Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Name: Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"
Author: Majid Soleimani Sasani

İsim	Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"
Yazar	Majid Soleimani Sasani
Basım Yeri	Alzahra University - Alzahra University
Konu	Islamophobia, Orientalism
Tür	Süreli Yayın
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Pablo de Olavide Üniversitesi Kütüphanesi \| Sevilla
Demirbaş Numarası	ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591
Kayıt Numarası	cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457
Notlar	This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.
Parçası Olduğu	Muṭālaʻāt-i zan va khānvādah (Dānishgāh-i al-Zahrā), 1400-10, Vol.9 (4), p.43-62

Kaynağa git Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla Biblioteca de la Universidad Pablo de Olavide | Seville

Diğer Nüshalar

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Detayları görüntüle

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Detayları görüntüle

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Detayları görüntüle

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Detayları görüntüle

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Detayları görüntüle

Aramaya Dön

Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla

Kaynağa git

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Yazar Majid Soleimani Sasani

Basım Yeri Alzahra University - Alzahra University

Konu Islamophobia, Orientalism

Tür Süreli Yayın

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla

Demirbaş Numarası ISSN: 2345-2692, EISSN: 2538-2004, DOI: 10.22051/jwfs.2021.34202.2591

Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_8b6c172959914ef0b2412c5fec7da457

Notlar This article seeks to show the representation of gender and Muslim women in Hollywood cinema with a narrative analysis approach. Thus, using the approach of postcolonial theory in the critique of Orientalism discourse and the construction of gender in Eastern and Muslim women, and liberal feminism, Analyzes the narrative of "In the Land of Blood and Honey" (Angelina Jolie, 2011). This film is one of the most important Hollywood films that has dedicated its main narrative to the representation of a Muslim woman. The findings of this study show that the narrative of this film follows Orientalist gender stereotypes and, well, shows the contrast between the liberal and postcolonial feminist approaches. As the Eastern and Muslim woman is humiliated by both her Western sister and her community. Muslim woman in the narrative of this film; Is also the Orientalist object of American cinema; She is subjected to both sexual and gender clichés and is accused of treason against the world system and is considered worthy of death. Narrative analysis of this film can open new perspectives on postcolonial feminism.

Parçası Olduğu Muṭālaʻāt-i zan va khānvādah (Dānishgāh-i al-Zahrā), 1400-10, Vol.9 (4), p.43-62

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Diğer Nüshalar

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Postcolonial politics and Muslim women in Hollywood cinema; Narrative analysis of "In the Land of Blood and Honey"

Diğer Nüshalar

Postcolonial politics and Muslim wome...

Postcolonial politics and Muslim wome...

Postcolonial politics and Muslim wome...

Postcolonial politics and Muslim wome...

Postcolonial politics and Muslim wome...