[Ḥamāsat Abī Tammām, 19th century?].

Name: [Ḥamāsat Abī Tammām, 19th century?].
Author: Abū Tammām Ḥabīb ibn Aws al-Ṭāʼī active 808-842., أبو تمام حبيب بن أوس الطائي.

İsim	[Ḥamāsat Abī Tammām, 19th century?].
Yazar	Abū Tammām Ḥabīb ibn Aws al-Ṭāʼī active 808-842., أبو تمام حبيب بن أوس الطائي.
Yazar Orijinal	أبو تمام حبيب بن أوس الطائي
Basım Yeri	[Place of publication not identified] -
Konu	750-1258, Arabic poetry 750-1258., Arabic poetry History and criticism ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Poésie arabe 750-1258., Poésie arabe Histoire et critique ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Manuscrits persans Michigan Ann Arbor., Arabic poetry, Manuscripts, Arabic, Manuscripts, Persian, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	ara,fas
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	134
Fiziksel Boyutlar	1 online resource (134 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	q_language%3A%20ara_sort_year_rn_3650
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title supplied by cataloguer from opening on fol. 1b., Collation: i, IV+2 (10), II (14), 2 IV(30), 2+IV (40), 11 IV(128), 2+II (134), ii; chiefly quaternions; several blanks left between verses, likely for rubricated headings; catchwords present; pagination in pencil Western numerals supplied during cataloguing., Layout: Written in roughly 14 lines per page plus lines of the gloss which vary widely; single column divided to two column to set off poetry; frame-ruled (impression of ruling board evident)., Script: Naskh ; large clear Persianate hand ; mainly serifless with occasional left-sloping head serifs appearing on alif and lam of definite article ; mainly closed counters ; strong vertical character (somewhat elongated in vertical) ; occasional superscripting of letters and words ; some swooping tails ; fully vocalized in same ink ; gloss in a entirely different hand ; script more of a shikastah-nastaʻlīq with characteristic descent of words to baseline, elongated horizontal strokes, and characteristic long final yāʼ, etc., Decoration: Textual dividers in the form of three inverted commas; gold cloud-bands and other accents surrounded basmalah and between two columns on incipit and facing page; frame consisting of a gold band outlined in black fillets and outermost blue fillet surrounds the written area; thin gold bands outlined in black fillets demarcate the columns within the written area and border the margin; text partially rubricated with some section headings, portions of the gloss, textual dividers, etc. in red., Support: non-European laid paper (likely Persian); quite transluscent, crisp and grey in tone; no chain lines visible; laid lines quite distinct, mainly oriented horizontally but occasionally vertically, spaced roughly 11-12 laid lines per cm.; flyleaves in European laid paper, watermark eagle with "E A F"; one of back flyleaves in wove paper; many loose quires and dog-eared pages with some blocking due to moisture damage and tacky ink, Binding: Pasteboards covered in painted lacquerwork with spine in black leather; Type III binding (without flap); doublures in painted lacquerwork; doublure hinges in black leather; upper and lower covers in painted lacquerwork of nearly identical composition consisting of swirling floral vegetal pattern of carnations, poppies, etc. in bronze on a field of olive green bordered in a floral vegetal pattern in gold on a wide band of black, flanked by bands of bronze; upper and lower doublures in painted work of nearly identical composition consisting of floral vegetal pattern in green, pink, and yellow, outlined in gold on a field of red; entire panel is bordered in a series of gold bands; sewn in lime green, yellow, and dark blue (or black) thread, two stations; worked chevron endbands in light green and yellow; in fair condition with some cracking, crazing, and loss of laquer; upper board split and delaminating; doublure hinges cracked and split; abrasion., Origin: Lacks dated colophon; likely 19th century as suggested by paper, cover, date in seal impression, etc., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 433., Arabic and Persian., Print version record, Incipit: "لو كنت من مازن لم تستبح البى بنو اللقيطة من ذهل بن شيبانا اذا لقام بنصرى معشر خشن عند الحفيظة ان ذولوثة لانا.", Explicit: "كانما لبست او البست فنكا فقلصت من حواشيه عن السوق قد تم.", On fol.1a (p.1), a large square seal impression dated 1266 [1849 or 50] in black ink in name of al-Muḥsin ibn Ghulām ʻAlī , reads "عبد الله ال محسن بن غلام على [؟] ١٢٦٦" ; a few inventory marks in pencil, on front flyleaf "133 T. De M. [i.e. Tammaro De Marinis]" and on fol.1a "89" ; a few marginal corrections ; gloss in Persian continues through fol.14b (p.28)
Tür	Criticism, interpretation, etc., Early works, text
İçinde	Abdul Hamid Collection.

Kaynağa git Jisc Jisc

Diğer Nüshalar

[Ḥamāsat Abī Tammām, 19th century?].

Detayları görüntüle

Aramaya Dön

Jisc

Kaynağa git

[Ḥamāsat Abī Tammām, 19th century?].

Yazar Abū Tammām Ḥabīb ibn Aws al-Ṭāʼī active 808-842., أبو تمام حبيب بن أوس الطائي.

Yazar Orijinal أبو تمام حبيب بن أوس الطائي

Basım Yeri [Place of publication not identified] -

Konu 750-1258, Arabic poetry 750-1258., Arabic poetry History and criticism ; Early works to 1800., Manuscripts, Arabic Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Poésie arabe 750-1258., Poésie arabe Histoire et critique ; Ouvrages avant 1800., Manuscrits arabes Michigan Ann Arbor., Manuscrits persans Michigan Ann Arbor., Arabic poetry, Manuscripts, Arabic, Manuscripts, Persian, Michigan Ann Arbor

Tür Süreli Yayın

Dil ara,fas

Dijital Evet

Yazma Hayır

Sayfa Sayısı 134

Fiziksel Boyutlar 1 online resource (134 leaves) : paper

Kütüphane Jisc

Kayıt Numarası q_language%3A%20ara_sort_year_rn_3650

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title supplied by cataloguer from opening on fol. 1b., Collation: i, IV+2 (10), II (14), 2 IV(30), 2+IV (40), 11 IV(128), 2+II (134), ii; chiefly quaternions; several blanks left between verses, likely for rubricated headings; catchwords present; pagination in pencil Western numerals supplied during cataloguing., Layout: Written in roughly 14 lines per page plus lines of the gloss which vary widely; single column divided to two column to set off poetry; frame-ruled (impression of ruling board evident)., Script: Naskh ; large clear Persianate hand ; mainly serifless with occasional left-sloping head serifs appearing on alif and lam of definite article ; mainly closed counters ; strong vertical character (somewhat elongated in vertical) ; occasional superscripting of letters and words ; some swooping tails ; fully vocalized in same ink ; gloss in a entirely different hand ; script more of a shikastah-nastaʻlīq with characteristic descent of words to baseline, elongated horizontal strokes, and characteristic long final yāʼ, etc., Decoration: Textual dividers in the form of three inverted commas; gold cloud-bands and other accents surrounded basmalah and between two columns on incipit and facing page; frame consisting of a gold band outlined in black fillets and outermost blue fillet surrounds the written area; thin gold bands outlined in black fillets demarcate the columns within the written area and border the margin; text partially rubricated with some section headings, portions of the gloss, textual dividers, etc. in red., Support: non-European laid paper (likely Persian); quite transluscent, crisp and grey in tone; no chain lines visible; laid lines quite distinct, mainly oriented horizontally but occasionally vertically, spaced roughly 11-12 laid lines per cm.; flyleaves in European laid paper, watermark eagle with "E A F"; one of back flyleaves in wove paper; many loose quires and dog-eared pages with some blocking due to moisture damage and tacky ink, Binding: Pasteboards covered in painted lacquerwork with spine in black leather; Type III binding (without flap); doublures in painted lacquerwork; doublure hinges in black leather; upper and lower covers in painted lacquerwork of nearly identical composition consisting of swirling floral vegetal pattern of carnations, poppies, etc. in bronze on a field of olive green bordered in a floral vegetal pattern in gold on a wide band of black, flanked by bands of bronze; upper and lower doublures in painted work of nearly identical composition consisting of floral vegetal pattern in green, pink, and yellow, outlined in gold on a field of red; entire panel is bordered in a series of gold bands; sewn in lime green, yellow, and dark blue (or black) thread, two stations; worked chevron endbands in light green and yellow; in fair condition with some cracking, crazing, and loss of laquer; upper board split and delaminating; doublure hinges cracked and split; abrasion., Origin: Lacks dated colophon; likely 19th century as suggested by paper, cover, date in seal impression, etc., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 433., Arabic and Persian., Print version record, Incipit: "لو كنت من مازن لم تستبح البى بنو اللقيطة من ذهل بن شيبانا اذا لقام بنصرى معشر خشن عند الحفيظة ان ذولوثة لانا.", Explicit: "كانما لبست او البست فنكا فقلصت من حواشيه عن السوق قد تم.", On fol.1a (p.1), a large square seal impression dated 1266 [1849 or 50] in black ink in name of al-Muḥsin ibn Ghulām ʻAlī , reads "عبد الله ال محسن بن غلام على [؟] ١٢٦٦" ; a few inventory marks in pencil, on front flyleaf "133 T. De M. [i.e. Tammaro De Marinis]" and on fol.1a "89" ; a few marginal corrections ; gloss in Persian continues through fol.14b (p.28)

Tür Criticism, interpretation, etc., Early works, text

İçinde Abdul Hamid Collection.