Dīvān-i Kamāl al-Dīn Ismāʻīl, [16th or 17th century?].

Name: Dīvān-i Kamāl al-Dīn Ismāʻīl, [16th or 17th century?].
Author: Kamāl al-Dīn Ismāʻīl Iṣfahānī approximately 1172-1237., كمال الدين اسماعيل اصفهاني

İsim	Dīvān-i Kamāl al-Dīn Ismāʻīl, [16th or 17th century?].
Yazar	Kamāl al-Dīn Ismāʻīl Iṣfahānī approximately 1172-1237., كمال الدين اسماعيل اصفهاني
Yazar Orijinal	كمال الدين اسماعيل اصفهاني
Basım Yeri	[Place of publication not identified] -
Konu	747-1500, Persian poetry 747-1500., Manuscripts, Persian Michigan Ann Arbor., Poésie persane 747-1500., Manuscrits persans Michigan Ann Arbor., Manuscripts, Persian, Persian poetry, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	360
Fiziksel Boyutlar	1 online resource (360 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	q_language%3A%20per_sort_year_rn_171
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title from cartouche in ʻunwān on fol.1b (p.2)., Collation: i, IV+1 (9), 34 V (349), IV (357), I+1 (360), i ; chiefly quinions ; catchwords present, though occasionally lost to trimming ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 21 lines per page ; written area divided to two columns ; frame-ruled., Script: Nastaliq ; fine Persian hand ; sans serif with characteristic sloping of words to baseline, final words or letters of each line superscript, closed counters, and characteristic letterforms., Decoration: Superbly executed illuminated headpiece (ʻunwān) appears at the opening of each main section (see fol.1b/p.2, fol.183b/p.366, fol.280b/p.560, and fol.325b/p.650), each includes a cartouch bearing the work or section title ; elaborate frame consisting of bands of green, red, light blue, gold, blue and red with black fillets appears throughout ; incipit and facing page (as well as opening and facing page for each of other main sections) bear additional blue band with white crosses around written area and dividing the columns of the written area a band in lapis lazuli with floral pattern in gold ; written area throughout is gold-flecked ; cloud bands with floral vegetal pattern in green, blue and red appear on incipit and facing page (as well as on opening and facing page for each of the other main sections) ; margins (even inner margin) of incipit and facing page bear elaborate design of flowers, vines and birds in gold (as does opening and facing page for third main section - see p.560-561) ; opening and facing pages for second main section (see p.366-367) bears essentially the same design but with what appears to be faces of lions rather than birds ; opening and facing pages for final main section bear similar design with large blossoms rather than animal motifs ; text rubricated with section headings, etc. in red., Support: non-European (Persian, 16th or early 17th century - prior to 1650 [?]) laid paper with fairly distinct laid lines running horizontally spaced roughly 8-9 laid lines per cm., some curving/sagging ; virtually no chain lines visible, though sporadically a single chain line is visible ; some undissolved fibers; thick ; crisp ; highly burnished with some burnisher's marks ; some pigment breakthrough along central frame of fol.1 ; some page repairs in same paper as flyleaves (apparently added later as evidenced by the traces of the doublure filigree design on fol.1a and fol.360b ; burn on fore edge of textblock ; some accretions, soiling, staining, etc., Binding: Pasteboards covered in black leather (pebbled quality of shagreen) with edges/turn-ins and spine in tan leather (sheep) ; Type III binding (without flap) ; doublures in red leather (sheep) with filigree in gold leather over red and blue paper and green silk ; upper and lower covers bear central scalloped mandorla with floral vegetal pattern (compare Déroche class. OAi2 7), pendants and corner pieces (in complementary floral vegetal pattern) along with tooled border consisting of a series of s-shaped stamps framed by scored fillets ; doublures bear scalloped mandorla, pendants and corner pieces with vegetal pattern in elaborate gold leather filigree applique over red and blue paper and green silk along with gold painted accents and rule border ; fine chevron endbands in blue-green and purple ; sewing mainly in same blue-green or blue (middle quires) with two sewing stations ; a few early quires sewn in white with two stations ; primaries in same blue-green ; in quite fair condition with some abrasion and edge wear, staining, minor pest damage, some lifting and losses of leather and paper (covers and filigree of doublures), and loose quires., Origin: Date, copyist and place of transcription are not specified in colophon of fol.360a (p.720 ; paper and hand would suggest a dating of 16th to early-mid 17th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 291., Persian., Print version record, Incipit: "اى صفات تو بيانهار ازبان انداخته عزت ذاتت يقين را در كمان انداخته", Explicit: "جوياى كمالند بجان اهل هنر انگاه بجان كمال جوينده ست", Colophon: "Scribal," triangular, chiefly in Arabic, reads: "تمت الكتاب بعون الله الملك الوهاب تمام شد كليات افصح المتكلمين كمال الدين اسمعيل اصفهانى عليه الرحمه تم تم تم", 1. fol.1b-fol.183a : القصايد والمراثى من كلام افصح الفصحا كمال الدين اسمعيل اصفهانى, 2. fol.183b-fol.280a : مقطعات خلاق المعانى كمال الدين اسماعيل, 3. fol.280b-325a : غزليات كمال الدين اسماعيل, 4. fol.325b-360a : رباعيات خلاق المعانى كمال الدين اصفهانى غفر الله ذنوبه, Inscription in black ink, fine taʻlīq with left-sloping head serifs on fol.1a (p.1) appears to include ownership statement in name of Muḥammad Naṣr al-Dīn ibn ʻIbād Allāh ; another inscription in brown ink on fol.1a (p.1) is quite faded and difficult to read ; an obliterated statement in black ink appears on fol.360a (p.719) ; several former inventory marks including "(٨)" on front flyleaf recto, "245 T. De M. [i.e. Tammaro De Marinis]" on front flyleaf verson in pencil, and "15/5" on fol.1a (p.1) ; collation marks appear throughout first section of the work "بلغ" ; many marginal corrections (first section in particular), marked ص or with signes-de-renvoi such as bā hindīyah ; notabilia / side-heads (mainly in early sections).
Tür	Headpieces (layout features) - 16th century.
İçinde	Abdul Hamid Collection.

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Dīvān-i Kamāl al-Dīn Ismāʻīl, [16th or 17th century?].

Yazar Kamāl al-Dīn Ismāʻīl Iṣfahānī approximately 1172-1237., كمال الدين اسماعيل اصفهاني

Yazar Orijinal كمال الدين اسماعيل اصفهاني

Basım Yeri [Place of publication not identified] -

Konu 747-1500, Persian poetry 747-1500., Manuscripts, Persian Michigan Ann Arbor., Poésie persane 747-1500., Manuscrits persans Michigan Ann Arbor., Manuscripts, Persian, Persian poetry, Michigan Ann Arbor

Tür Süreli Yayın

Dil Farsça

Dijital Evet

Yazma Hayır

Sayfa Sayısı 360

Fiziksel Boyutlar 1 online resource (360 leaves) : paper

Kütüphane Jisc

Kayıt Numarası q_language%3A%20per_sort_year_rn_171

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title from cartouche in ʻunwān on fol.1b (p.2)., Collation: i, IV+1 (9), 34 V (349), IV (357), I+1 (360), i ; chiefly quinions ; catchwords present, though occasionally lost to trimming ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 21 lines per page ; written area divided to two columns ; frame-ruled., Script: Nastaliq ; fine Persian hand ; sans serif with characteristic sloping of words to baseline, final words or letters of each line superscript, closed counters, and characteristic letterforms., Decoration: Superbly executed illuminated headpiece (ʻunwān) appears at the opening of each main section (see fol.1b/p.2, fol.183b/p.366, fol.280b/p.560, and fol.325b/p.650), each includes a cartouch bearing the work or section title ; elaborate frame consisting of bands of green, red, light blue, gold, blue and red with black fillets appears throughout ; incipit and facing page (as well as opening and facing page for each of other main sections) bear additional blue band with white crosses around written area and dividing the columns of the written area a band in lapis lazuli with floral pattern in gold ; written area throughout is gold-flecked ; cloud bands with floral vegetal pattern in green, blue and red appear on incipit and facing page (as well as on opening and facing page for each of the other main sections) ; margins (even inner margin) of incipit and facing page bear elaborate design of flowers, vines and birds in gold (as does opening and facing page for third main section - see p.560-561) ; opening and facing pages for second main section (see p.366-367) bears essentially the same design but with what appears to be faces of lions rather than birds ; opening and facing pages for final main section bear similar design with large blossoms rather than animal motifs ; text rubricated with section headings, etc. in red., Support: non-European (Persian, 16th or early 17th century - prior to 1650 [?]) laid paper with fairly distinct laid lines running horizontally spaced roughly 8-9 laid lines per cm., some curving/sagging ; virtually no chain lines visible, though sporadically a single chain line is visible ; some undissolved fibers; thick ; crisp ; highly burnished with some burnisher's marks ; some pigment breakthrough along central frame of fol.1 ; some page repairs in same paper as flyleaves (apparently added later as evidenced by the traces of the doublure filigree design on fol.1a and fol.360b ; burn on fore edge of textblock ; some accretions, soiling, staining, etc., Binding: Pasteboards covered in black leather (pebbled quality of shagreen) with edges/turn-ins and spine in tan leather (sheep) ; Type III binding (without flap) ; doublures in red leather (sheep) with filigree in gold leather over red and blue paper and green silk ; upper and lower covers bear central scalloped mandorla with floral vegetal pattern (compare Déroche class. OAi2 7), pendants and corner pieces (in complementary floral vegetal pattern) along with tooled border consisting of a series of s-shaped stamps framed by scored fillets ; doublures bear scalloped mandorla, pendants and corner pieces with vegetal pattern in elaborate gold leather filigree applique over red and blue paper and green silk along with gold painted accents and rule border ; fine chevron endbands in blue-green and purple ; sewing mainly in same blue-green or blue (middle quires) with two sewing stations ; a few early quires sewn in white with two stations ; primaries in same blue-green ; in quite fair condition with some abrasion and edge wear, staining, minor pest damage, some lifting and losses of leather and paper (covers and filigree of doublures), and loose quires., Origin: Date, copyist and place of transcription are not specified in colophon of fol.360a (p.720 ; paper and hand would suggest a dating of 16th to early-mid 17th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 291., Persian., Print version record, Incipit: "اى صفات تو بيانهار ازبان انداخته عزت ذاتت يقين را در كمان انداخته", Explicit: "جوياى كمالند بجان اهل هنر انگاه بجان كمال جوينده ست", Colophon: "Scribal," triangular, chiefly in Arabic, reads: "تمت الكتاب بعون الله الملك الوهاب تمام شد كليات افصح المتكلمين كمال الدين اسمعيل اصفهانى عليه الرحمه تم تم تم", 1. fol.1b-fol.183a : القصايد والمراثى من كلام افصح الفصحا كمال الدين اسمعيل اصفهانى, 2. fol.183b-fol.280a : مقطعات خلاق المعانى كمال الدين اسماعيل, 3. fol.280b-325a : غزليات كمال الدين اسماعيل, 4. fol.325b-360a : رباعيات خلاق المعانى كمال الدين اصفهانى غفر الله ذنوبه, Inscription in black ink, fine taʻlīq with left-sloping head serifs on fol.1a (p.1) appears to include ownership statement in name of Muḥammad Naṣr al-Dīn ibn ʻIbād Allāh ; another inscription in brown ink on fol.1a (p.1) is quite faded and difficult to read ; an obliterated statement in black ink appears on fol.360a (p.719) ; several former inventory marks including "(٨)" on front flyleaf recto, "245 T. De M. [i.e. Tammaro De Marinis]" on front flyleaf verson in pencil, and "15/5" on fol.1a (p.1) ; collation marks appear throughout first section of the work "بلغ" ; many marginal corrections (first section in particular), marked ص or with signes-de-renvoi such as bā hindīyah ; notabilia / side-heads (mainly in early sections).

Tür Headpieces (layout features) - 16th century.

İçinde Abdul Hamid Collection.