المؤلف
مجهول
تاريخ النشر
750
مكان النشر
مصر (صنعت) سوريا -
الموضوع
كرمة التمرير الطيور العنب
النوع
أخرى
اللغة
غير محدد
رقمي
نعم
مخطوط
لا
الأبعاد الفيزيائية
Height: 14cm, Diameter: 8.5cm
المكتبة
Victoria and Albert Museum
معرف أصل المكتبة
136-1866
رقم السجل
136-1866
موقع المكتبة
قسم الشرق الأوسط
التاريخ
750
ملاحظات
يعد جسم هذه الحاوية من أقدم العاجات الإسلامية الباقية. تجلس طيور صغيرة في شجرة عنب، وهو تصميم موروث من فترة ما قبل الإسلام. يغطي التمرير الكرمة السطح المتاح بالكامل.
Tarihsel bağlam
This box was published by Ernst Kühnel (1971), cat.no.2, along with two similar cylindrical boxes in the Museum für Islamische Kunst in Berlin (cat.no.1) and the private collection of the Marquis Hubert de Ganay (cat.no.3, present whereabouts unknown). The V&A's Sculpture Department registers mention another formerly in the Bourgeois Collection (Sale, Cologne, 1904, no.1053). The dimensions of the two other examples published by Kühnel are significantly smaller than the V&A box (heights of 9.5 and 8.5 cm respectively, compared to 14 cm), but their decoration is very similar. They all share a flat carving style, and a decoration of five-lobed vine leaves enclosed within spiralling tendrils, which originate from small vases. The V&A box is the only one of the group to feature any figural decoration (three birds). The carved decoration of the ivory surface consists of vine leaves, grapes and birds contained within a scrolling stem. The decoration of this ivory continues the pre-Islamic art of the Mediterranean area, where plant forms were very common. Naturalistic plant forms were continued in the ornament of the Umayyad period, especially in the carved stone decoration of the Umayyad palaces, such as Mshatta (about 744) and Qasr al-Tuba (743-44) in Jordan. However, this type of ornament continued under the Abbasids, who came to power in Iraq in 750. Examples of early Abbasid ornament - such as three wooden doors in the Benaki Museum in Athens - are very similar to the vine scrolls seen on this ivory. The style of the leaves has already become less naturalistic, showing the influence of pre-Islamic Persian art, which began a trend in Abbasid art towards more abstract forms. This abstract style really began with the construction of the first palaces at Samarra (in northern Iraq) in the 830s.
Malzemeler ve teknikler
Ivory, carved and painted; beechwood lid, painted and gilded on a gesso ground; rock crystal knob and gilt copper fittings Elephant Ivory Beech (Wood) Gesso Gold Leaf Azurite Vermillion Copper Mercury-Gilding Carving
Fiziksel açıklama
The circular box is carved from one piece of ivory, and shaped like the lower half of a gourd. The carved decoration, which has a flat outer surface, consists of five-lobed vine leaves enclosed within the spiralling tendrils of the vines, which originate from small vases. The vine scroll is inhabited by three birds. The background of the ivory carving was painted at some point in its history. A wide band of plain ivory at the neck is encircled by a gilded metal band (copper with applied mercury gilding). The lid is beech wood, decorated in gesso with red (vermilion) and blue (azurite) pigments, and gold leaf. The design is divided into eight compartments, each containing an abstract vegetal motif. The spherical rock crystal knob is pierced by a metal spike which terminates in a ring. The lid and metal mounts are of a later, as yet unspecified date. They had obviously experienced substantial wear before the object's acquisition by the Museum in 1866.
Üslup
Abbasid
