Toshiya
(توشية)

Title Toshiya
Title Original توشية
Publication Date: Eleventh/seventeenth century
Publication Place - Beryl Collection, Glasgow Museums
Subject Cotton fabric embroidered with colored silk.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الطول: 228 سم؛ العرض: 121 سم
Library: Museum With No Frontiers
Library Asset ID BC 30.32
Record ID object;ISL;uk;Mus04;32;ar
Library Location Beryl Collection, Glasgow Museums
Date Eleventh/seventeenth century
Notes Toshiya includes a group of streamlined red lavender roses and blue palmette-like corollas; Arranged with increasing magnification, and in succession, they emerge from wavy black twigs, surrounded by a yellowish pink and a green color with three shades. As a very complex piece, the design reflects a lively technique, perfect drawing performance, energetic movement, and high flexibility. Many similar patterns of brocade were influenced by brocade and velvet products designed for the Ottoman court, including the brocade group, well known for its wavy branches, which had a definite influence on the design of this style of brocade.
Sample Text Noorah Al-Gailani, Noorah Al-Gailani "Tawshia" in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus04;32;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

Toshiya

(توشية)
Publication Date Eleventh/seventeenth century
Publication Place - Beryl Collection, Glasgow Museums
Subject Cotton fabric embroidered with colored silk.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الطول: 228 سم؛ العرض: 121 سم
Library Museum With No Frontiers
Library Asset ID BC 30.32
Record ID object;ISL;uk;Mus04;32;ar
Library Location Beryl Collection, Glasgow Museums
Date Eleventh/seventeenth century
Notes Toshiya includes a group of streamlined red lavender roses and blue palmette-like corollas; Arranged with increasing magnification, and in succession, they emerge from wavy black twigs, surrounded by a yellowish pink and a green color with three shades. As a very complex piece, the design reflects a lively technique, perfect drawing performance, energetic movement, and high flexibility. Many similar patterns of brocade were influenced by brocade and velvet products designed for the Ottoman court, including the brocade group, well known for its wavy branches, which had a definite influence on the design of this style of brocade.
Sample Text Noorah Al-Gailani, Noorah Al-Gailani "Tawshia" in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus04;32;ar
Museum With No Frontiers - Ottoman library catalog search
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