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طبق (عنوان عام)

العنوان	طبق (عنوان عام)
المؤلف	مجهول
تاريخ النشر:	1550
مكان النشر	إيران (صنع) -
الموضوع	كرين الصليب المعقوف زهور اللوتس
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Height: 8.7cm, Width: 40.7cm, Base width: 20.5cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	1141-1876
رقم السجل	1141-1876
موقع المكتبة	قسم الشرق الأوسط
التاريخ	1550
ملاحظات	طبق فريت، إيران، 1550-1642
Tarihsel bağlam	From the last quarter of the 16th until mid 17th century Chinese dishes with petal panels were the common export wares. The striking effect of the new style of decoration made the design popular not only with the Persian potter but also across western Europe. The design originated in the Tang dynasty when the flattened petals of the lotus decorated Buddhist paintings, stone tiles and various artefacts. The outline was also used on Central Asian slip-painted wares and possibly Sultanabad dishes. The occasional late Yuan dish brings the design forward in time and as a single unit it is used in bands of panels on the shoulder or the base of 15th century Chinese ewers and vases. Plain dividers between the panels first appear on jars around 1500 and more often during the Jiajing rule. The panels are eventually enhanced with jewel symbols and flowers when used as a framing device on Kraak dishes. In addition to the regular demands of the Asian market, specific orders, first from the Portuguese then the Dutch, called for an increased production of large dishes and eventually new shapes. At this stage these striking bands of petal panels reappear and are copied with gusto by the Persian potter along with other Chinese ornaments. These panels vary in number but they are usually six or eight according to the size of the dish. Flowers, fruit, birds and sacred emblems are adopted as decorations and the simplified leafy peach motif becomes especially popular in both China and Persia. In the 17th century Persian potters reinterpret the human figures copied from Chinese models in a comic manner.
Malzemeler ve teknikler	Fritware, painted in two blues and black Fritware Painted
Fiziksel açıklama	Flange and well are covered with a diaper pattern of reserve-painted swastikas interrupted by six top-bracketed panels. These are decorated with either a flower spray or the same design as the centre, which represents a standing crane against a lotus leaf with flowers. The outside is divided equally between eight panels with small flowers and space dividers enclosing hanging jewels.
Üslup	Safavid

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

طبق (عنوان عام)

المؤلف مجهول

تاريخ النشر 1550

مكان النشر إيران (صنع) -

الموضوع كرين الصليب المعقوف زهور اللوتس

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Height: 8.7cm, Width: 40.7cm, Base width: 20.5cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة 1141-1876

رقم السجل 1141-1876

موقع المكتبة قسم الشرق الأوسط

التاريخ 1550

ملاحظات طبق فريت، إيران، 1550-1642

Tarihsel bağlam From the last quarter of the 16th until mid 17th century Chinese dishes with petal panels were the common export wares. The striking effect of the new style of decoration made the design popular not only with the Persian potter but also across western Europe. The design originated in the Tang dynasty when the flattened petals of the lotus decorated Buddhist paintings, stone tiles and various artefacts. The outline was also used on Central Asian slip-painted wares and possibly Sultanabad dishes. The occasional late Yuan dish brings the design forward in time and as a single unit it is used in bands of panels on the shoulder or the base of 15th century Chinese ewers and vases. Plain dividers between the panels first appear on jars around 1500 and more often during the Jiajing rule. The panels are eventually enhanced with jewel symbols and flowers when used as a framing device on Kraak dishes. In addition to the regular demands of the Asian market, specific orders, first from the Portuguese then the Dutch, called for an increased production of large dishes and eventually new shapes. At this stage these striking bands of petal panels reappear and are copied with gusto by the Persian potter along with other Chinese ornaments. These panels vary in number but they are usually six or eight according to the size of the dish. Flowers, fruit, birds and sacred emblems are adopted as decorations and the simplified leafy peach motif becomes especially popular in both China and Persia. In the 17th century Persian potters reinterpret the human figures copied from Chinese models in a comic manner.

Malzemeler ve teknikler Fritware, painted in two blues and black Fritware Painted

Fiziksel açıklama Flange and well are covered with a diaper pattern of reserve-painted swastikas interrupted by six top-bracketed panels. These are decorated with either a flower spray or the same design as the centre, which represents a standing crane against a lotus leaf with flowers. The outside is divided equally between eight panels with small flowers and space dividers enclosing hanging jewels.

Üslup Safavid