Back to Search

the court
(صحن)

Title	the court
Title Original	صحن
Author	unknown
Author Original	مجهول
Publication Date:	The first half - the middle of the sixteenth century AD
Publication Place	- Khninko Museum
Subject	Porcelain paste, painted in multiple colors under transparent glass — Anonymous
Type	Other
Language	Undetermined
Digital	Yes
Manuscript	No
Physical Dimensions	الارتفاع : 6.5 سم القطر : 28 سم
Library:	Museum With No Frontiers
Library Asset ID	2 БВ
Record ID	object;EPM;uc;Mus21;39;ar
Library Location	Khninko Museum
Date	The first half - the middle of the sixteenth century AD
Notes	This deep bowl depicts a magnificent central arrangement developed with four medallions with heads, a floral and leafy pattern, and images (Chintamani). In combination with the limited yet beautiful color combination of dark blue, the translucent shades of olive green and vermilion paint the glaze in a smooth, flowing manner. The decoration can be considered to represent what is known as the Damascus style in Iznik production, known in the first half and mid-seventeenth century.
Sample Text	"Plate" within Discover the collections of Islamic art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;uc;Mus21;39;ar

View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search

Museum With No Frontiers

the court

(صحن)

Author unknown

Author Original مجهول

Publication Date The first half - the middle of the sixteenth century AD

Publication Place - Khninko Museum

Subject Porcelain paste, painted in multiple colors under transparent glass — Anonymous

Type Other

Language Undetermined

Digital Yes

Manuscript No

Physical Dimensions الارتفاع : 6.5 سم القطر : 28 سم

Library Museum With No Frontiers

Library Asset ID 2 БВ

Record ID object;EPM;uc;Mus21;39;ar

Library Location Khninko Museum

Date The first half - the middle of the sixteenth century AD

Notes This deep bowl depicts a magnificent central arrangement developed with four medallions with heads, a floral and leafy pattern, and images (Chintamani). In combination with the limited yet beautiful color combination of dark blue, the translucent shades of olive green and vermilion paint the glaze in a smooth, flowing manner. The decoration can be considered to represent what is known as the Damascus style in Iznik production, known in the first half and mid-seventeenth century.

Sample Text "Plate" within Discover the collections of Islamic art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;uc;Mus21;39;ar