'Mihr in a Bath House in Khwarazm'

İsim	'Mihr in a Bath House in Khwarazm'
Basım Tarihi:	c. AH 947-957 / AD 1540-1550
Basım Yeri	Shiraz (Iran) -
Konu	Pigments
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Folio: 25cm × 20cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	76/2006
Kayıt Numarası	GalEx6_dn_Mus81_10
Lokasyon	The David Collection
Tarih	c. AH 947-957 / AD 1540-1550
Notlar	Assar Tabrizi, who was active under the JalayiridsultanUways and died in c. AH 792 / AD 1390, was inspired by Nizami’s famous romancesLayla wa MajnunandKhusraw wa Shirinwhen he wrote ‘Mihr and Mushtari.’ It tells the story of the love of Mihr, son of King Shapur, for Mushtari, thevizier’s son.In Persian mystical poetry, physical love is often a reflection of divine love, and the beauty of the beloved a reflection of God’s beauty. The beloved was just as often a man as a woman, and although love did not have to manifest itself physically, the sexual ambiguity of works like this was enough to awaken displeasure in more morally oriented circles.In contrast to the story of Khusraw and Shirin, who clearly have a sexual relationship, this does not seem to have been the case between Mihr and Mushtari. In any event, Mihr marries Nahid, the daughter of the Khwarazmshah.The bathing scene is unusual. The text explains that Mihr, the central seated figure, is having a knot in his long hair combed out
Bu sayfanın künyesi	Copyedited by:Zeina AL AMAD
Seçili bibliyografya	Boghanim, H. and Carayon, A. (eds.),Parfums d'Orient, Institut du monde arabe, Paris: Beaux Arts, 2023: cat. 56, 115 and 215.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat.no. 66

Kaynağa git Museum With No Frontiers

Aramaya Dön

Museum With No Frontiers

Kaynağa git

'Mihr in a Bath House in Khwarazm'

Basım Tarihi c. AH 947-957 / AD 1540-1550

Basım Yeri Shiraz (Iran) -

Konu Pigments

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Folio: 25cm × 20cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası 76/2006

Kayıt Numarası GalEx6_dn_Mus81_10

Lokasyon The David Collection

Tarih c. AH 947-957 / AD 1540-1550

Notlar Assar Tabrizi, who was active under the JalayiridsultanUways and died in c. AH 792 / AD 1390, was inspired by Nizami’s famous romancesLayla wa MajnunandKhusraw wa Shirinwhen he wrote ‘Mihr and Mushtari.’ It tells the story of the love of Mihr, son of King Shapur, for Mushtari, thevizier’s son.In Persian mystical poetry, physical love is often a reflection of divine love, and the beauty of the beloved a reflection of God’s beauty. The beloved was just as often a man as a woman, and although love did not have to manifest itself physically, the sexual ambiguity of works like this was enough to awaken displeasure in more morally oriented circles.In contrast to the story of Khusraw and Shirin, who clearly have a sexual relationship, this does not seem to have been the case between Mihr and Mushtari. In any event, Mihr marries Nahid, the daughter of the Khwarazmshah.The bathing scene is unusual. The text explains that Mihr, the central seated figure, is having a knot in his long hair combed out

Bu sayfanın künyesi Copyedited by:Zeina AL AMAD

Seçili bibliyografya Boghanim, H. and Carayon, A. (eds.),Parfums d'Orient, Institut du monde arabe, Paris: Beaux Arts, 2023: cat. 56, 115 and 215.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat.no. 66