Yogi seated in Kumbhaka (kunbhak) position (recto) and kanphata yogi seated by a hut (verso), from the Ocean of Immortality (Bahr al-Hayat)

İsim	Yogi seated in Kumbhaka (kunbhak) position (recto) and kanphata yogi seated by a hut (verso), from the Ocean of Immortality (Bahr al-Hayat)
Basım Tarihi:	1600
Tür	Resim
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	La Laguna Üniversitesi Kütüphanesi
Kayıt Numarası	cdi_europeana_collections_1100_1641
Tarih	1600
Notlar	Yogi seated in Kumbhaka (kunbhak) position (recto) and kanphata yogi seated by a hut (verso), from the Ocean of Immortality (Bahr al-Hayat). This book consists of ten chapters explaining the philosophy of hatha yoga, with paintings showing twenty-one different positions (asanas). Written in Persian, the work was composed in Gujarat c. 1550 by Muhammad Ghwath Gwaliori (d. 1562), a prominent Sufi, drawing from an earlier Arabic version (Pool of life, or Hawd al-hayat), of an original Sanskrit text (Amrita Kunda, now lost). This manuscript was produced in early seventeenth-century Mughal India: it is one of three yoga-related texts commissioned for prince Selim (the future Mughal emperor, Jahangir). Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with two paintings (on recto and verso), from the Ocean of Immortality (Bahr al-Hayat), by Muhammad Ghwath Gwaliori (d. 1562), unsigned, Allahabad, India, c. 1600-1605. This is one of twelve folios now detached from its codex (Chester Beatty In 16).

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Yogi seated in Kumbhaka (kunbhak) position (recto) and kanphata yogi seated by a hut (verso), from the Ocean of Immortality (Bahr al-Hayat)

Basım Tarihi 1600

Tür Resim

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane La Laguna Üniversitesi Kütüphanesi

Kayıt Numarası cdi_europeana_collections_1100_1641

Tarih 1600

Notlar Yogi seated in Kumbhaka (kunbhak) position (recto) and kanphata yogi seated by a hut (verso), from the Ocean of Immortality (Bahr al-Hayat). This book consists of ten chapters explaining the philosophy of hatha yoga, with paintings showing twenty-one different positions (asanas). Written in Persian, the work was composed in Gujarat c. 1550 by Muhammad Ghwath Gwaliori (d. 1562), a prominent Sufi, drawing from an earlier Arabic version (Pool of life, or Hawd al-hayat), of an original Sanskrit text (Amrita Kunda, now lost). This manuscript was produced in early seventeenth-century Mughal India: it is one of three yoga-related texts commissioned for prince Selim (the future Mughal emperor, Jahangir). Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with two paintings (on recto and verso), from the Ocean of Immortality (Bahr al-Hayat), by Muhammad Ghwath Gwaliori (d. 1562), unsigned, Allahabad, India, c. 1600-1605. This is one of twelve folios now detached from its codex (Chester Beatty In 16).