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Bir nasihatname ve imaj yaratma projesi olarak hünername

İsim	Bir nasihatname ve imaj yaratma projesi olarak hünername
Yazar	Taner, Melis
Basım Tarihi:	2024-03-26
Basım Yeri	- Atatürk Üniversitesi
Konu	Mirrorfor princes, Murad III, Hünername, Official history, Miniature, Ottoman
Tür	Süreli Yayın
Dil	Türkçe
Dijital	Evet
Yazma	Hayır
Kütüphane:	Özyeğin Üniversitesi
Demirbaş Numarası	2822-2865
Kayıt Numarası	d69908b8-4ee3-416f-83a4-28b25fa4af9e
Lokasyon	Architecture
Tarih	2024-03-26
Örnek Metin	The H & uuml;nername can be considered within the context of illustrated official histories that became popular since the establishment of the post of the & scedil;ehnameci (shahnama writer) in the middle of the sixteenth century. However, it stands apart from those works composed in Persian following the meter of the famed Shahnama of Firdawsi (d. 1020-26). Instead, the H & uuml;nername is composed in Turkish and does not follow a strict chronological progression but is organized thematically. The paper argues that the four-volume project had a double function. That is to say, the H & uuml;nername functioned both as a "mirror for princes" in the guise of history and as a means of establishing imperial legitimacy through highlighting immediate dynastic lineage, linking the reclusive Murad III (r. 1574-1595) to his immediate forebears, in a period that resonated with millennial anxieties, a sense of disorder, and a perceived need for reform. This article focuses on the second volume in particular but situates it in the larger context of the four-volume project.
DOI	10.47571/sanatyorum.1445504
Cilt	43

Kaynağa git Özyeğin Üniversitesi Özyeğin Üniversitesi - Osmanlıca el yazması arama motoru

Özyeğin Üniversitesi

Bir nasihatname ve imaj yaratma projesi olarak hünername

Yazar Taner, Melis

Basım Tarihi 2024-03-26

Basım Yeri - Atatürk Üniversitesi

Konu Mirrorfor princes, Murad III, Hünername, Official history, Miniature, Ottoman

Tür Süreli Yayın

Dil Türkçe

Dijital Evet

Yazma Hayır

Kütüphane Özyeğin Üniversitesi

Demirbaş Numarası 2822-2865

Kayıt Numarası d69908b8-4ee3-416f-83a4-28b25fa4af9e

Lokasyon Architecture

Tarih 2024-03-26

Örnek Metin The H & uuml;nername can be considered within the context of illustrated official histories that became popular since the establishment of the post of the & scedil;ehnameci (shahnama writer) in the middle of the sixteenth century. However, it stands apart from those works composed in Persian following the meter of the famed Shahnama of Firdawsi (d. 1020-26). Instead, the H & uuml;nername is composed in Turkish and does not follow a strict chronological progression but is organized thematically. The paper argues that the four-volume project had a double function. That is to say, the H & uuml;nername functioned both as a "mirror for princes" in the guise of history and as a means of establishing imperial legitimacy through highlighting immediate dynastic lineage, linking the reclusive Murad III (r. 1574-1595) to his immediate forebears, in a period that resonated with millennial anxieties, a sense of disorder, and a perceived need for reform. This article focuses on the second volume in particular but situates it in the larger context of the four-volume project.

DOI 10.47571/sanatyorum.1445504

Cilt 43