المؤلف
Unknown (makers)
تاريخ النشر
836
مكان النشر
Samarra (made) -
الموضوع
Architectural Fittings Archaeology
النوع
أخرى
اللغة
غير محدد
رقمي
نعم
مخطوط
لا
الأبعاد الفيزيائية
Height: 27-29cm, Width: 32.5-33cm, Depth: 6-6.3cm
المكتبة
Victoria and Albert Museum
معرف أصل المكتبة
A.82-1922
رقم السجل
A.82-1922
موقع المكتبة
Middle East Section
التاريخ
836
ملاحظات
Fragment from a frieze, plaster, carved with a foliate repeat pattern; Iraq (Samarra), ?9th century or earlier.
نص عينة
Transliteration,
Tarihsel bağlam
Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved plaster and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved plaster panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler
Plaster, carved Plaster
Fiziksel açıklama
Fragment from an ornamental architectural freize, probably from a dado, plaster, deeply carved with an overall design of interlacing circles forming foliate hexagons or rosettes. The reverse has been plastered recently and has three holes drilled into it for display.
Üslup
Sassanian Parthian
