[Arbaʻīn-i Jāmī , 16th century?].

Name: [Arbaʻīn-i Jāmī , 16th century?].
Author: Jāmī 1414-1492., جامي.

İsim	[Arbaʻīn-i Jāmī , 16th century?].
Yazar	Jāmī 1414-1492., جامي.
Yazar Orijinal	جامي
Basım Yeri	[Place of publication not identified] -
Konu	Hadith ; Texts ; Early works to 1800., Hadith Criticism, interpretation, etc. ; Early works to 1800., Hadith ; Poetry ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Sunna ; Poetry ; Early works to 1800., Ḥadīth Critique, interprétation, etc. ; Ouvrages avant 1800., Ḥadīth ; Poésie ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Manuscrits persans Michigan Ann Arbor., Hadith, Manuscripts, Arabic, Manuscripts, Persian, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	ara,fas
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	8
Fiziksel Boyutlar	1 online resource (8 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	q_language%3A%20per_sort_year_rn_178
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title supplied by cataloguer., Collation: IV-1 (7), I (9), i ; quaternion (anomalous, "missing leaf" possibly pasted to leaf carrying incipit page) followed by single bifolium ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization., Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of the Persian verse paraphrase with the hemistiches of four lines of verse divided and arranged on the diagonal ; written area divided to set off the ḥadīth text and elucidation ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes ; contrast in thickness of horizontal and vertical strokes., Decoration: Elegant illuminated headpiece (ʻunwān) at opening on p.2 consisting of rectangular piece with gold cartouche carrying the basmalah flanked by floral vegetal accents in gold, yellow, red and white on a field of blue (approaching lapis lazuli), surmounted by larger rectangular piece with empty gold cartouche and surrounding floral vegetal accents in gold, red, and light blue on a field of blue bordered in bands of red and heavy gold interlace, itself surmounted by a scalloped triangular piece or hasp continuing the floral vegetal design ; larger rectangular piece and triangular piece are set in an elaborate well of gold, red, green, and blue bands and surmounted by vertical stalks (tīgh) in blue ; written area throughout gold-flecked and surrounded by a gold frame with outer gold and blue rules., Support: non-European laid paper with roughly 8 laid lines per cm. (vertical, indistinct) and no chain lines plainly visible, cloudy formation, quite thin though sturdy, burnished ; staining and tide lines ; back flyleaf in European laid paper with "GFA" under eagle watermark., Binding: Pasteboards faced in marbled paper (in red and green) with red leather over spine, fore edge of upper board, and fore edge flap ; Type II binding (with flap) ; board linings in untinted European laid paper ; sewn in dark pink thread, four stations ; overall in fair condition with some abrasion, lifting and losses of leather and paper, etc., Former shelfmark: "524 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover ; "231" inscribed in pencil on 'title page' (p.1)., Origin: Lacks dated scribal colophon ; decoration, paper, etc. suggest 16th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 430., Arabic and Persian., Print version record, Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... این چهل کلمه است ازان کلمات که سهولت فهم و حفظ را بنظم فارسی ترجمه گر ده می آید امید ... لا ؤمن احدكم حتى يحب لاخيه ما يحب لنفسه هر کسی را لقب مکن مؤمن گرچه از سعی جان وتن کاهد ...", Explicit: "لا يشبع المؤمن من دون جاره صدق هر که در خطه مسلمانی باشد از نقد دین گر انمایه... اربعینهاى سالکان جامی هست بهر وصول صدر قبول منست از فضل حق عجیب و غریب که بدین اربعین رسی بوصول"
Tür	Criticism, interpretation, etc., Early works, Headpieces (layout features) - 16th century., Poetry, Texts
İçinde	Abdul Hamid Collection.

Kaynağa git Jisc Jisc

Diğer Nüshalar

[Arbaʻīn-i Jāmī , 16th century?].

Detayları görüntüle

Aramaya Dön

Jisc

Kaynağa git

[Arbaʻīn-i Jāmī , 16th century?].

Yazar Jāmī 1414-1492., جامي.

Yazar Orijinal جامي

Basım Yeri [Place of publication not identified] -

Konu Hadith ; Texts ; Early works to 1800., Hadith Criticism, interpretation, etc. ; Early works to 1800., Hadith ; Poetry ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Sunna ; Poetry ; Early works to 1800., Ḥadīth Critique, interprétation, etc. ; Ouvrages avant 1800., Ḥadīth ; Poésie ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Manuscrits persans Michigan Ann Arbor., Hadith, Manuscripts, Arabic, Manuscripts, Persian, Michigan Ann Arbor

Tür Süreli Yayın

Dil ara,fas

Dijital Evet

Yazma Hayır

Sayfa Sayısı 8

Fiziksel Boyutlar 1 online resource (8 leaves) : paper

Kütüphane Jisc

Kayıt Numarası q_language%3A%20per_sort_year_rn_178

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title supplied by cataloguer., Collation: IV-1 (7), I (9), i ; quaternion (anomalous, "missing leaf" possibly pasted to leaf carrying incipit page) followed by single bifolium ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization., Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of the Persian verse paraphrase with the hemistiches of four lines of verse divided and arranged on the diagonal ; written area divided to set off the ḥadīth text and elucidation ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes ; contrast in thickness of horizontal and vertical strokes., Decoration: Elegant illuminated headpiece (ʻunwān) at opening on p.2 consisting of rectangular piece with gold cartouche carrying the basmalah flanked by floral vegetal accents in gold, yellow, red and white on a field of blue (approaching lapis lazuli), surmounted by larger rectangular piece with empty gold cartouche and surrounding floral vegetal accents in gold, red, and light blue on a field of blue bordered in bands of red and heavy gold interlace, itself surmounted by a scalloped triangular piece or hasp continuing the floral vegetal design ; larger rectangular piece and triangular piece are set in an elaborate well of gold, red, green, and blue bands and surmounted by vertical stalks (tīgh) in blue ; written area throughout gold-flecked and surrounded by a gold frame with outer gold and blue rules., Support: non-European laid paper with roughly 8 laid lines per cm. (vertical, indistinct) and no chain lines plainly visible, cloudy formation, quite thin though sturdy, burnished ; staining and tide lines ; back flyleaf in European laid paper with "GFA" under eagle watermark., Binding: Pasteboards faced in marbled paper (in red and green) with red leather over spine, fore edge of upper board, and fore edge flap ; Type II binding (with flap) ; board linings in untinted European laid paper ; sewn in dark pink thread, four stations ; overall in fair condition with some abrasion, lifting and losses of leather and paper, etc., Former shelfmark: "524 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover ; "231" inscribed in pencil on 'title page' (p.1)., Origin: Lacks dated scribal colophon ; decoration, paper, etc. suggest 16th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 430., Arabic and Persian., Print version record, Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... این چهل کلمه است ازان کلمات که سهولت فهم و حفظ را بنظم فارسی ترجمه گر ده می آید امید ... لا ؤمن احدكم حتى يحب لاخيه ما يحب لنفسه هر کسی را لقب مکن مؤمن گرچه از سعی جان وتن کاهد ...", Explicit: "لا يشبع المؤمن من دون جاره صدق هر که در خطه مسلمانی باشد از نقد دین گر انمایه... اربعینهاى سالکان جامی هست بهر وصول صدر قبول منست از فضل حق عجیب و غریب که بدین اربعین رسی بوصول"

Tür Criticism, interpretation, etc., Early works, Headpieces (layout features) - 16th century., Poetry, Texts

İçinde Abdul Hamid Collection.