Hutut-ı mütenevvia-yı İslamiye albümü, [914 to 1317, i.e. 1508 to 1900]. خطوط متنوعۀ اسلاميه البومى, [914ه الى 1317ه، 1508م الى 1900م].
( خطوط متنوعۀ اسلاميه البومى ه الى ه، م الى م)

İsim	Hutut-ı mütenevvia-yı İslamiye albümü, [914 to 1317, i.e. 1508 to 1900]. خطوط متنوعۀ اسلاميه البومى, [914ه الى 1317ه، 1508م الى 1900م].
İsim Orijinal	خطوط متنوعۀ اسلاميه البومى ه الى ه، م الى م
Basım Tarihi:	1508
Konu	Manuscripts, Persian > Michigan > Ann Arbor. Manuscripts, Arabic > Michigan > Ann Arbor. Calligraphy, Persian > Specimens. Calligraphy, Arabic > Specimens. Writing, Arabic > Specimens. Islamic calligraphy > Specimens.
Tür	Belge
Dil	ara,fas
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	22 panels : paper ; 300 x 400 bound to 320 x 425 mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006814657
Lokasyon	Online
Tarih	1508
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 438 Origin: Dated pieces range from 914 [1508 or 9] to 1317 [1899 or 1900]. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II. Former shelfmark: "210" inscribed in pencil on opening panel. Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel with the Ottoman arms (upper cover) or crescent and star (lower cover) gold-stamped on bright green satin, outlined in gold-tooled stars and bordered in gold-stamped (with light green-gold onlays) decorative panels in vegetal designs with crescents gold-stamped on mint-green silk onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of silk onlays, etc. Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted or marbled ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper with edges gold-painted. Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes) ; two miniatures, one in Indian style, the other Persian, each featuring a pair of lovers. Script: Naskh (nesih), thuluth (sülüs) and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands. Layout: Varies greatly by piece. Collation: Twenty-two heavy panels (pasteboards) attached via red cloth stubs (supported by further board). Title from upper cover. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - 44. fol.22b : [blank]. 43. fol.22a : piece in nastaʻlīq (talik) in cut-work / cut-out calligraphy, undated, with signature "شهري" Şehrî (compare Calligraphie islamique: Textes sacrés et profanes, no.140). 42. fol.21b : piece in nastaʻlīq (talik) signed by the calligrapher Dedezade (مشقه الفقير الحقير دده زاده) and undated. 41. fol.21a : piece in naskh, apparently continuation of an icazetname (license) opening on fol.17b. The icazet (ijāzah) is apparently granted by the calligrapher Hocazade Seyyid Ahmed (d.1759), authorizing a student es-Seyyid Mustafa Efendi (صاحب هذه الخط من تلميذي السيد مصطفى افندى) to sign his name to his work and to teach others. The texts here (by calligrapher and teacher issuing the icazet) continue the piece on fol.17b. 40. fol.20b : piece in nastaʻlīq signed by the calligrapher Asad Allāh Shīrāzī (العبد المذنب اسد الله شيرازى) and dated 1254 [1838 or 9]. 39. fol.20a : piece in celi sülüs signed by the calligrapher Mahmut Celalettin (Mahmud Celaleddin Efendi, d.1829, حرره محمود جلال الدين) and undated. 38. fol.19b : piece in thuluth and naskh signed by the calligrapher Mustafa b. Osman Keskin (fl.1758) (الفقير مصطفى بن عثمان المعروف بكسكين) and dated 1172 [1758 or 9]. 37. fol.19a : piece in nastaʻlīq signed by the calligrapher Mīr ʻImād al-Ḥasanī (d.1615) (مشقه عماد الحسنى) and undated (compare Calligraphy and the decorative arts of Islam, no.7). 36. fol.18b : piece in nastaʻlīq signed by the calligrapher Faqīr ʻAlī (فقير على) and undated (compare Calligraphy and the decorative arts of Islam, no.8). 35. fol.18a : piece in thuluth and naskh signed by the calligrapher Ahmet b. Ali Kütâhî (سوده احمد بن على المعروف بالكوتاهى) dated 1100 [1688 or 9]. 34. fol.17b : piece in naskh accompanied by statement with signature of the calligrapher Hocazade Seyyid Ahmed (d.1759) (كتبه الفقير الى رحمة ربه القدير السيد احمد المعروف بخواجه زاده) with date 1161 [1748]. Apparently opening of an icazetname (license) continued in the piece on fol.21a for es-Seyyid Mustafa Efendi. 33. fol.17a : piece in naskh signed by the calligrapher Derviş Ali [possibly İkinci Derviş Ali, d.1716] (الحقير درويش على) and undated. 32. fol.16b : piece in nastaʻlīq signed by the calligrapher Muḥammad Muhtadī (الحقر المذنب محمد مهتدى) and undated. 31. fol.16a : unsigned piece in thuluth and naskh, undated. 30. fol.15b : piece in thuluth and naskh signed by the calligrapher al-Sayyid ʻAbd Allāh (likely Yedikuleli Seyyid Abdullah, d.1731, "كتبه السيد عبد الله") and undated. 29. fol.15a : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated. 28. fol.14b : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated. 27. fol.14a : piece in nastaʻlīq signed by the calligrapher Muʻizz al-Dīn Muḥammad al-Ḥusaynī (كتبه معز الدين محمد الحسينى) and dated 986 [1578 or 9]. 26. fol.13b : piece in thuluth and naskh accompanied by signature of the calligrapher Hocazade Mehmed (لتكامل خطه حسنا كتبت له اذنا وانا الفقير محمد خواجه زاده) and date 1162 [1749]. 25. fol.13a : piece in thuluth and naskh signed by the calligrapher Şekerzâde Mehmet Efendi (d.1753) (كتبه السيد محمد المعروف بشكر زاده) and dated 1144 [1731 or 2]. 24. fol.12b : unsigned piece in nastaʻlīq, undated. 23. fol.12a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Bāqī (Abdülbâki / الفقير المذنب عبد الباقى) and undated. 22. fol.11b : piece in thuluth and naskh signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1114 [1702 or 3]. 21. fol.11a : piece in nastaʻlīq signed by the calligrapher Aḥmad Rashīd (الفقير احمد رشيد) and dated 1194 [1780]. 20. fol.10b : unsigned piece in naskh, undated. 19. fol.10a : piece in nastaʻlīq signed by the calligrapher Muḥammad Amīn al-Ḥusaynī al-Tirmidhī (مشقه المذنب محمد امين الحسينى الترمذى) dated 1010 [1601 or 2]. 18. fol.9b: piece in thluth signed by the calligrapher Hulusi (پر تقصير خلوصى) and dated 1128 [1715 or 16]. 17. fol.9a : piece in thuluth signed by the calligrapher Hulusi (الفقير خلوصى) and dated 1128 [1715 or 16]. 16. fol.8b : piece in naskh appearing to be the opening of the piece on fol.8a. 15. fol.8a : piece in naskh (appearing to be the continuation of the piece on fol.8b) signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1120 [1708 or 9 ]. 14. fol.7b : piece in nastaʻlīq signed by the calligrapher Maḥmūd Isḥāq Shihābī (مشقه محمود اسحق شهابى) and undated. 13. fol.7a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Jabbār (الفقير الحقير المذنب الراجي عبد الجبار غفر له) and undated. 12. fol.6b : unsigned piece in nastaʻlīq, undated. 11. fol.6a : piece in thuluth and naskh signed by the calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876) (حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء) and dated 1288 [1871 or 2]. 10. fol.5b : piece in thuluth and naskh signed by the calligrapher Hulusi (الفقير خلوصى) and undated. 9. fol.5a : piece with text in nastaʻlīq (possibly signed ʻAbd al-Raḥmān) surrounding oval with unfinished drawing. 8. fol.4b : piece in nastaʻlīq signed by the calligrapher Mīr ʻAlī ("مشقه المذنب مير على") and undated. 7. fol.4a : painting of two lovers, likely Safavid. 6. fol.3b : painting of two lovers, in Mughal style. 5. fol.3a : piece in nastaʻlīq signed by the calligrapher Badīʻ al-Zamān Quṭbʹshāhī (بديع الزمان قطبشاهى) and undated. 4. fol.2b : unsigned piece in nastaʻlīq. 3. fol.2a : piece in nastaʻlīq signed by the calligrapher Sulṭān Muḥammad Khandān (سلطان محمد خندان) and dated 914 [1508 or 9]. 2. fol.1b : piece in thuluth and naskh signed by the calligrapher Mehmet Hilmi (محمد حلمى) and dated 1283 [1866 or 7] with illuminations signed by the illuminator Osman Yümni Efendi (d.1919) (عثمان يمنى) and dated 1317 [1899 or 1900]. 1. fol.1a : [blank].
Örnek Metin	Exquisite album of assorted calligraphic specimens (42 kıt'alar / pieces), many signed, likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Mamoun Sakkal.
İçinde	Abdul Hamid Collection.
Köken	Upper cover stamped with Ottoman arms (arma / آرما ), tuğra (ṭughrā / طغرا) at head only faintly visible though likely that of Sultan Abdülhamit II.
Kaynaklar	Calligraphie islamique: Textes sacrés et profanes [= Islamic calligraphy: Sacred and secular writings]. (Geneva : Musée d'art et d'histoire and Treasures of Islam, 1988), no.140 Grube, Ernest J. Calligraphy and the decorative arts of Islam. (London: Bluett & Sons Ltd, 1976), nos. 7 and 8 Blair, Sheila. Islamic calligraphy. Edinburgh: Edinburgh University Press, 2006. Bayānī, Mahdī. Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān. [Tehran] : Dānishgāh-i Tihrān, 1345 [1966]. Rado, Şevket. Türk hattatları : XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. İstanbul : Yayın Matbaacılık Ticaret Limited Şti., [1984?]. Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998. Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Akademik Araştırmalar Dergisi 2, 4-5, (2000). Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.4, p.83
WorldCat	https://www.worldcat.org/oclc/1194845732

Kaynağa git Columbia Üniversitesi Kütüphaneleri Columbia University Libraries

Aramaya Dön

Columbia Üniversitesi Kütüphaneleri

Kaynağa git

Hutut-ı mütenevvia-yı İslamiye albümü, [914 to 1317, i.e. 1508 to 1900]. خطوط متنوعۀ اسلاميه البومى, [914ه الى 1317ه، 1508م الى 1900م].

( خطوط متنوعۀ اسلاميه البومى ه الى ه، م الى م)

Basım Tarihi 1508

Konu Manuscripts, Persian > Michigan > Ann Arbor. Manuscripts, Arabic > Michigan > Ann Arbor. Calligraphy, Persian > Specimens. Calligraphy, Arabic > Specimens. Writing, Arabic > Specimens. Islamic calligraphy > Specimens.

Tür Belge

Dil ara,fas

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 22 panels : paper ; 300 x 400 bound to 320 x 425 mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006814657

Lokasyon Online

Tarih 1508

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 438 Origin: Dated pieces range from 914 [1508 or 9] to 1317 [1899 or 1900]. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II. Former shelfmark: "210" inscribed in pencil on opening panel. Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel with the Ottoman arms (upper cover) or crescent and star (lower cover) gold-stamped on bright green satin, outlined in gold-tooled stars and bordered in gold-stamped (with light green-gold onlays) decorative panels in vegetal designs with crescents gold-stamped on mint-green silk onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of silk onlays, etc. Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted or marbled ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper with edges gold-painted. Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes) ; two miniatures, one in Indian style, the other Persian, each featuring a pair of lovers. Script: Naskh (nesih), thuluth (sülüs) and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands. Layout: Varies greatly by piece. Collation: Twenty-two heavy panels (pasteboards) attached via red cloth stubs (supported by further board). Title from upper cover. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - 44. fol.22b : [blank]. 43. fol.22a : piece in nastaʻlīq (talik) in cut-work / cut-out calligraphy, undated, with signature "شهري" Şehrî (compare Calligraphie islamique: Textes sacrés et profanes, no.140). 42. fol.21b : piece in nastaʻlīq (talik) signed by the calligrapher Dedezade (مشقه الفقير الحقير دده زاده) and undated. 41. fol.21a : piece in naskh, apparently continuation of an icazetname (license) opening on fol.17b. The icazet (ijāzah) is apparently granted by the calligrapher Hocazade Seyyid Ahmed (d.1759), authorizing a student es-Seyyid Mustafa Efendi (صاحب هذه الخط من تلميذي السيد مصطفى افندى) to sign his name to his work and to teach others. The texts here (by calligrapher and teacher issuing the icazet) continue the piece on fol.17b. 40. fol.20b : piece in nastaʻlīq signed by the calligrapher Asad Allāh Shīrāzī (العبد المذنب اسد الله شيرازى) and dated 1254 [1838 or 9]. 39. fol.20a : piece in celi sülüs signed by the calligrapher Mahmut Celalettin (Mahmud Celaleddin Efendi, d.1829, حرره محمود جلال الدين) and undated. 38. fol.19b : piece in thuluth and naskh signed by the calligrapher Mustafa b. Osman Keskin (fl.1758) (الفقير مصطفى بن عثمان المعروف بكسكين) and dated 1172 [1758 or 9]. 37. fol.19a : piece in nastaʻlīq signed by the calligrapher Mīr ʻImād al-Ḥasanī (d.1615) (مشقه عماد الحسنى) and undated (compare Calligraphy and the decorative arts of Islam, no.7). 36. fol.18b : piece in nastaʻlīq signed by the calligrapher Faqīr ʻAlī (فقير على) and undated (compare Calligraphy and the decorative arts of Islam, no.8). 35. fol.18a : piece in thuluth and naskh signed by the calligrapher Ahmet b. Ali Kütâhî (سوده احمد بن على المعروف بالكوتاهى) dated 1100 [1688 or 9]. 34. fol.17b : piece in naskh accompanied by statement with signature of the calligrapher Hocazade Seyyid Ahmed (d.1759) (كتبه الفقير الى رحمة ربه القدير السيد احمد المعروف بخواجه زاده) with date 1161 [1748]. Apparently opening of an icazetname (license) continued in the piece on fol.21a for es-Seyyid Mustafa Efendi. 33. fol.17a : piece in naskh signed by the calligrapher Derviş Ali [possibly İkinci Derviş Ali, d.1716] (الحقير درويش على) and undated. 32. fol.16b : piece in nastaʻlīq signed by the calligrapher Muḥammad Muhtadī (الحقر المذنب محمد مهتدى) and undated. 31. fol.16a : unsigned piece in thuluth and naskh, undated. 30. fol.15b : piece in thuluth and naskh signed by the calligrapher al-Sayyid ʻAbd Allāh (likely Yedikuleli Seyyid Abdullah, d.1731, "كتبه السيد عبد الله") and undated. 29. fol.15a : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated. 28. fol.14b : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated. 27. fol.14a : piece in nastaʻlīq signed by the calligrapher Muʻizz al-Dīn Muḥammad al-Ḥusaynī (كتبه معز الدين محمد الحسينى) and dated 986 [1578 or 9]. 26. fol.13b : piece in thuluth and naskh accompanied by signature of the calligrapher Hocazade Mehmed (لتكامل خطه حسنا كتبت له اذنا وانا الفقير محمد خواجه زاده) and date 1162 [1749]. 25. fol.13a : piece in thuluth and naskh signed by the calligrapher Şekerzâde Mehmet Efendi (d.1753) (كتبه السيد محمد المعروف بشكر زاده) and dated 1144 [1731 or 2]. 24. fol.12b : unsigned piece in nastaʻlīq, undated. 23. fol.12a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Bāqī (Abdülbâki / الفقير المذنب عبد الباقى) and undated. 22. fol.11b : piece in thuluth and naskh signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1114 [1702 or 3]. 21. fol.11a : piece in nastaʻlīq signed by the calligrapher Aḥmad Rashīd (الفقير احمد رشيد) and dated 1194 [1780]. 20. fol.10b : unsigned piece in naskh, undated. 19. fol.10a : piece in nastaʻlīq signed by the calligrapher Muḥammad Amīn al-Ḥusaynī al-Tirmidhī (مشقه المذنب محمد امين الحسينى الترمذى) dated 1010 [1601 or 2]. 18. fol.9b: piece in thluth signed by the calligrapher Hulusi (پر تقصير خلوصى) and dated 1128 [1715 or 16]. 17. fol.9a : piece in thuluth signed by the calligrapher Hulusi (الفقير خلوصى) and dated 1128 [1715 or 16]. 16. fol.8b : piece in naskh appearing to be the opening of the piece on fol.8a. 15. fol.8a : piece in naskh (appearing to be the continuation of the piece on fol.8b) signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1120 [1708 or 9 ]. 14. fol.7b : piece in nastaʻlīq signed by the calligrapher Maḥmūd Isḥāq Shihābī (مشقه محمود اسحق شهابى) and undated. 13. fol.7a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Jabbār (الفقير الحقير المذنب الراجي عبد الجبار غفر له) and undated. 12. fol.6b : unsigned piece in nastaʻlīq, undated. 11. fol.6a : piece in thuluth and naskh signed by the calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876) (حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء) and dated 1288 [1871 or 2]. 10. fol.5b : piece in thuluth and naskh signed by the calligrapher Hulusi (الفقير خلوصى) and undated. 9. fol.5a : piece with text in nastaʻlīq (possibly signed ʻAbd al-Raḥmān) surrounding oval with unfinished drawing. 8. fol.4b : piece in nastaʻlīq signed by the calligrapher Mīr ʻAlī ("مشقه المذنب مير على") and undated. 7. fol.4a : painting of two lovers, likely Safavid. 6. fol.3b : painting of two lovers, in Mughal style. 5. fol.3a : piece in nastaʻlīq signed by the calligrapher Badīʻ al-Zamān Quṭbʹshāhī (بديع الزمان قطبشاهى) and undated. 4. fol.2b : unsigned piece in nastaʻlīq. 3. fol.2a : piece in nastaʻlīq signed by the calligrapher Sulṭān Muḥammad Khandān (سلطان محمد خندان) and dated 914 [1508 or 9]. 2. fol.1b : piece in thuluth and naskh signed by the calligrapher Mehmet Hilmi (محمد حلمى) and dated 1283 [1866 or 7] with illuminations signed by the illuminator Osman Yümni Efendi (d.1919) (عثمان يمنى) and dated 1317 [1899 or 1900]. 1. fol.1a : [blank].

Örnek Metin Exquisite album of assorted calligraphic specimens (42 kıt'alar / pieces), many signed, likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Mamoun Sakkal.

İçinde Abdul Hamid Collection.

Köken Upper cover stamped with Ottoman arms (arma / آرما ), tuğra (ṭughrā / طغرا) at head only faintly visible though likely that of Sultan Abdülhamit II.

Kaynaklar Calligraphie islamique: Textes sacrés et profanes [= Islamic calligraphy: Sacred and secular writings]. (Geneva : Musée d'art et d'histoire and Treasures of Islam, 1988), no.140 Grube, Ernest J. Calligraphy and the decorative arts of Islam. (London: Bluett & Sons Ltd, 1976), nos. 7 and 8 Blair, Sheila. Islamic calligraphy. Edinburgh: Edinburgh University Press, 2006. Bayānī, Mahdī. Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān. [Tehran] : Dānishgāh-i Tihrān, 1345 [1966]. Rado, Şevket. Türk hattatları : XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. İstanbul : Yayın Matbaacılık Ticaret Limited Şti., [1984?]. Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998. Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Akademik Araştırmalar Dergisi 2, 4-5, (2000). Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.4, p.83

WorldCat https://www.worldcat.org/oclc/1194845732