[Calligraphic Specimen, early 19th century?]. [مرقع حسن الخط, اوائل القرن 19م؟].
( مرقع حسن الخط اوائل القرن م؟)

İsim	[Calligraphic Specimen, early 19th century?]. [مرقع حسن الخط, اوائل القرن 19م؟].
İsim Orijinal	مرقع حسن الخط اوائل القرن م؟
Basım Tarihi:	1800
Konu	Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Turkish > Specimens. Calligraphy, Persian > Specimens.
Tür	Belge
Dil	fas,ota
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	12 panels : paper ; 343 x 215 (200 x 113) mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006805360
Lokasyon	Online
Tarih	1800
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. Layout: Written in four lines per page with logograph for "سعي" under each line. Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Jāmī, 1414-1492. Poems. Selection. جامى. اشعار. منتخبات
Örnek Metin	Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).
Ayrıca Şu Başlıklar Altında	Ömer Sırrı, calligrapher. عمر سرى، خطاط.
İçinde	Abdul Hamid Collection.
Köken	Clean copy.
Kaynaklar	Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169 Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56 Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84 University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8
WorldCat	https://www.worldcat.org/oclc/1194797205

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[Calligraphic Specimen, early 19th century?]. [مرقع حسن الخط, اوائل القرن 19م؟].

( مرقع حسن الخط اوائل القرن م؟)

Basım Tarihi 1800

Konu Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Turkish > Specimens. Calligraphy, Persian > Specimens.

Tür Belge

Dil fas,ota

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 12 panels : paper ; 343 x 215 (200 x 113) mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006805360

Lokasyon Online

Tarih 1800

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. Layout: Written in four lines per page with logograph for "سعي" under each line. Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Jāmī, 1414-1492. Poems. Selection. جامى. اشعار. منتخبات

Örnek Metin Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).

Ayrıca Şu Başlıklar Altında Ömer Sırrı, calligrapher. عمر سرى، خطاط.

İçinde Abdul Hamid Collection.

Köken Clean copy.

Kaynaklar Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169 Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56 Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84 University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8

WorldCat https://www.worldcat.org/oclc/1194797205