[Karagöz and Hacivat].

İsim	[Karagöz and Hacivat].
Tür	Resim
Dil	Arapça
Dijital	Hayır
Yazma	Hayır
Fiziksel Boyutlar	1 painting on paper : oil and gilt ; 30 x 21 cm.
Kütüphane:	Princeton Üniversitesi Kütüphanesi
Demirbaş Numarası	1340470383
Kayıt Numarası	9960284343506421
Lokasyon	Special Collections - Manuscripts
Notlar	Image size: 16.2 x 9 cm.Paper: European laid paper likely dating from 1750-1850. - Two images depicting the famous Turkish shadow puppets, Karagöz (right) and Hacivat (left), probably dating from the late 19th century. Karagöz has an elaborate turban, a rounded beard and generally heavier features. Hacivat has a pointed hat and beard. Both characters wear red and gilt coats with green pants. The backgrounds are black flecked with gold; both images are framed in gold. The painting was executed on top of Arabic text, as can be seen from the marginalia which are partially covered. On the verso are two pages from a manuscript on grammar in Arabic, probably dating from the late 18th to early 19th centuries. It is likely that the images and the text are not contemporary with one another.
Edinme Kaynağı	2005-009.

Kaynağa git Princeton Üniversitesi Kütüphanesi Princeton University Library

Aramaya Dön

Princeton Üniversitesi Kütüphanesi

Kaynağa git

[Karagöz and Hacivat].

Tür Resim

Dil Arapça

Dijital Hayır

Yazma Hayır

Fiziksel Boyutlar 1 painting on paper : oil and gilt ; 30 x 21 cm.

Kütüphane Princeton Üniversitesi Kütüphanesi

Demirbaş Numarası 1340470383

Kayıt Numarası 9960284343506421

Lokasyon Special Collections - Manuscripts

Notlar Image size: 16.2 x 9 cm.Paper: European laid paper likely dating from 1750-1850. - Two images depicting the famous Turkish shadow puppets, Karagöz (right) and Hacivat (left), probably dating from the late 19th century. Karagöz has an elaborate turban, a rounded beard and generally heavier features. Hacivat has a pointed hat and beard. Both characters wear red and gilt coats with green pants. The backgrounds are black flecked with gold; both images are framed in gold. The painting was executed on top of Arabic text, as can be seen from the marginalia which are partially covered. On the verso are two pages from a manuscript on grammar in Arabic, probably dating from the late 18th to early 19th centuries. It is likely that the images and the text are not contemporary with one another.

Edinme Kaynağı 2005-009.