A Jesuit priest with a book, folio from the Salim Album

İsim	A Jesuit priest with a book, folio from the Salim Album
Basım Tarihi:	Painting c. 1595-1600, album folio 1600-1605
Tür	Resim
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	225 mm x 153 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	In 44.5
Lokasyon	Indian collection
Tarih	Painting c. 1595-1600, album folio 1600-1605
Notlar	A Jesuit priest, folio from the Salim Album. The Jesuit order first came to the Mughal court in 1580, and remained a longterm presence in India. This priest holds open his book, while the surrounding Persian poetry refers to the debate over religious imagery: "a God-worshipper calls me an idolater. God bless him: he says what is. What expectation do infidels have of a lifeless idol? At least worship an idol that has a soul". The Salim Album refers to a group of thirty (known) folios, today dispersed in international collections. These were once part of a small album of paintings and calligraphy, assembled for the Mughal prince Salim (who from 1605 would reign as the emperor Jahangir), probably during the brief years (1600-1604) that he spent in his own court at Allahabad. Eight of these folios are in the Chester Beatty. Although many have been trimmed down, the surviving Salim Album folios share a similar border scheme, of distinctive gold-painted geometric, cloud collar and floral motifs. The art collection mounted in the prince's album deals mainly with single or paired figures, framed by couplets of Persian poetry: these are contemporary court portraits, small compositions adapted from European print media, or studies of spiritual figures. Folio, ink, colours and gold on paper, mounted on gold-painted card, painting of a Jesuit priest holding an open book, attributed to Kesu Das, Persian verses in nasta`liq script, folio from the Salim Album, assembled Allahabad, India, c. 1600-1605.
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Album)

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Chester Beatty

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A Jesuit priest with a book, folio from the Salim Album

Basım Tarihi Painting c. 1595-1600, album folio 1600-1605

Tür Resim

Dil Farsça

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 225 mm x 153 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası In 44.5

Lokasyon Indian collection

Tarih Painting c. 1595-1600, album folio 1600-1605

Notlar A Jesuit priest, folio from the Salim Album. The Jesuit order first came to the Mughal court in 1580, and remained a longterm presence in India. This priest holds open his book, while the surrounding Persian poetry refers to the debate over religious imagery: "a God-worshipper calls me an idolater. God bless him: he says what is. What expectation do infidels have of a lifeless idol? At least worship an idol that has a soul". The Salim Album refers to a group of thirty (known) folios, today dispersed in international collections. These were once part of a small album of paintings and calligraphy, assembled for the Mughal prince Salim (who from 1605 would reign as the emperor Jahangir), probably during the brief years (1600-1604) that he spent in his own court at Allahabad. Eight of these folios are in the Chester Beatty. Although many have been trimmed down, the surviving Salim Album folios share a similar border scheme, of distinctive gold-painted geometric, cloud collar and floral motifs. The art collection mounted in the prince's album deals mainly with single or paired figures, framed by couplets of Persian poetry: these are contemporary court portraits, small compositions adapted from European print media, or studies of spiritual figures. Folio, ink, colours and gold on paper, mounted on gold-painted card, painting of a Jesuit priest holding an open book, attributed to Kesu Das, Persian verses in nasta`liq script, folio from the Salim Album, assembled Allahabad, India, c. 1600-1605.

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Album)