A shout that ripped the silver screen: The Battle of Algeria
| Title | A shout that ripped the silver screen: The Battle of Algeria |
|---|---|
| Author | Öcal, Göktürk |
| Publication Date: | 2016 |
| Publication Place | - Legal Theory |
| Subject | Algerian War, Pontecorvo, Political film, Third cinema theory, Colonialism |
| Type | Periodical |
| Language | Turkish |
| Digital | Yes |
| Manuscript | No |
| Library: | Özyeğin University |
| Library Asset ID | 2148-7413 |
| Record ID | feabf0e6-4fdd-4b09-aded-bc423dc74678 |
| Date | 2016 |
| Sample Text | The theory and practice of law is not only in law texts, courtrooms or faculty desks; It also leaves its mark in fine arts. For this reason, it is possible to see law in cinema, which is called the "seventh art". In this study, Italian director Pontecorvo's film The Battle of Algiers is analyzed. The main claim of the study is that the director and the film bear the consciousness of political cinema while drawing attention to violence and the oppressor-oppressed relationship by revealing colonial codes. |
| Cilt | 3 |
