Rose water bottle
(قارورة ماء زهر)

Title Rose water bottle
Title Original قارورة ماء زهر
Publication Date: Last quarter of the 10th century / second half of the 16th century
Publication Place - Museum of Turkish and Islamic Arts
Subject Gold, silver, other metals, ceramics, glass. It is decorated with turquoise (firozkari) and openwork.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الارتفاع: 32 سم
Library: Museum With No Frontiers
Library Asset ID 91
Record ID object;ISL;tr;Mus01;29;ar
Library Location Museum of Turkish and Islamic Arts
Date Last quarter of the 10th century / second half of the 16th century
Notes A pear-shaped bottle with a short, rounded base. Its long, thin neck is shaped like a cypress tree, and is connected to the body by a spherical mass decorated with floral decoration. Polished turquoise pieces were lowered onto the body, and this technique is called firozkari. By etching the metal background, an openwork pattern was formed in which bouquets of lavender, roses, carnations, and cypress trees alternated. Cypress trees are also visible on the basin, and on the base are palm-shaped leaves, made using the same firozkari technique. The entire outer surface is studded with rubies and emeralds placed in recesses prepared for them. The technique of inlaying with turquoise and gold was used to decorate the covers of the Qur’an, particularly during the last quarter of the 10th century / second half of the 16th century. Turquoise is a greenish-blue gemstone, and in Turkish popular culture, to this day, it is considered a talisman to ward off the evil eye (envy); It is believed to prevent misfortunes and unpleasant incidents. These types of orange blossom water bottles, which were elaborately made and encrusted with precious stones, were often used by court officials in the Ottoman era. They were made of gold, silver, porcelain, and glass, and were characterized by long necks, narrow mouths, and large bodies. It was also used to pour orange blossom water or sprinkle it on the hands of guests, as well as in religious meetings and celebrations, such as Mawlid (celebrating the Prophet’s Birthday). These flasks were usually carried on a tray and used alongside the incense burner during these rituals.
Sample Text Alev Özay “Flower Water Bottle” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;tr;Mus01;29;ar
View in source Museum With No Frontiers Museum With No Frontiers - Ottoman library catalog search
Museum With No Frontiers - Ottoman library catalog search Museum With No Frontiers

Rose water bottle

(قارورة ماء زهر)
Publication Date Last quarter of the 10th century / second half of the 16th century
Publication Place - Museum of Turkish and Islamic Arts
Subject Gold, silver, other metals, ceramics, glass. It is decorated with turquoise (firozkari) and openwork.
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions الارتفاع: 32 سم
Library Museum With No Frontiers
Library Asset ID 91
Record ID object;ISL;tr;Mus01;29;ar
Library Location Museum of Turkish and Islamic Arts
Date Last quarter of the 10th century / second half of the 16th century
Notes A pear-shaped bottle with a short, rounded base. Its long, thin neck is shaped like a cypress tree, and is connected to the body by a spherical mass decorated with floral decoration. Polished turquoise pieces were lowered onto the body, and this technique is called firozkari. By etching the metal background, an openwork pattern was formed in which bouquets of lavender, roses, carnations, and cypress trees alternated. Cypress trees are also visible on the basin, and on the base are palm-shaped leaves, made using the same firozkari technique. The entire outer surface is studded with rubies and emeralds placed in recesses prepared for them. The technique of inlaying with turquoise and gold was used to decorate the covers of the Qur’an, particularly during the last quarter of the 10th century / second half of the 16th century. Turquoise is a greenish-blue gemstone, and in Turkish popular culture, to this day, it is considered a talisman to ward off the evil eye (envy); It is believed to prevent misfortunes and unpleasant incidents. These types of orange blossom water bottles, which were elaborately made and encrusted with precious stones, were often used by court officials in the Ottoman era. They were made of gold, silver, porcelain, and glass, and were characterized by long necks, narrow mouths, and large bodies. It was also used to pour orange blossom water or sprinkle it on the hands of guests, as well as in religious meetings and celebrations, such as Mawlid (celebrating the Prophet’s Birthday). These flasks were usually carried on a tray and used alongside the incense burner during these rituals.
Sample Text Alev Özay “Flower Water Bottle” in Discover Islamic Art. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;ISL;tr;Mus01;29;ar
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