Big plate
(طبق كبير)

Title Big plate
Title Original طبق كبير
Publication Date: Circa 916/1510
Publication Place - Victoria and Albert Museum
Subject Colored and glazed ceramics.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر: 44.5 سم
Library: Museum With No Frontiers
Library Asset ID 986–1884
Record ID object;ISL;uk;Mus02;35;ar
Library Location Victoria and Albert Museum
Date Circa 916/1510
Notes A wide, flat, colored underglaze dish decorated with black and blue decorations. The decoration consists of winding branches of arabesque and wavy, winding patterns. These are distinct formations of traditional (Rumi) and Chinese (Hattai) arabesques. These patterns were given the name Rumi-Hattai. This style characterizes the early phase of Iznik ceramics, when potters created their decorative patterns drawing inspiration from Iranian and Chinese arts, contemporary Ottoman metalwork, manuscript illumination, and others. The part connecting the edge and the bottom was left empty, creating a transitional area that highlighted the edge decorations.
Sample Text Barry Wood “Large Plate” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus02;35;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

Big plate

(طبق كبير)
Publication Date Circa 916/1510
Publication Place - Victoria and Albert Museum
Subject Colored and glazed ceramics.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions القطر: 44.5 سم
Library Museum With No Frontiers
Library Asset ID 986–1884
Record ID object;ISL;uk;Mus02;35;ar
Library Location Victoria and Albert Museum
Date Circa 916/1510
Notes A wide, flat, colored underglaze dish decorated with black and blue decorations. The decoration consists of winding branches of arabesque and wavy, winding patterns. These are distinct formations of traditional (Rumi) and Chinese (Hattai) arabesques. These patterns were given the name Rumi-Hattai. This style characterizes the early phase of Iznik ceramics, when potters created their decorative patterns drawing inspiration from Iranian and Chinese arts, contemporary Ottoman metalwork, manuscript illumination, and others. The part connecting the edge and the bottom was left empty, creating a transitional area that highlighted the edge decorations.
Sample Text Barry Wood “Large Plate” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus02;35;ar
Museum With No Frontiers - Ottoman library catalog search
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