Plaque

عنوان Plaque
نویسنده 'Abd Al-Rahman Ibn Zayyan (maker)
محل انتشار Cuenca (made, probably) -
موضوع Islam
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
کتابخانه: Victoria and Albert Museum
شناسه دارایی کتابخانه 4075-1857
شماره ثبت 4075-1857
محل کتابخانه Middle East Section
یادداشت‌ها Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Malzemeler ve teknikler Carved ivory Ivory Carved
Fiziksel açıklama Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Üretim This plaque is very similar in style to the objects made in the workshop of 'Abd al-Rahman ibn Zayyan, whose signature is found on the 'Palencia casket', made at Cuenca in 441 AH / 1049-50 AD, now in the Museo Arqueológico Nacional (Madrid).
Üslup Taifa Al-Andalus
مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی Victoria and Albert Museum

Plaque

نویسنده 'Abd Al-Rahman Ibn Zayyan (maker)
محل انتشار Cuenca (made, probably) -
موضوع Islam
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
کتابخانه Victoria and Albert Museum
شناسه دارایی کتابخانه 4075-1857
شماره ثبت 4075-1857
محل کتابخانه Middle East Section
یادداشت‌ها Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Malzemeler ve teknikler Carved ivory Ivory Carved
Fiziksel açıklama Small carved ivory plaque which would once have formed the front wall of a casket. It features decoration of an upside-down heart-shaped palmette which forms the base of a tree, whose branches develop into scrolling roundels inhabited by symmetrically-placed gazelles (on the bottom) and birds (at the centre), with a crown of leaves at the top. The animals hold plant shoots in their mouths, which is a characteristic of ivories produced under the patronage of the taifa rulers of Toledo, as is the heart-shaped palmette. The style of the carving is very similar to that on the 'Palencia casket', which is now in the Museo Arqueológico Nacional (Madrid). This was signed by the craftsman, 'Abd al-Rahman ibn Zayyan, and dated 441 AH / 1049-50 AD. The centre of production was at Cuenca, a small town near Toledo, as we know from the inscriptions on other extant ivories from this workshop. The small rectangular box near the top of the plaque would originally have been left uncarved, and the casket's lockplate would have been attached here. However, this plain area of ivory was recarved at a later date, probably in the 13th century, to bear the bust of an angel giving a blessing. This speaks of the survival of this object, which must have found its way into the Treasury of some Cathedral in Northern Spain. This was the means of preservation of many ivory caskets made in Al-Andalus, and several were 'restored' by having missing sections replaced by enamel plaques.
Üretim This plaque is very similar in style to the objects made in the workshop of 'Abd al-Rahman ibn Zayyan, whose signature is found on the 'Palencia casket', made at Cuenca in 441 AH / 1049-50 AD, now in the Museo Arqueológico Nacional (Madrid).
Üslup Taifa Al-Andalus
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
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