Relocating the arts in the new Istanbul: urban imaginary as a contested zone

Name: Relocating the arts in the new Istanbul: urban imaginary as a contested zone
Author: Erek, Ayşe N., Köksal, Ayşe Hazar

İsim	Relocating the arts in the new Istanbul: urban imaginary as a contested zone
Yazar	Erek, Ayşe N., Köksal, Ayşe Hazar
Basım Tarihi:	2014
Basım Yeri	- Informa Group
Konu	Urban imaginary, Arts industry, Contemporary art, Urban change, Istanbul Biennial, Istanbul Modern
Tür	Süreli Yayın
Dil	İngilizce
Dijital	Evet
Yazma	Hayır
Kütüphane:	Özyeğin Üniversitesi
Demirbaş Numarası	1477-2809
Kayıt Numarası	2ea1f501-90b2-42e8-8788-e97471b1076d
Lokasyon	Industrial Design
Tarih	2014
Notlar	Due to copyright restrictions, the access to the full text of this article is only available via subscription.
Örnek Metin	Parallel to its reconstitution as a global city, Istanbul has experienced an expansion of the arts through the foundation of new institutions, such as museums and galleries, and the dissemination of art events and exhibitions related to the city. The role of the arts and arts institutions in Istanbul's renewal is central to understanding the relationship between the material and immaterial dynamics of this process. The contemporary art world has both invented new strategies for the city's representation, where issues, such as tourism, consumerism, public space, democracy, and identities, are tightly interwoven, while simultaneously revealing conflicts and contestations. In the hands of contemporary artists and arts professionals, the city's “urban imaginary” has become an analytical vehicle that both exposes the tensions of global dynamics and presents the city as spectacle. Thus, this imaginary also serves to document the forces that affect the arts and the city, and a close study of it can enrich our understanding of the reconditioning process.
DOI	10.1080/01973762.2014.964653
Cilt	30

Kaynağa git Özyeğin Üniversitesi

Aramaya Dön

Özyeğin Üniversitesi

Kaynağa git

Relocating the arts in the new Istanbul: urban imaginary as a contested zone

Yazar Erek, Ayşe N., Köksal, Ayşe Hazar

Basım Tarihi 2014

Basım Yeri - Informa Group

Konu Urban imaginary, Arts industry, Contemporary art, Urban change, Istanbul Biennial, Istanbul Modern

Tür Süreli Yayın

Dil İngilizce

Dijital Evet

Yazma Hayır

Kütüphane Özyeğin Üniversitesi

Demirbaş Numarası 1477-2809

Kayıt Numarası 2ea1f501-90b2-42e8-8788-e97471b1076d

Lokasyon Industrial Design

Tarih 2014

Notlar Due to copyright restrictions, the access to the full text of this article is only available via subscription.

Örnek Metin Parallel to its reconstitution as a global city, Istanbul has experienced an expansion of the arts through the foundation of new institutions, such as museums and galleries, and the dissemination of art events and exhibitions related to the city. The role of the arts and arts institutions in Istanbul's renewal is central to understanding the relationship between the material and immaterial dynamics of this process. The contemporary art world has both invented new strategies for the city's representation, where issues, such as tourism, consumerism, public space, democracy, and identities, are tightly interwoven, while simultaneously revealing conflicts and contestations. In the hands of contemporary artists and arts professionals, the city's “urban imaginary” has become an analytical vehicle that both exposes the tensions of global dynamics and presents the city as spectacle. Thus, this imaginary also serves to document the forces that affect the arts and the city, and a close study of it can enrich our understanding of the reconditioning process.

DOI 10.1080/01973762.2014.964653

Cilt 30