Woman kneeling alone

İsim	Woman kneeling alone
Basım Tarihi:	1625
Tür	Resim
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	La Laguna Üniversitesi Kütüphanesi
Kayıt Numarası	cdi_europeana_collections_1100_5941
Tarih	1625
Notlar	Woman kneeling alone. Wearing only purple trousers and a yellow sash, this woman kneels with her hands raised, as if in prayer. Her eyes gaze up towards the sun. Relatively rare, female nudity became more frequent in later Safavid painting, usually in reference to exotic foreigners. This drew from imported artworks of female allegories and fashionable portraiture, from Europe. Album folio, ink, colours and gold on blue paper, mounted on card, painting of kneeling woman in yellow scarf and purple trousers with gold bird detail, her palms raised in prayer, in a light green rocky landscape with the sun in upper left corner, framed with lines of Persian poetry in nasta`liq script, within ruled borders on gold-painted blue card album page, blank verso, unsigned, Isfahan, Iran, c. 1625-1650.

Kaynağa git La Laguna Üniversitesi Kütüphanesi University of La Laguna Library

Aramaya Dön

La Laguna Üniversitesi Kütüphanesi

Kaynağa git

Woman kneeling alone

Basım Tarihi 1625

Tür Resim

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane La Laguna Üniversitesi Kütüphanesi

Kayıt Numarası cdi_europeana_collections_1100_5941

Tarih 1625

Notlar Woman kneeling alone. Wearing only purple trousers and a yellow sash, this woman kneels with her hands raised, as if in prayer. Her eyes gaze up towards the sun. Relatively rare, female nudity became more frequent in later Safavid painting, usually in reference to exotic foreigners. This drew from imported artworks of female allegories and fashionable portraiture, from Europe. Album folio, ink, colours and gold on blue paper, mounted on card, painting of kneeling woman in yellow scarf and purple trousers with gold bird detail, her palms raised in prayer, in a light green rocky landscape with the sun in upper left corner, framed with lines of Persian poetry in nasta`liq script, within ruled borders on gold-painted blue card album page, blank verso, unsigned, Isfahan, Iran, c. 1625-1650.