[Hüsn-ü hat risalesi, ca. 1772].

Name: [Hüsn-ü hat risalesi, ca. 1772].
Author: Mehmet bin Tacettin d. 1587., محمد بن تاج الدين.

İsim	[Hüsn-ü hat risalesi, ca. 1772].
Yazar	Mehmet bin Tacettin d. 1587., محمد بن تاج الدين.
Yazar Orijinal	محمد بن تاج الدين
Basım Tarihi:	1772
Konu	Islamic calligraphy Turkey Technique ; Early works to 1800., Calligraphy, Turkish Technique ; Early works to 1800., Writing, Arabic Technique ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Écriture arabe Technique ; Ouvrages avant 1800., Islamic calligraphy Technique, Manuscripts, Turkish, Michigan Ann Arbor, Turkey
Tür	Süreli Yayın
Dil	ota,tur
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	28
Fiziksel Boyutlar	1 online resource (28 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	title_%2A_language_ota_rn_5550
Lokasyon	University of East Anglia Library
Tarih	1772
Notlar	Ms. codex., Title supplied by cataloguer., Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present., Layout: Written in 9 lines per page ; frame-ruled., Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831)., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated., Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color., Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper., Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf., Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401., Ottoman Turkish., Print version record, Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ...", Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"", Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما"
Tür	Early works, Headpieces (layout features) - 18th century.
İçinde	Abdul Hamid Collection.

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[Hüsn-ü hat risalesi, ca. 1772].

Yazar Mehmet bin Tacettin d. 1587., محمد بن تاج الدين.

Yazar Orijinal محمد بن تاج الدين

Basım Tarihi 1772

Konu Islamic calligraphy Turkey Technique ; Early works to 1800., Calligraphy, Turkish Technique ; Early works to 1800., Writing, Arabic Technique ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Écriture arabe Technique ; Ouvrages avant 1800., Islamic calligraphy Technique, Manuscripts, Turkish, Michigan Ann Arbor, Turkey

Tür Süreli Yayın

Dil ota,tur

Dijital Evet

Yazma Hayır

Sayfa Sayısı 28

Fiziksel Boyutlar 1 online resource (28 leaves) : paper

Kütüphane Jisc

Kayıt Numarası title_%2A_language_ota_rn_5550

Lokasyon University of East Anglia Library

Tarih 1772

Notlar Ms. codex., Title supplied by cataloguer., Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present., Layout: Written in 9 lines per page ; frame-ruled., Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831)., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated., Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color., Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper., Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf., Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401., Ottoman Turkish., Print version record, Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ...", Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"", Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما"

Tür Early works, Headpieces (layout features) - 18th century.

İçinde Abdul Hamid Collection.