'The Dervish from Faryab Crosses the River on his Rug'

Name: 'The Dervish from Faryab Crosses the River on his Rug'
Author: Attributed to Habiballah

İsim	'The Dervish from Faryab Crosses the River on his Rug'
Yazar	Attributed to Habiballah
Basım Tarihi:	c. AH 1008-1016 / AD 1600-1608
Basım Yeri	Isfahan (Iran) -
Konu	Safavids — Pigments
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	folio: 28.5cm × 18.5cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	Inv.no. 11/2016
Kayıt Numarası	GalEx6_dn_Mus81_1
Lokasyon	The David Collection
Tarih	c. AH 1008-1016 / AD 1600-1608
Notlar	In hisBustan(The Flower Garden), Sadi described an amazing experience that he had on a ferry. While the author paid for his journey, an olddervishfrom the town of Faryab did not have the money and was left on the riverbank. As the boat made the crossing, Sadi heard laughter in its wake. It was thedervish, sailing over the river on his prayer rug.In this rendition, the ferry is shown as a western carrack, with Sadi dressed in a greencaftanand standing in the bow. The page comes from a manuscript calligraphed by Mir Ali Haravi in Herat in AH 932 / AD 1526. At this point, the volume evidently had only a few illustrations, while others were added later in a style in keeping with the original ones.The richness of detail on this painting harks back in time, though the young man standing next to Sadi is wearing aturbantypical of theShahAbbas period (r. AH 995- 1039 / AD 1587-1629). Thisshahwas responsible for the completion of the manuscript, and the stamp at the top shows that it was donated to the family sanctuary in Ardabil in 1608/1609.
Bu sayfanın künyesi	Copyedited by:Zeina AL AMAD
Seçili bibliyografya	Christie's, London 21/4-2016, lot 100.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat. 31.Meyer, Joachim,et al.,Beyond words: calligraphy from the World of Islam, Copenhagen: Strandberg Publishing, 2024: cat.119, 290--291.

Kaynağa git Museum With No Frontiers

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Museum With No Frontiers

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'The Dervish from Faryab Crosses the River on his Rug'

Yazar Attributed to Habiballah

Basım Tarihi c. AH 1008-1016 / AD 1600-1608

Basım Yeri Isfahan (Iran) -

Konu Safavids — Pigments

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar folio: 28.5cm × 18.5cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası Inv.no. 11/2016

Kayıt Numarası GalEx6_dn_Mus81_1

Lokasyon The David Collection

Tarih c. AH 1008-1016 / AD 1600-1608

Notlar In hisBustan(The Flower Garden), Sadi described an amazing experience that he had on a ferry. While the author paid for his journey, an olddervishfrom the town of Faryab did not have the money and was left on the riverbank. As the boat made the crossing, Sadi heard laughter in its wake. It was thedervish, sailing over the river on his prayer rug.In this rendition, the ferry is shown as a western carrack, with Sadi dressed in a greencaftanand standing in the bow. The page comes from a manuscript calligraphed by Mir Ali Haravi in Herat in AH 932 / AD 1526. At this point, the volume evidently had only a few illustrations, while others were added later in a style in keeping with the original ones.The richness of detail on this painting harks back in time, though the young man standing next to Sadi is wearing aturbantypical of theShahAbbas period (r. AH 995- 1039 / AD 1587-1629). Thisshahwas responsible for the completion of the manuscript, and the stamp at the top shows that it was donated to the family sanctuary in Ardabil in 1608/1609.

Bu sayfanın künyesi Copyedited by:Zeina AL AMAD

Seçili bibliyografya Christie's, London 21/4-2016, lot 100.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat. 31.Meyer, Joachim,et al.,Beyond words: calligraphy from the World of Islam, Copenhagen: Strandberg Publishing, 2024: cat.119, 290--291.