Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami

Name: Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami
Author: Muḥammad Muqim, attributed to, Mulla Barqi

İsim	Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami
Yazar	Muḥammad Muqim, attributed to, Mulla Barqi
Basım Tarihi:	1671
Tür	Resim
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Pompeu Fabra Üniversitesi Kütüphanesi
Kayıt Numarası	cdi_europeana_collections_1100_1871
Lokasyon	Available Online
Tarih	1671
Örnek Metin	Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the anthology of Five Poems (Khamsa), by Nizami. Nizami's Seven Portraits tells how prince Bahram marries seven princesses from the seven world regions, and orders a pavilion built for each bride within his palace. Following cosmic order, each world region has a specific colour, virtue, ruling planet and day of the week, and Bahram's seven pavilions are themed accordingly. Each night, he visits one princess, who tells him a story. The week ends in the white pavilion on Friday, when Bahram visits the Iranian princess, attended by her servants and musicians, and listens to her story. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with painting (unsigned, attributed to Muhammad Muqim, on recto), from Seven Portraits (Haft Paykar), in the anthology Five Poems (Khamsa), by Nizami (1141-1209), copied by Mulla Barqi and Mulla `Arabshah, ordered by librarian (kitabdar) `Abd al-Rahman for Janid ruler ‘Abd al-`Aziz Bahadur Khan (r. 1647-80), Bukhara, Uzbekistan, codex (Per 276, fol. 348v) dated 15 Dhu'l-Hijja 1081, 25 April 1671.
Kaynak	Europeana Collections

Kaynağa git Pompeu Fabra Üniversitesi Kütüphanesi Pompeu Fabra University Library

Aramaya Dön

Pompeu Fabra Üniversitesi Kütüphanesi

Kaynağa git

Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami

Yazar Muḥammad Muqim, attributed to, Mulla Barqi

Basım Tarihi 1671

Tür Resim

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Pompeu Fabra Üniversitesi Kütüphanesi

Kayıt Numarası cdi_europeana_collections_1100_1871

Lokasyon Available Online

Tarih 1671

Örnek Metin Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the anthology of Five Poems (Khamsa), by Nizami. Nizami's Seven Portraits tells how prince Bahram marries seven princesses from the seven world regions, and orders a pavilion built for each bride within his palace. Following cosmic order, each world region has a specific colour, virtue, ruling planet and day of the week, and Bahram's seven pavilions are themed accordingly. Each night, he visits one princess, who tells him a story. The week ends in the white pavilion on Friday, when Bahram visits the Iranian princess, attended by her servants and musicians, and listens to her story. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with painting (unsigned, attributed to Muhammad Muqim, on recto), from Seven Portraits (Haft Paykar), in the anthology Five Poems (Khamsa), by Nizami (1141-1209), copied by Mulla Barqi and Mulla `Arabshah, ordered by librarian (kitabdar) `Abd al-Rahman for Janid ruler ‘Abd al-`Aziz Bahadur Khan (r. 1647-80), Bukhara, Uzbekistan, codex (Per 276, fol. 348v) dated 15 Dhu'l-Hijja 1081, 25 April 1671.

Kaynak Europeana Collections