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[Calligraphic Specimen, early 19th century?]. [Muraqqa with good calligraphy, early 19th century AD?].
( مرقع حسن الخط اوائل القرن م؟)

Title	[Calligraphic Specimen, early 19th century?]. [Muraqqa with good calligraphy, early 19th century AD?].
Title Original	مرقع حسن الخط اوائل القرن م؟
Publication Date:	1800
Subject	Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Turkish > Specimens. Calligraphy, Persian > Specimens.
Type	Document
Language	fas,ota
Digital	Yes
Manuscript	Yes
Physical Dimensions	12 panels : paper ; 343 x 215 (200 x 113) mm.
Library:	Columbia University Libraries
Record ID	ht006805360
Library Location	Online
Date	1800
Notes	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. Layout: Written in four lines per page with logograph for "سعي" under each line. Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Jāmī, 1414-1492. Poems. Selection. جامى. اشعار. منتخبات
Sample Text	Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).
Ayrıca Şu Başlıklar Altında	Ömer Sırrı, calligrapher. عمر سرى، خطاط.
İçinde	Abdul Hamid Collection.
Köken	Clean copy.
Kaynaklar	Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169 Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56 Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84 University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8
WorldCat	https://www.worldcat.org/oclc/1194797205

View in source Columbia University Libraries

Columbia University Libraries

[Calligraphic Specimen, early 19th century?]. [Muraqqa with good calligraphy, early 19th century AD?].

( مرقع حسن الخط اوائل القرن م؟)

Publication Date 1800

Subject Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Turkish > Specimens. Calligraphy, Persian > Specimens.

Type Document

Language fas,ota

Digital Yes

Manuscript Yes

Physical Dimensions 12 panels : paper ; 343 x 215 (200 x 113) mm.

Library Columbia University Libraries

Record ID ht006805360

Library Location Online

Date 1800

Notes Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. Layout: Written in four lines per page with logograph for "سعي" under each line. Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Jāmī, 1414-1492. Poems. Selection. جامى. اشعار. منتخبات

Sample Text Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).

Ayrıca Şu Başlıklar Altında Ömer Sırrı, calligrapher. عمر سرى، خطاط.

İçinde Abdul Hamid Collection.

Köken Clean copy.

Kaynaklar Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169 Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56 Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84 University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8

WorldCat https://www.worldcat.org/oclc/1194797205