Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Name: Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].
Author: Alisher Navoiĭ 1441-1501., مير على شير نوائى.

İsim	Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].
Yazar	Alisher Navoiĭ 1441-1501., مير على شير نوائى.
Yazar Orijinal	مير على شير نوائى
Basım Yeri	[Place of publication not identified] -
Konu	Hadith ; Texts ; Early works to 1800., Hadith Criticism, interpretation, etc. ; Early works to 1800., Hadith ; Poetry ; Early works to 1800., Manuscripts, Chagatai Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Manuscripts, Arabic Michigan Ann Arbor., Sunna ; Poetry ; Early works to 1800., Ḥadīth Critique, interprétation, etc. ; Ouvrages avant 1800., Ḥadīth ; Poésie ; Ouvrages avant 1800., Manuscrits persans Michigan Ann Arbor., Manuscrits arabes Michigan Ann Arbor., Manuscrits tchagataï Michigan Ann Arbor., Hadith, Manuscripts, Arabic, Manuscripts, Chagatai, Manuscripts, Persian, Michigan Ann Arbor
Tür	Süreli Yayın
Dil	ara,chg,fas
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	9
Fiziksel Boyutlar	1 online resource (9 leaves) : paper
Kütüphane:	Jisc
Kayıt Numarası	q_language%3A%20per_sort_year_rn_179
Lokasyon	University of East Anglia Library
Notlar	Ms. codex., Title from headpiece at opening (fol.1b)., Collation: ii, IV+1 (9), ii ; a composed anomalous quaternion formed of two joined single leaves, two whole bifolia, and a single leaf joined to a whole bifolium., Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of Chagatai elucidation with two of these divided to hemistiches and arranged on the diagonal ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes., Support: non-European (likely Persianate) laid paper with 8-9 laid lines per cm. (vertical, somewhat distinct) and occasional pairs of chain lines (see p.6), sturdy, well-burnished (burnisher's marks visible), dark cream to beige in color ; flyleaves in European laid paper with watermarks "GHIGLIOTTI" (outer front flyleaf), shield with crown above and likely lion rampant within (front inner flyleaf), and eagle with wings spread (back inner flyleaf)., Binding: Pasteboards faced in blue cut velvet with red leather over spine and edges / turn-ins (velvet faced, leather edged, framed binding) ; Type III binding (without flap) ; pastedowns and flyleaves in dark yellow surface-dyed gold-flecked laid paper ; sewn in pink thread, four stations ; overall in fair condition with some abrasion and lifting of leather, text block fully detached from cover., Former shelfmark: "576 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "123" inscribed in pencil on 'title page' (p.1)., Origin: Lacks dated colophon ; decoration, paper, etc. would suggest 16th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 447., Chagatai, Persian, and Arabic., Print version record, Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... این چهل کلمه است ازان کلمات فهم و حفظ را بر نظم ترکی ترجمه گر ده می آید امید ... لا يؤمن احدكم حتى يحب لاخيه ما يحب لنفسه مؤمن اير ماستور وركه ايماندين روزگاريده يوز صفا كورگاى...", Explicit: "تمت ترجمه هذه الاربعين اى كه شخصينگى خالق فتاح ... كه بو نوع ايكى اربعين موجود بولسه شايد كه تاپقاسين مقصود يتسه مقصود مدعا بيرلا منى ياد ايتكاسين دعا بيرلا كه نواييغه اول دعا يتكاى بلبل روحىغه نواييتكاى", Decoration: Elegant illuminated headpiece (ʻunwān) at opening (p.2) of rectangular piece with cartouche in gold carrying title in white ترجمۀ چهل حديث accented by swirling vegetal pattern reminiscent of arabesque in pink, light blue, gold, red, orange, and white on fields of blue and gold ; surmounting the rectangular piece, a scalloped semi-circular piece (dome) set against another rectangular piece (both filled with similar vegetal pattern to that seen in lower piece) is itself surmounted by vertical stalks (tīgh) in blue ; written area of incipit page surrounded by frame consisting of gold and green bands with outermost blue fillet ; elsewhere writen area surrounded by frame consisting of a narrow gold bank outlined in black with outermost blue fillet ; preface and text of elucidation/paraphrase chrysographed ; ḥadīth text in blue.
Tür	Criticism, interpretation, etc., Early works, Headpieces (layout features) - 16th century., Poetry, Texts
İçinde	Abdul Hamid Collection.

Kaynağa git Jisc Jisc

Diğer Nüshalar

Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Detayları görüntüle

Aramaya Dön

Jisc

Kaynağa git

Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Yazar Alisher Navoiĭ 1441-1501., مير على شير نوائى.

Yazar Orijinal مير على شير نوائى

Basım Yeri [Place of publication not identified] -

Konu Hadith ; Texts ; Early works to 1800., Hadith Criticism, interpretation, etc. ; Early works to 1800., Hadith ; Poetry ; Early works to 1800., Manuscripts, Chagatai Michigan Ann Arbor., Manuscripts, Persian Michigan Ann Arbor., Manuscripts, Arabic Michigan Ann Arbor., Sunna ; Poetry ; Early works to 1800., Ḥadīth Critique, interprétation, etc. ; Ouvrages avant 1800., Ḥadīth ; Poésie ; Ouvrages avant 1800., Manuscrits persans Michigan Ann Arbor., Manuscrits arabes Michigan Ann Arbor., Manuscrits tchagataï Michigan Ann Arbor., Hadith, Manuscripts, Arabic, Manuscripts, Chagatai, Manuscripts, Persian, Michigan Ann Arbor

Tür Süreli Yayın

Dil ara,chg,fas

Dijital Evet

Yazma Hayır

Sayfa Sayısı 9

Fiziksel Boyutlar 1 online resource (9 leaves) : paper

Kütüphane Jisc

Kayıt Numarası q_language%3A%20per_sort_year_rn_179

Lokasyon University of East Anglia Library

Notlar Ms. codex., Title from headpiece at opening (fol.1b)., Collation: ii, IV+1 (9), ii ; a composed anomalous quaternion formed of two joined single leaves, two whole bifolia, and a single leaf joined to a whole bifolium., Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of Chagatai elucidation with two of these divided to hemistiches and arranged on the diagonal ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes., Support: non-European (likely Persianate) laid paper with 8-9 laid lines per cm. (vertical, somewhat distinct) and occasional pairs of chain lines (see p.6), sturdy, well-burnished (burnisher's marks visible), dark cream to beige in color ; flyleaves in European laid paper with watermarks "GHIGLIOTTI" (outer front flyleaf), shield with crown above and likely lion rampant within (front inner flyleaf), and eagle with wings spread (back inner flyleaf)., Binding: Pasteboards faced in blue cut velvet with red leather over spine and edges / turn-ins (velvet faced, leather edged, framed binding) ; Type III binding (without flap) ; pastedowns and flyleaves in dark yellow surface-dyed gold-flecked laid paper ; sewn in pink thread, four stations ; overall in fair condition with some abrasion and lifting of leather, text block fully detached from cover., Former shelfmark: "576 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "123" inscribed in pencil on 'title page' (p.1)., Origin: Lacks dated colophon ; decoration, paper, etc. would suggest 16th century., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 447., Chagatai, Persian, and Arabic., Print version record, Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... این چهل کلمه است ازان کلمات فهم و حفظ را بر نظم ترکی ترجمه گر ده می آید امید ... لا يؤمن احدكم حتى يحب لاخيه ما يحب لنفسه مؤمن اير ماستور وركه ايماندين روزگاريده يوز صفا كورگاى...", Explicit: "تمت ترجمه هذه الاربعين اى كه شخصينگى خالق فتاح ... كه بو نوع ايكى اربعين موجود بولسه شايد كه تاپقاسين مقصود يتسه مقصود مدعا بيرلا منى ياد ايتكاسين دعا بيرلا كه نواييغه اول دعا يتكاى بلبل روحىغه نواييتكاى", Decoration: Elegant illuminated headpiece (ʻunwān) at opening (p.2) of rectangular piece with cartouche in gold carrying title in white ترجمۀ چهل حديث accented by swirling vegetal pattern reminiscent of arabesque in pink, light blue, gold, red, orange, and white on fields of blue and gold ; surmounting the rectangular piece, a scalloped semi-circular piece (dome) set against another rectangular piece (both filled with similar vegetal pattern to that seen in lower piece) is itself surmounted by vertical stalks (tīgh) in blue ; written area of incipit page surrounded by frame consisting of gold and green bands with outermost blue fillet ; elsewhere writen area surrounded by frame consisting of a narrow gold bank outlined in black with outermost blue fillet ; preface and text of elucidation/paraphrase chrysographed ; ḥadīth text in blue.

Tür Criticism, interpretation, etc., Early works, Headpieces (layout features) - 16th century., Poetry, Texts

İçinde Abdul Hamid Collection.

Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Diğer Nüshalar

Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Tarjamah-ʼi chihil ḥadīs̲ , [16th century?].

Diğer Nüshalar

Tarjamah-ʼi chihil ḥadīs̲ , [16th cen...