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Panel

العنوان	Panel
المؤلف	Unknown
تاريخ النشر:	1300
مكان النشر	Spain (made) Toledo (city) (made, probably) -
الموضوع	Woodwork Architecture
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Height: 28.5cm, Width: 287cm, Thickness: 6cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	W.30-1982
رقم السجل	W.30-1982
موقع المكتبة	Middle East Section
التاريخ	1300
ملاحظات	The following excerpt is from Mariam Rosser-Owen, Islamic Arts from Spain (V&A Publication, 2010), p. 81: Toledo had been absorbed into Castile in 1085, and had therefore had a Mudejar community for about 150 years by Alfonsoâs time, but during the early thirteenth century, new Islamic style began to be imported from the Almohade territory which Castile was then conquering. This was a great century for Toledan Mudejar. Arabic inscriptions were characteristic of the Mudejar architecture of Toledo, but apart from these painted instances they tended to be written in the Kufic script, since the use of cursive writing in inscriptions only evolved in Islamic lands in the twelfth century, after Toledo was conquered by Castile. Toledoâs craftsmen were therefore isolated from this new development in the Islamic world, and the continued use of Kufic in Toledo comes to seem rather archaic. The inscriptions continue to be legible, indicating that Arabic-speakers were involved in their creation. Kufic inscriptions were frequently painted or carved on to wooden friezes, which ran below ceilings and usually contained a standard vocabulary of Arabic wishes for well-being.
Malzemeler ve teknikler	Carved pine wood, covered with gesso and painted Pine Carving
Fiziksel açıklama	Long rectangular panel made of carved pine wood, decorated with a horizontal composition of a single, repeated Arabic inscription written in the Kufic script; the tops of the letters are decorated with foliated scrolls. A thin geometric band runs along the top of the panel, which is which is painted in black. Traces of black and red pigments remain.

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

Panel

المؤلف Unknown

تاريخ النشر 1300

مكان النشر Spain (made) Toledo (city) (made, probably) -

الموضوع Woodwork Architecture

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Height: 28.5cm, Width: 287cm, Thickness: 6cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة W.30-1982

رقم السجل W.30-1982

موقع المكتبة Middle East Section

التاريخ 1300

ملاحظات The following excerpt is from Mariam Rosser-Owen, Islamic Arts from Spain (V&A Publication, 2010), p. 81: Toledo had been absorbed into Castile in 1085, and had therefore had a Mudejar community for about 150 years by Alfonsoâs time, but during the early thirteenth century, new Islamic style began to be imported from the Almohade territory which Castile was then conquering. This was a great century for Toledan Mudejar. Arabic inscriptions were characteristic of the Mudejar architecture of Toledo, but apart from these painted instances they tended to be written in the Kufic script, since the use of cursive writing in inscriptions only evolved in Islamic lands in the twelfth century, after Toledo was conquered by Castile. Toledoâs craftsmen were therefore isolated from this new development in the Islamic world, and the continued use of Kufic in Toledo comes to seem rather archaic. The inscriptions continue to be legible, indicating that Arabic-speakers were involved in their creation. Kufic inscriptions were frequently painted or carved on to wooden friezes, which ran below ceilings and usually contained a standard vocabulary of Arabic wishes for well-being.

Malzemeler ve teknikler Carved pine wood, covered with gesso and painted Pine Carving

Fiziksel açıklama Long rectangular panel made of carved pine wood, decorated with a horizontal composition of a single, repeated Arabic inscription written in the Kufic script; the tops of the letters are decorated with foliated scrolls. A thin geometric band runs along the top of the panel, which is which is painted in black. Traces of black and red pigments remain.