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Doors

العنوان	Doors
المؤلف	Unknown (made)
تاريخ النشر:	1300
مكان النشر	Cairo (made) Egypt (made) -
الموضوع	Africa Islam Woodwork
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Height: 203cm, Width: 49cm, Depth: 4cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	888-1884
رقم السجل	888-1884
موقع المكتبة	Middle East Section
التاريخ	1300
ملاحظات	This door panel represents a composite in which Mamluk panels and plaques were re purposed within 19th century frames, a composition most likely done by a European residing in Cairo at the time. The salvaging of older Mamluk wood and ivory panels and their re purposing within later architectural structures was a common trend in Egypt during the time of the French influence, starting under Napoleon III yet continuing in increasing numbers towards the end of the 19th century. The French were particularly interested in re purposing architectural elements (panels, doors and plaques) â some taken directly from minbars (Islamic pulpits) and others from architectural decorations in mosques and madrasas â to serve as decorative fittings within their Neo-Mamluk homes built in central Cairo. Doors such as these were common during the second half of the 19th century, especially at a time when much of old historic Cairo was being transformed and modernised. This, coupled with the increasing trend for Islamic designs, motivated European residents in Cairo to utilize such pieces within their newly designed homes. When entire structures could not be re purposed (such as minbar doors), a selection of diverse panels would have been used, with ânewerâ plaques made to fill in the missing pieces within the geometric composition. As such, composite panels present a combination of styles, techniques and dates, some of which are today difficult to decipher, as the craftsmanship of late 19th century carvers cleverly (and quite convincingly) imitated their earlier Mamluk masters. Indeed, this particular door panel has both Mamluk and later 19th century additions, even though its wooden frame is indisputably of the 19th century.
İlişki	Paris International Exhibition, 1878 Gaston De Saint-Maurice
Malzemeler ve teknikler	Wood and ivory (or possibly bone); carved and inlaid Wood Ivory Carving Inlay
Parçalar	Door, Door
Fiziksel açıklama	This door is a composite of different wooden and ivory carved panels assembled into a 19th century door frame. The panels represent a combination of carving techniques and styles, including ivory and ebony plaques decorated with a foliated scrollwork motif, set within a thin band of ivory or bone inlay. The frame and support both date to the second half of the 19th century.

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

Doors

المؤلف Unknown (made)

تاريخ النشر 1300

مكان النشر Cairo (made) Egypt (made) -

الموضوع Africa Islam Woodwork

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Height: 203cm, Width: 49cm, Depth: 4cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة 888-1884

رقم السجل 888-1884

موقع المكتبة Middle East Section

التاريخ 1300

ملاحظات This door panel represents a composite in which Mamluk panels and plaques were re purposed within 19th century frames, a composition most likely done by a European residing in Cairo at the time. The salvaging of older Mamluk wood and ivory panels and their re purposing within later architectural structures was a common trend in Egypt during the time of the French influence, starting under Napoleon III yet continuing in increasing numbers towards the end of the 19th century. The French were particularly interested in re purposing architectural elements (panels, doors and plaques) â some taken directly from minbars (Islamic pulpits) and others from architectural decorations in mosques and madrasas â to serve as decorative fittings within their Neo-Mamluk homes built in central Cairo. Doors such as these were common during the second half of the 19th century, especially at a time when much of old historic Cairo was being transformed and modernised. This, coupled with the increasing trend for Islamic designs, motivated European residents in Cairo to utilize such pieces within their newly designed homes. When entire structures could not be re purposed (such as minbar doors), a selection of diverse panels would have been used, with ânewerâ plaques made to fill in the missing pieces within the geometric composition. As such, composite panels present a combination of styles, techniques and dates, some of which are today difficult to decipher, as the craftsmanship of late 19th century carvers cleverly (and quite convincingly) imitated their earlier Mamluk masters. Indeed, this particular door panel has both Mamluk and later 19th century additions, even though its wooden frame is indisputably of the 19th century.

İlişki Paris International Exhibition, 1878 Gaston De Saint-Maurice

Malzemeler ve teknikler Wood and ivory (or possibly bone); carved and inlaid Wood Ivory Carving Inlay

Parçalar Door, Door

Fiziksel açıklama This door is a composite of different wooden and ivory carved panels assembled into a 19th century door frame. The panels represent a combination of carving techniques and styles, including ivory and ebony plaques decorated with a foliated scrollwork motif, set within a thin band of ivory or bone inlay. The frame and support both date to the second half of the 19th century.