Shahnama (Shah Tahmasp)

Name: Shahnama (Shah Tahmasp)
Author: Firdausi

İsim	Shahnama (Shah Tahmasp)
Yazar	Firdausi
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	9
Fiziksel Boyutlar	Detached manuscript folios. Various separate pages .
Kütüphane:	Cambridge Dijital Kütüphanesi
Kayıt Numarası	MS-AGAKHAN-AKM155-00006-00162-00005-00495-00007-00903
Lokasyon	Aga Khan Museum — Aga Khan Museum AKM155-6, 162-5, 495-7, 903
Tarih	Gregorian: 1535/Yca/---/--.-1535-1535
Notlar	Ten folios from the famous Shah Tahmasp Shahnama.There is a massive volume of studies and publications concerning this manuscript, the most celebrated and luxurious of all illustrated copies of the poem. The most recent work of Sheila Canby has reproduced the images of the whole manuscript, and a similar effort was undertaken in Tehran, where the bulk of the paintings outside the Metropolitan Museum are held (Museum of Contemporary Arts).As the colophon page is missing and the date of most of the paintings is unknown, they have been set a generic date here of c. 1535.Many of the folios in the Aga Khan's collection were exhibited at the Musee Rath in Geneva in 1985, see Toby Falk et al. Tresors de l'Islam, pp. 72-91.See also, Dispersed
İlişkili Ad(lar)	Aqa Mirak; Sultan Muhammad; Sultan Muhammad and Mir Sayyid 'Ali; 'Abd al-'Aziz; Qadimi and 'Abd al-Vahhab; Muzaffar 'Ali; Shaykh Muhammad; Mirza 'Ali; Dust Muhammad; Shah Tahmasp
Bibliyografya	Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.
Süsleme	Firdausi and the poets of GhaznaFolio number: 001rPainter:Aqa MirakNotes: Formerly in Geneva, Formerly in Geneva, M. 185 (2005.1.156). Folio recorded as 470x318, text 269x170 mm. Attributed to Aqa Mirak, the picture is supposed to include the figure of the young Shah Tahmasp, standing on the right in the yellow robes. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 40. Location in text:Mohl -1d, Preface, first line: None, break line before: None, break line after: None, last line: None.Kayumars enthronedFolio number: 002vPainter:Sultan MuhammadNotes: Formerly in Geneva, 2005.1.165 (s/ref). There's an enormous bibliography and exhibition history for this famous painting. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 41.Location in text:Mohl 1, Kayumars (30 years), first line: 7, break line before: 9, break line after: 10.0, last line: 11.Bertels 1, Kayumars (72), first line: 7.0, break line before: 9.0, break line after: 10.0, last line: 11.Faridun brings Zahhak to Mount DamavandFolio number: 003vPainter:Sultan Muhammad and Mir Sayyid 'AliNotes: Formerly in Geneva, 2005.1.157 (M. 184). Painting attributed to Sultan Muhammad, assisted by Mir Sayyid 'Ali, c. 1535. Exhibited in Geneva, 1985, and reproduced in T. Falk (ed.), Tresors de l'Islam, pl. 45, and Sheila Canby, Princes, poets and paladins, pl. 26.Location in text:Mohl 5, Zahhak (1000 years), first line: 526, break line before: 526, break line after: 527.0, last line: 531.Faridun tests his sonsFolio number: 004vPainter:Aqa MirakNotes: Ex-Sotheby's sale, London 6 April 2011, lot 78. Image available on the AKM website, folio 472x320 mm. Location in text:Mohl 6, Faridun (500 years), first line: 241, break line before: 252, break line after: 253.0, last line: 254.Faridun replies to the second message of Salm and TurFolio number: 005vPainter:'Abd al-'AzizNotes: Available on the AKM website, folio dimensions 471x320 mm. Attributed to 'Abd al-'Aziz, dated c. 1522-1535. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 47.Location in text:Mohl 6, Faridun (500 years), first line: 776, break line before: 779, break line after: 789.0, last line: 780.Scene Title:Sam receives Sindukht as envoy from the King of KabulFolio number: 006vPainter:Qadimi and 'Abd al-VahhabNotes: Identified as Painters A and C, i.e. Qadimi Gilani and 'Abd al-Vahhab Kashani. Available on AKM website, folio dimensions 465x312 mm, date c. 1525-1530.Location in text:Mohl 7, Manuchihr (120 years), first line: 1295, break line before: 1304, break line after: 1305.0, last line: 1306.Bertels 7, Manuchihr (1654), first line: 1133.0, break line before: 1141.0, break line after: 1142.0, last line: 1306.Rustam searches for Akvan DivFolio number: 007rPainter:Muzaffar 'AliNotes: Formerly in Geneva, 2005.1.162 (M. 197). Painting attributed to Muzaffar 'Ali. Exhibited at Musee Rath in Geneva, 1985; reproduced in Falk (ed.), Les tresors de l'Islam, pl. 54. Location in text:Mohl 13d, Rustam fights Akhvan Div, first line: 64, break line before: 71, break line after: 72.0, last line: 72.Bertels 19, Akvan Div (193), first line: 35.0, break line before: 42.0, break line after: 43.0, last line: 72.The first combat: Fariburz kills GulbadTitle (Persian): 1870Folio number: 008vPainter:Shaykh MuhammadNotes: Available on the AKM website, folio dimensions 472 x 320 mm. Dated c.1540. The layout of the page is interesting here, in as much as the title of the scene at the top comes half way through the text describing the first combat of the 11 rukhs. The painting itself depicts the action of the first line on the page, Fariburz striking Gulbad in the neck. The penultimate line of the scene (Mohl, 1873) has been omitted, making the cry that goes up from the army in the final line something of a non-sequitor. (Ch.M.). Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 55.Location in text:Mohl 13f, The Twelve Rukhs, first line: 1870, break line before: 1872, break line after: 1874.0, last line: 1874.Gushtasp kills a dragon in RumFolio number: 009rPainter:Mirza 'AliNotes: Formerly 2005.1.163 (M. 198). Attributed to Mirza 'Ali. Exhibited at Musee Rath in Geneva, 1985, and reproduced in Falk (ed.), Les tresors de l'Islam, pl. 56.Location in text:Mohl 14, Luhrasp (120 years), first line: 552, break line before: 556, break line after: 557.0, last line: 567.Bertels 23, Luhrasp (901), first line: 544.0, break line before: 548.0, break line after: 549.0, last line: 567.The story of Haftvad and the wormScene Title:The story of Haftvad's daughterFolio number: 010vPainter:Dust MuhammadNotes: Formerly in Geneva, 2005.1.164 (M. 199). The only painting in the Shah Tahmasp Shahnama that is signed, by the artist Dust Muhammad. It was inserted into the ms. after the rest of the work was completed. Exhibited at Musee Rath in Geneva in 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 58.Location in text:Mohl 21, The Ashkanians (200 years), first line: 514, break line before: 515, break line after: 516.0, last line: 518.Bertels 34, Ashkaniyan (777), first line: 514.0, break line before: 515.0, break line after: 516.0, last line: 518.
Mizanpaj	4 columns. 19 rows. Leaf height: 318 mm, width: 470 mm. Written height: 269 mm, width: 170 mm.
Not(lar)	Patron: Shah Tahmasp.
Menşei Yeri	Iran, Tabriz
Köken (Provenance)	Sadruddin Aga Khan. Ex Ottoman Royal Library, possibly Qajar Royal Library; Baron Edmond de Rothschild; 1959 Arthur A.Houghton, Jr.
Yazı Tipi	Nasta'liq.
Yüzyıl 1	1500s C.E.
Oluşturma Tarihi (Bağlantı Türü)	keyword search
Oluşturma Türü	creation
Yıl (Bitiş)	1535
Yıl (Başlangıç)	1535
Görüntü Hakları (Görüntüleme)	Zooming image © Aga Khan Museum.
Görüntü Hakları (İndirme)	Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1	per
Dil 1	Persian
Metadata Hakları	This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü	portrait
Filigran Beyanı	© Aga Khan Museum (CC BY-NC 4.0)

Kaynağa git Cambridge Dijital Kütüphanesi Cambridge Digital Library

Aramaya Dön

Cambridge Dijital Kütüphanesi

Kaynağa git

Shahnama (Shah Tahmasp)

Yazar Firdausi

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Sayfa Sayısı 9

Fiziksel Boyutlar Detached manuscript folios. Various separate pages .

Kütüphane Cambridge Dijital Kütüphanesi

Kayıt Numarası MS-AGAKHAN-AKM155-00006-00162-00005-00495-00007-00903

Lokasyon Aga Khan Museum — Aga Khan Museum AKM155-6, 162-5, 495-7, 903

Tarih Gregorian: 1535/Yca/---/--.-1535-1535

Notlar Ten folios from the famous Shah Tahmasp Shahnama.There is a massive volume of studies and publications concerning this manuscript, the most celebrated and luxurious of all illustrated copies of the poem. The most recent work of Sheila Canby has reproduced the images of the whole manuscript, and a similar effort was undertaken in Tehran, where the bulk of the paintings outside the Metropolitan Museum are held (Museum of Contemporary Arts).As the colophon page is missing and the date of most of the paintings is unknown, they have been set a generic date here of c. 1535.Many of the folios in the Aga Khan's collection were exhibited at the Musee Rath in Geneva in 1985, see Toby Falk et al. Tresors de l'Islam, pp. 72-91.See also, Dispersed

İlişkili Ad(lar) Aqa Mirak; Sultan Muhammad; Sultan Muhammad and Mir Sayyid 'Ali; 'Abd al-'Aziz; Qadimi and 'Abd al-Vahhab; Muzaffar 'Ali; Shaykh Muhammad; Mirza 'Ali; Dust Muhammad; Shah Tahmasp

Bibliyografya Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.

Süsleme Firdausi and the poets of GhaznaFolio number: 001rPainter:Aqa MirakNotes: Formerly in Geneva, Formerly in Geneva, M. 185 (2005.1.156). Folio recorded as 470x318, text 269x170 mm. Attributed to Aqa Mirak, the picture is supposed to include the figure of the young Shah Tahmasp, standing on the right in the yellow robes. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 40. Location in text:Mohl -1d, Preface, first line: None, break line before: None, break line after: None, last line: None.Kayumars enthronedFolio number: 002vPainter:Sultan MuhammadNotes: Formerly in Geneva, 2005.1.165 (s/ref). There's an enormous bibliography and exhibition history for this famous painting. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 41.Location in text:Mohl 1, Kayumars (30 years), first line: 7, break line before: 9, break line after: 10.0, last line: 11.Bertels 1, Kayumars (72), first line: 7.0, break line before: 9.0, break line after: 10.0, last line: 11.Faridun brings Zahhak to Mount DamavandFolio number: 003vPainter:Sultan Muhammad and Mir Sayyid 'AliNotes: Formerly in Geneva, 2005.1.157 (M. 184). Painting attributed to Sultan Muhammad, assisted by Mir Sayyid 'Ali, c. 1535. Exhibited in Geneva, 1985, and reproduced in T. Falk (ed.), Tresors de l'Islam, pl. 45, and Sheila Canby, Princes, poets and paladins, pl. 26.Location in text:Mohl 5, Zahhak (1000 years), first line: 526, break line before: 526, break line after: 527.0, last line: 531.Faridun tests his sonsFolio number: 004vPainter:Aqa MirakNotes: Ex-Sotheby's sale, London 6 April 2011, lot 78. Image available on the AKM website, folio 472x320 mm. Location in text:Mohl 6, Faridun (500 years), first line: 241, break line before: 252, break line after: 253.0, last line: 254.Faridun replies to the second message of Salm and TurFolio number: 005vPainter:'Abd al-'AzizNotes: Available on the AKM website, folio dimensions 471x320 mm. Attributed to 'Abd al-'Aziz, dated c. 1522-1535. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 47.Location in text:Mohl 6, Faridun (500 years), first line: 776, break line before: 779, break line after: 789.0, last line: 780.Scene Title:Sam receives Sindukht as envoy from the King of KabulFolio number: 006vPainter:Qadimi and 'Abd al-VahhabNotes: Identified as Painters A and C, i.e. Qadimi Gilani and 'Abd al-Vahhab Kashani. Available on AKM website, folio dimensions 465x312 mm, date c. 1525-1530.Location in text:Mohl 7, Manuchihr (120 years), first line: 1295, break line before: 1304, break line after: 1305.0, last line: 1306.Bertels 7, Manuchihr (1654), first line: 1133.0, break line before: 1141.0, break line after: 1142.0, last line: 1306.Rustam searches for Akvan DivFolio number: 007rPainter:Muzaffar 'AliNotes: Formerly in Geneva, 2005.1.162 (M. 197). Painting attributed to Muzaffar 'Ali. Exhibited at Musee Rath in Geneva, 1985; reproduced in Falk (ed.), Les tresors de l'Islam, pl. 54. Location in text:Mohl 13d, Rustam fights Akhvan Div, first line: 64, break line before: 71, break line after: 72.0, last line: 72.Bertels 19, Akvan Div (193), first line: 35.0, break line before: 42.0, break line after: 43.0, last line: 72.The first combat: Fariburz kills GulbadTitle (Persian): 1870Folio number: 008vPainter:Shaykh MuhammadNotes: Available on the AKM website, folio dimensions 472 x 320 mm. Dated c.1540. The layout of the page is interesting here, in as much as the title of the scene at the top comes half way through the text describing the first combat of the 11 rukhs. The painting itself depicts the action of the first line on the page, Fariburz striking Gulbad in the neck. The penultimate line of the scene (Mohl, 1873) has been omitted, making the cry that goes up from the army in the final line something of a non-sequitor. (Ch.M.). Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 55.Location in text:Mohl 13f, The Twelve Rukhs, first line: 1870, break line before: 1872, break line after: 1874.0, last line: 1874.Gushtasp kills a dragon in RumFolio number: 009rPainter:Mirza 'AliNotes: Formerly 2005.1.163 (M. 198). Attributed to Mirza 'Ali. Exhibited at Musee Rath in Geneva, 1985, and reproduced in Falk (ed.), Les tresors de l'Islam, pl. 56.Location in text:Mohl 14, Luhrasp (120 years), first line: 552, break line before: 556, break line after: 557.0, last line: 567.Bertels 23, Luhrasp (901), first line: 544.0, break line before: 548.0, break line after: 549.0, last line: 567.The story of Haftvad and the wormScene Title:The story of Haftvad's daughterFolio number: 010vPainter:Dust MuhammadNotes: Formerly in Geneva, 2005.1.164 (M. 199). The only painting in the Shah Tahmasp Shahnama that is signed, by the artist Dust Muhammad. It was inserted into the ms. after the rest of the work was completed. Exhibited at Musee Rath in Geneva in 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 58.Location in text:Mohl 21, The Ashkanians (200 years), first line: 514, break line before: 515, break line after: 516.0, last line: 518.Bertels 34, Ashkaniyan (777), first line: 514.0, break line before: 515.0, break line after: 516.0, last line: 518.

Mizanpaj 4 columns. 19 rows. Leaf height: 318 mm, width: 470 mm. Written height: 269 mm, width: 170 mm.

Not(lar) Patron: Shah Tahmasp.

Menşei Yeri Iran, Tabriz

Köken (Provenance) Sadruddin Aga Khan. Ex Ottoman Royal Library, possibly Qajar Royal Library; Baron Edmond de Rothschild; 1959 Arthur A.Houghton, Jr.

Yazı Tipi Nasta'liq.

Yüzyıl 1 1500s C.E.

Oluşturma Tarihi (Bağlantı Türü) keyword search

Oluşturma Türü creation

Yıl (Bitiş) 1535

Yıl (Başlangıç) 1535

Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)

Dil Kodu 1 per

Dil 1 Persian

Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.

Küçük Resim Yönü portrait