Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Name: Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].
Author: Nabi 1642-1712., نابى.

İsim	Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].
Yazar	Nabi 1642-1712., نابى.
Yazar Orijinal	نابى
Basım Tarihi:	1724
Basım Yeri	[Place of publication not identified] -
Konu	Turkish poetry ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Manuscripts, Turkish, Turkish poetry, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	fas,ota,tur
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	244
Fiziksel Boyutlar	1 online resource (244 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	title_%2A_language_ota_rn_4561
Lokasyon	University of East Anglia Library
Tarih	1724
Notlar	Ms. codex., Title from inscription below headpiece on fol.1b., Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing)., Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled., Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hāʻ mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red., Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm., single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136., Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block., Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip)., Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679., Ottoman Turkish and Persian., Print version record, Incipit: [rubric]" قصيده در توحيد باري جل شانه براى باعث ترتيب ديوان ابراهيم پاشا رح [text] تعالى الله زهى ديوانطراز صورت معنا كه جسم لفظله روح مآ لي ايلمش الما ...", Explicit: "طاغيلرسه كور رآنى نكران جمع اولور ايه اولور آب روان", Colophon: "Scribal," rectangular, reads: "تمام شد ديوان نابى رحمه الله تعالى في تاريخ غزلق دست حقير نائل صحفى [؟] تم", Origin: As appears in colophon on fol.281b, copied by Nāʻil Ṣuḥufī []. Date transcription finished appears as a chronogram "غزلق" or 1137 [غ1000 + ز7 + ل30 + ق100 =1137, i.e. 1724 or 1725]., Oval seal impression in black ink repeated numerous times on fol.1a (p.1) but difficult to make out, accompanied by inscription which has been partially effaced and is now only partially legible "...ما باقى" followed by a number "٣١١٢۸٩"; inscription in black ink on fol.1a (p.1) accompanied by small oval seal impression in blue ink, difficult to make out); small oval seal impression in black ink on fol.1b (p.2), very difficult to make out; small oval seal impression in black ink on fol.88b (p.176), also difficult to make out; occasional marginal corrections and glosses.
Tür	Early works, Headpieces (layout features) - Islamic empire - 18th century.
İçinde	Yahuda Collection.

Kaynağa git Jisc Jisc

Diğer Nüshalar

Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Detayları görüntüle

Aramaya Dön

Jisc

Kaynağa git

Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Yazar Nabi 1642-1712., نابى.

Yazar Orijinal نابى

Basım Tarihi 1724

Basım Yeri [Place of publication not identified] -

Konu Turkish poetry ; Early works to 1800., Manuscripts, Turkish Michigan Ann Arbor., Manuscrits turcs Michigan Ann Arbor., Manuscripts, Turkish, Turkish poetry, Michigan Ann Arbor

Tür Süreli Yayın

Dil fas,ota,tur

Dijital Evet

Yazma Hayır

Sayfa Sayısı 244

Fiziksel Boyutlar 1 online resource (244 leaves) : paper

Kütüphane Jisc

Kayıt Numarası title_%2A_language_ota_rn_4561

Lokasyon University of East Anglia Library

Tarih 1724

Notlar Ms. codex., Title from inscription below headpiece on fol.1b., Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing)., Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled., Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hāʻ mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red., Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm., single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136., Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block., Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip)., Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679., Ottoman Turkish and Persian., Print version record, Incipit: [rubric]" قصيده در توحيد باري جل شانه براى باعث ترتيب ديوان ابراهيم پاشا رح [text] تعالى الله زهى ديوانطراز صورت معنا كه جسم لفظله روح مآ لي ايلمش الما ...", Explicit: "طاغيلرسه كور رآنى نكران جمع اولور ايه اولور آب روان", Colophon: "Scribal," rectangular, reads: "تمام شد ديوان نابى رحمه الله تعالى في تاريخ غزلق دست حقير نائل صحفى [؟] تم", Origin: As appears in colophon on fol.281b, copied by Nāʻil Ṣuḥufī []. Date transcription finished appears as a chronogram "غزلق" or 1137 [غ1000 + ز7 + ل30 + ق100 =1137, i.e. 1724 or 1725]., Oval seal impression in black ink repeated numerous times on fol.1a (p.1) but difficult to make out, accompanied by inscription which has been partially effaced and is now only partially legible "...ما باقى" followed by a number "٣١١٢۸٩"; inscription in black ink on fol.1a (p.1) accompanied by small oval seal impression in blue ink, difficult to make out); small oval seal impression in black ink on fol.1b (p.2), very difficult to make out; small oval seal impression in black ink on fol.88b (p.176), also difficult to make out; occasional marginal corrections and glosses.

Tür Early works, Headpieces (layout features) - Islamic empire - 18th century.

İçinde Yahuda Collection.

Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Diğer Nüshalar

Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Divan-ı şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725].

Diğer Nüshalar

Divan-ı şirin-i edâ-yi Nabi, [1137, i...