Back to Search

A tile panel
(لوحة من القاشاني)

Title	A tile panel
Title Original	لوحة من القاشاني
Publication Date:	Late 10th / 16th century
Publication Place	- Victoria and Albert Museum
Subject	Colored and glazed ceramics.
Type	Other
Language	Undetermined
Digital	Yes
Manuscript	No
Physical Dimensions	الارتفاع: 62 سم؛ العرض: 102 سم؛ العمق: 3 سم
Library:	Museum With No Frontiers
Library Asset ID	428–1900
Record ID	object;ISL;uk;Mus02;31;ar
Library Location	Victoria and Albert Museum
Date	Late 10th / 16th century
Notes	A panel consisting of six pieces of wall tile, painted underglaze in the range of colors characteristic of the mature Iznik style. The side edges are composed of wide green bands with trellis vine branches as well as a pointed arch-shaped pattern. The corners above it are filled with red and white arabesques on a dark blue ground, while the space below is filled with a symmetrical main formation composed of realistic flowers and large-scale arabesque patterns on a bright white ground without crowding. The figure appears to be cut off at the bottom, indicating that it represented the upper part of a larger composition.
Sample Text	Barry Wood “Tile painting” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus02;31;ar

View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search

Museum With No Frontiers

A tile panel

(لوحة من القاشاني)

Publication Date Late 10th / 16th century

Publication Place - Victoria and Albert Museum

Subject Colored and glazed ceramics.

Type Other

Language Undetermined

Digital Yes

Manuscript No

Physical Dimensions الارتفاع: 62 سم؛ العرض: 102 سم؛ العمق: 3 سم

Library Museum With No Frontiers

Library Asset ID 428–1900

Record ID object;ISL;uk;Mus02;31;ar

Library Location Victoria and Albert Museum

Date Late 10th / 16th century

Notes A panel consisting of six pieces of wall tile, painted underglaze in the range of colors characteristic of the mature Iznik style. The side edges are composed of wide green bands with trellis vine branches as well as a pointed arch-shaped pattern. The corners above it are filled with red and white arabesques on a dark blue ground, while the space below is filled with a symmetrical main formation composed of realistic flowers and large-scale arabesque patterns on a bright white ground without crowding. The figure appears to be cut off at the bottom, indicating that it represented the upper part of a larger composition.

Sample Text Barry Wood “Tile painting” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus02;31;ar