المؤلف
جَنَّة
النوع
وثيقة
اللغة
الفارسية
رقمي
نعم
مخطوط
نعم
عدد الصفحات
9
الأبعاد الفيزيائية
Detached manuscript folios. Various separate pages .
المكتبة
مكتبة كامبريدج الرقمية
رقم السجل
MS-AGAKHAN-AKM155-00006-00162-00005-00495-00007-00903
موقع المكتبة
Aga Khan Museum — Aga Khan Museum AKM155-6, 162-5, 495-7, 903
التاريخ
الميلادي: 1535/Yca/---/--.-1535-1535
ملاحظات
عشر صحائف من الشاه طهماسب شاهنامة الشهير. يوجد حجم ضخم من الدراسات والمنشورات المتعلقة بهذه المخطوطة، وهي أشهر وأفخم النسخ المصورة للقصيدة. أحدث عمل لشيلا كانبي أعاد إنتاج صور المخطوطة بأكملها، وتم بذل جهد مماثل في طهران، حيث يتم الاحتفاظ بمعظم اللوحات خارج متحف متروبوليتان (متحف الفنون المعاصرة). وبما أن صفحة بيانات النسخ مفقودة وتاريخ معظم اللوحات غير معروف، فقد تم تحديد تاريخ عام هنا لعام ج. 1535. تم عرض العديد من الأوراق الموجودة في مجموعة الآغا خان في متحف راث في جنيف عام 1985، انظر توبي فالك وآخرون. كنوز الإسلام، ص 72-91. وانظر أيضا، متفرقين
İlişkili Ad(lar)
Aqa Mirak; Sultan Muhammad; Sultan Muhammad and Mir Sayyid 'Ali; 'Abd al-'Aziz; Qadimi and 'Abd al-Vahhab; Muzaffar 'Ali; Shaykh Muhammad; Mirza 'Ali; Dust Muhammad; Shah Tahmasp
Bibliyografya
Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.Hillenbrand, R., The iconography of the Shah-nama-yi Shahi, Safavid Persia. The history and politics of an Islamic society, Melville, C. (ed.), (1996), 53-78.
Süsleme
Firdausi and the poets of GhaznaFolio number: 001rPainter:Aqa MirakNotes: Formerly in Geneva, Formerly in Geneva, M. 185 (2005.1.156). Folio recorded as 470x318, text 269x170 mm. Attributed to Aqa Mirak, the picture is supposed to include the figure of the young Shah Tahmasp, standing on the right in the yellow robes. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 40. Location in text:Mohl -1d, Preface, first line: None, break line before: None, break line after: None, last line: None.Kayumars enthronedFolio number: 002vPainter:Sultan MuhammadNotes: Formerly in Geneva, 2005.1.165 (s/ref). There's an enormous bibliography and exhibition history for this famous painting. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 41.Location in text:Mohl 1, Kayumars (30 years), first line: 7, break line before: 9, break line after: 10.0, last line: 11.Bertels 1, Kayumars (72), first line: 7.0, break line before: 9.0, break line after: 10.0, last line: 11.Faridun brings Zahhak to Mount DamavandFolio number: 003vPainter:Sultan Muhammad and Mir Sayyid 'AliNotes: Formerly in Geneva, 2005.1.157 (M. 184). Painting attributed to Sultan Muhammad, assisted by Mir Sayyid 'Ali, c. 1535. Exhibited in Geneva, 1985, and reproduced in T. Falk (ed.), Tresors de l'Islam, pl. 45, and Sheila Canby, Princes, poets and paladins, pl. 26.Location in text:Mohl 5, Zahhak (1000 years), first line: 526, break line before: 526, break line after: 527.0, last line: 531.Faridun tests his sonsFolio number: 004vPainter:Aqa MirakNotes: Ex-Sotheby's sale, London 6 April 2011, lot 78. Image available on the AKM website, folio 472x320 mm. Location in text:Mohl 6, Faridun (500 years), first line: 241, break line before: 252, break line after: 253.0, last line: 254.Faridun replies to the second message of Salm and TurFolio number: 005vPainter:'Abd al-'AzizNotes: Available on the AKM website, folio dimensions 471x320 mm. Attributed to 'Abd al-'Aziz, dated c. 1522-1535. Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 47.Location in text:Mohl 6, Faridun (500 years), first line: 776, break line before: 779, break line after: 789.0, last line: 780.Scene Title:Sam receives Sindukht as envoy from the King of KabulFolio number: 006vPainter:Qadimi and 'Abd al-VahhabNotes: Identified as Painters A and C, i.e. Qadimi Gilani and 'Abd al-Vahhab Kashani. Available on AKM website, folio dimensions 465x312 mm, date c. 1525-1530.Location in text:Mohl 7, Manuchihr (120 years), first line: 1295, break line before: 1304, break line after: 1305.0, last line: 1306.Bertels 7, Manuchihr (1654), first line: 1133.0, break line before: 1141.0, break line after: 1142.0, last line: 1306.Rustam searches for Akvan DivFolio number: 007rPainter:Muzaffar 'AliNotes: Formerly in Geneva, 2005.1.162 (M. 197). Painting attributed to Muzaffar 'Ali. Exhibited at Musee Rath in Geneva, 1985; reproduced in Falk (ed.), Les tresors de l'Islam, pl. 54. Location in text:Mohl 13d, Rustam fights Akhvan Div, first line: 64, break line before: 71, break line after: 72.0, last line: 72.Bertels 19, Akvan Div (193), first line: 35.0, break line before: 42.0, break line after: 43.0, last line: 72.The first combat: Fariburz kills GulbadTitle (Persian): 1870Folio number: 008vPainter:Shaykh MuhammadNotes: Available on the AKM website, folio dimensions 472 x 320 mm. Dated c.1540. The layout of the page is interesting here, in as much as the title of the scene at the top comes half way through the text describing the first combat of the 11 rukhs. The painting itself depicts the action of the first line on the page, Fariburz striking Gulbad in the neck. The penultimate line of the scene (Mohl, 1873) has been omitted, making the cry that goes up from the army in the final line something of a non-sequitor. (Ch.M.). Exhibited at Musee Rath in Geneva, 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 55.Location in text:Mohl 13f, The Twelve Rukhs, first line: 1870, break line before: 1872, break line after: 1874.0, last line: 1874.Gushtasp kills a dragon in RumFolio number: 009rPainter:Mirza 'AliNotes: Formerly 2005.1.163 (M. 198). Attributed to Mirza 'Ali. Exhibited at Musee Rath in Geneva, 1985, and reproduced in Falk (ed.), Les tresors de l'Islam, pl. 56.Location in text:Mohl 14, Luhrasp (120 years), first line: 552, break line before: 556, break line after: 557.0, last line: 567.Bertels 23, Luhrasp (901), first line: 544.0, break line before: 548.0, break line after: 549.0, last line: 567.The story of Haftvad and the wormScene Title:The story of Haftvad's daughterFolio number: 010vPainter:Dust MuhammadNotes: Formerly in Geneva, 2005.1.164 (M. 199). The only painting in the Shah Tahmasp Shahnama that is signed, by the artist Dust Muhammad. It was inserted into the ms. after the rest of the work was completed. Exhibited at Musee Rath in Geneva in 1985, reproduced in Falk (ed.), Les tresors de l'Islam, pl. 58.Location in text:Mohl 21, The Ashkanians (200 years), first line: 514, break line before: 515, break line after: 516.0, last line: 518.Bertels 34, Ashkaniyan (777), first line: 514.0, break line before: 515.0, break line after: 516.0, last line: 518.
Mizanpaj
4 columns. 19 rows. Leaf height: 318 mm, width: 470 mm. Written height: 269 mm, width: 170 mm.
Not(lar)
Patron: Shah Tahmasp.
Menşei Yeri
Iran, Tabriz
Köken (Provenance)
Sadruddin Aga Khan. Ex Ottoman Royal Library, possibly Qajar Royal Library; Baron Edmond de Rothschild; 1959 Arthur A.Houghton, Jr.
Yazı Tipi
Nasta'liq.
Yüzyıl 1
1500s C.E.
Oluşturma Tarihi (Bağlantı Türü)
keyword search
Oluşturma Türü
creation
Yıl (Bitiş)
1535
Yıl (Başlangıç)
1535
Görüntü Hakları (Görüntüleme)
Zooming image © Aga Khan Museum.
Görüntü Hakları (İndirme)
Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1
per
Dil 1
Persian
Metadata Hakları
This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü
portrait
Filigran Beyanı
© Aga Khan Museum (CC BY-NC 4.0)
