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The life of music teacher Hacı Emin Bey and the works he composed

Title	The life of music teacher Hacı Emin Bey and the works he composed
Author	Hepgur, Turkan
Author Original	Hepgür, Türkan
Publication Date:	1995
Publication Place	İstanbul - Istanbul Technical University
Subject	Compositions, Turkish.Music Teachers_Biyografi_Türkiye.Composing_Turkish.Music teaching_Biography_Turkey.
Type	Document
Language	Turkish
Digital	No
Manuscript	No
Pages Count	83
Physical Dimensions	83 s. : nota ; 30 cm.
Library:	Istanbul Research Institute Library
Library Asset ID	0033692
Record ID	1827830
Library Location	3rd Floor Warehouse (Consult the librarian) - Alaeddin Yavaşca - Istanbul Technical University
Date	05.01.2023
Sample Text	This Master's Thesis in the field of Turkish Classical Music, Istanbul Technical University, Social Sciences Institute, Fine Arts Department, includes the Life of Notation Teacher Hacı Emin Bey and the Works He Composed. In the first stage of this study, originals of the works were obtained as much as possible. Research was conducted in various libraries in Istanbul and T.R.T. The repertoire was examined. The seized works were translated from old Turkish to today's Turkish. Some of the works that we could not show with documents were identified from the indexes at the back of some of the original notes provided. Then, the catalog work was started and during this study, there were 260 works from the sequentially numbered publications of the Notation Teacher Hacı Emin Bey, the works of 87 composers were included, there were works in the form of peşrev, saz semai, sirto, song, march, polka, mazurka and waltz, there were works in 30 different modes and 22 different modes, and some of the works of the Notation Teacher Hacı Emin Bey were included in his own terms. It was determined that he used rhythmic rhythms, composed 53 works in the forms of peşrev saz semai, song, march, waltz, mazurka, canto and polka, had some of his works harmonized, and his publications were printed in 7 different printing houses. In addition, as a result of this examination, most of the compositions of Notation Teacher Hacı Emin Bey are T.R.T. It was also determined that it was not in the repertoire. The works of Notation Teacher Hacı Emin Bey that we can identify are Acemaşiran Peşrevi in the light Düyek style, Saba Peşrevi in the Light Düyek style, Hicaz Peşrevi in the Light Düyek style, Nev- Eda Peşrevi in the Fer style, Nihavend Peşrevi in the Light Düyek style, Nev- Eda Saz Semai, Hicaz Sirto, Nihavend Sirto, Suznak. Sirto, Uşşak Sirto, Hicazkar Şarkı (Laughing suits your rose face, my rose-i dear), Hüseyni Şarkı (I became a tongue-in-cheek), Hüseyni Şarkı (There was no time in the heart), Hüzzam Şarkı (I attached my heart to a rose-i rana), Hicazkar Şarkı (The heart became dice from the work of nazre-i suziş), Nev-Eda Şarkı (Listen to the instrument, my love, O lover), Nihavend Şarkı (The soul falls ill from the violence of love), Nihavend Song (The heart is relieved by the remembrance of your beauty), Nihavend Song (Why did you turn away the suffering of the soul), Rast Song (O my beautiful-eyed bride), Rast Song (It's spring, open up, O verd-i world), Rast Song (How can the tongue find solace in the trouble of love, O fairy), Suznak Song (My beloved from eternity). who is a lover of suzana), Suznak Song (Good news to you, O shivekar), Song as Hora (Take the handkerchief in your hand), Song as Mazurka (Let's go to Göksu tomorrow), Song as Polka (Hand without hearing), Ball Waltz with Song (From the fountain-i purhun-ü evil that drinks a tar), Kanto Wine (What happens is merüz-i addicted bela-yi hijr-i yar ile), Autumn Canto (Autumn's pleasure is pleasant, hold your hand and run with your hand), March of IIVasfı (Re m), March of Nefceti (La m), March of Nudi (?), March of Harmancı (Sol M), March Ate (Sol m), Shepherd's March (Sol M), March Lansiye (Sol M), Balıkça Mazurka (Do M), African Mazurka (Fa). M) There are fifty-three of them: Waltz (Fa M) and Water Waltz (Do M). Except for eight of these fifty-three works composed by the notation teacher Hacı Emin Bey, all but eight have been obtained and documented. /
Anabilim Dalı	Güzel Sanatlar Anasanat Dalı
Bilim Dalı	Musıki Sanat Dalı-Türk Sanat Müziği Alanı
Enstitü	Sosyal Bilimler Enstitüsü
Alt Tür	Yüksek Lisans
Durum	Rafta
Ortam	Kağıt
Şekil	Basılı

View in source Istanbul Research Institute Library

Istanbul Research Institute Library

The life of music teacher Hacı Emin Bey and the works he composed

Author Hepgur, Turkan

Author Original Hepgür, Türkan

Publication Date 1995

Publication Place İstanbul - Istanbul Technical University

Subject Compositions, Turkish.Music Teachers_Biyografi_Türkiye.Composing_Turkish.Music teaching_Biography_Turkey.

Type Document

Language Turkish

Digital No

Manuscript No

Pages Count 83

Physical Dimensions 83 s. : nota ; 30 cm.

Library Istanbul Research Institute Library

Library Asset ID 0033692

Record ID 1827830

Library Location 3rd Floor Warehouse (Consult the librarian) - Alaeddin Yavaşca - Istanbul Technical University

Date 05.01.2023

Sample Text This Master's Thesis in the field of Turkish Classical Music, Istanbul Technical University, Social Sciences Institute, Fine Arts Department, includes the Life of Notation Teacher Hacı Emin Bey and the Works He Composed. In the first stage of this study, originals of the works were obtained as much as possible. Research was conducted in various libraries in Istanbul and T.R.T. The repertoire was examined. The seized works were translated from old Turkish to today's Turkish. Some of the works that we could not show with documents were identified from the indexes at the back of some of the original notes provided. Then, the catalog work was started and during this study, there were 260 works from the sequentially numbered publications of the Notation Teacher Hacı Emin Bey, the works of 87 composers were included, there were works in the form of peşrev, saz semai, sirto, song, march, polka, mazurka and waltz, there were works in 30 different modes and 22 different modes, and some of the works of the Notation Teacher Hacı Emin Bey were included in his own terms. It was determined that he used rhythmic rhythms, composed 53 works in the forms of peşrev saz semai, song, march, waltz, mazurka, canto and polka, had some of his works harmonized, and his publications were printed in 7 different printing houses. In addition, as a result of this examination, most of the compositions of Notation Teacher Hacı Emin Bey are T.R.T. It was also determined that it was not in the repertoire. The works of Notation Teacher Hacı Emin Bey that we can identify are Acemaşiran Peşrevi in the light Düyek style, Saba Peşrevi in the Light Düyek style, Hicaz Peşrevi in the Light Düyek style, Nev- Eda Peşrevi in the Fer style, Nihavend Peşrevi in the Light Düyek style, Nev- Eda Saz Semai, Hicaz Sirto, Nihavend Sirto, Suznak. Sirto, Uşşak Sirto, Hicazkar Şarkı (Laughing suits your rose face, my rose-i dear), Hüseyni Şarkı (I became a tongue-in-cheek), Hüseyni Şarkı (There was no time in the heart), Hüzzam Şarkı (I attached my heart to a rose-i rana), Hicazkar Şarkı (The heart became dice from the work of nazre-i suziş), Nev-Eda Şarkı (Listen to the instrument, my love, O lover), Nihavend Şarkı (The soul falls ill from the violence of love), Nihavend Song (The heart is relieved by the remembrance of your beauty), Nihavend Song (Why did you turn away the suffering of the soul), Rast Song (O my beautiful-eyed bride), Rast Song (It's spring, open up, O verd-i world), Rast Song (How can the tongue find solace in the trouble of love, O fairy), Suznak Song (My beloved from eternity). who is a lover of suzana), Suznak Song (Good news to you, O shivekar), Song as Hora (Take the handkerchief in your hand), Song as Mazurka (Let's go to Göksu tomorrow), Song as Polka (Hand without hearing), Ball Waltz with Song (From the fountain-i purhun-ü evil that drinks a tar), Kanto Wine (What happens is merüz-i addicted bela-yi hijr-i yar ile), Autumn Canto (Autumn's pleasure is pleasant, hold your hand and run with your hand), March of IIVasfı (Re m), March of Nefceti (La m), March of Nudi (?), March of Harmancı (Sol M), March Ate (Sol m), Shepherd's March (Sol M), March Lansiye (Sol M), Balıkça Mazurka (Do M), African Mazurka (Fa). M) There are fifty-three of them: Waltz (Fa M) and Water Waltz (Do M). Except for eight of these fifty-three works composed by the notation teacher Hacı Emin Bey, all but eight have been obtained and documented. /

Anabilim Dalı Güzel Sanatlar Anasanat Dalı

Bilim Dalı Musıki Sanat Dalı-Türk Sanat Müziği Alanı

Enstitü Sosyal Bilimler Enstitüsü

Alt Tür Yüksek Lisans

Durum Rafta

Ortam Kağıt

Şekil Basılı