensions	الارتفاع : 132 سم ، الطول : 346 سم
Library:	Museum With No Frontiers
Library Asset ID	1980.8
Record ID	object;EPM;de;Mus21;3;ar
Library Location	Museum of Arts and Crafts (MKG)
Date	AH 1085 - 1111 AD / late seventeenth century
Notes	This tile panel depicts a hunting scene. It was produced during the Safavid era in Isfahan and the slab was made using the “dry rope” technique, in which the designs were drawn using an oily substance mixed with manganese, which left a dark outline after firing. This prevents the colored pigments from mixing with each other. During the era of the Timurid and Safavid dynasties, this technique was widely used and was later introduced to Türkiye. This tile panel most likely decorated a hunting palace.
Sample Text	“A painting with a hunting scene” within Discover Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;de;Mus21;3;ar

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Museum With No Frontiers

Painting with a hunting scene

(لوحة ذات مشهد صيد)

Publication Date AH 1085 - 1111 AD / late seventeenth century

Publication Place - Museum of Arts and Crafts (MKG)

Subject Ceramic pieces, painted with dry rope technique

Type Other

Language Undetermined

Digital Yes

Manuscript No

Physical Dimensions الارتفاع : 132 سم ، الطول : 346 سم

Library Museum With No Frontiers

Library Asset ID 1980.8

Record ID object;EPM;de;Mus21;3;ar

Library Location Museum of Arts and Crafts (MKG)

Date AH 1085 - 1111 AD / late seventeenth century

Notes This tile panel depicts a hunting scene. It was produced during the Safavid era in Isfahan and the slab was made using the “dry rope” technique, in which the designs were drawn using an oily substance mixed with manganese, which left a dark outline after firing. This prevents the colored pigments from mixing with each other. During the era of the Timurid and Safavid dynasties, this technique was widely used and was later introduced to Türkiye. This tile panel most likely decorated a hunting palace.

Sample Text “A painting with a hunting scene” within Discover Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;de;Mus21;3;ar