'Funeral Procession'

İsim	'Funeral Procession'
Basım Tarihi:	AH 892 / AD 1486
Basım Yeri	Present-day Afghanistan, Herat -
Konu	Opaque watercolour, silver, and gold on paper
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Painting: height: 24.8cm, width: 14cm; Page: height: 33cm, width: 21.6cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	63.210.35
Kayıt Numarası	GalEx6_us_Mus82_25
Lokasyon	The Metropolitan Museum
Tarih	AH 892 / AD 1486
Notlar	This illustration is associated with a story related by the hoopoe as a response to a bird who complains about his fear of death. In the story, a son grieves the death of his father in front of his coffin and a sufi soothes him, explaining that his father had experienced much pain and that no one can avoid death. Here, the painter depicts the incident as occurring in front of a cemetery gate. The scene behind the gate is replete with motifs that are irrelevant to the story itself. The viewer at the court may have enjoyed deciphering them.
Bu sayfanın künyesi	MWNF Working Number: GalEx6_US2_25

Kaynağa git Museum With No Frontiers

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Museum With No Frontiers

Kaynağa git

'Funeral Procession'

Basım Tarihi AH 892 / AD 1486

Basım Yeri Present-day Afghanistan, Herat -

Konu Opaque watercolour, silver, and gold on paper

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Painting: height: 24.8cm, width: 14cm; Page: height: 33cm, width: 21.6cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası 63.210.35

Kayıt Numarası GalEx6_us_Mus82_25

Lokasyon The Metropolitan Museum

Tarih AH 892 / AD 1486

Notlar This illustration is associated with a story related by the hoopoe as a response to a bird who complains about his fear of death. In the story, a son grieves the death of his father in front of his coffin and a sufi soothes him, explaining that his father had experienced much pain and that no one can avoid death. Here, the painter depicts the incident as occurring in front of a cemetery gate. The scene behind the gate is replete with motifs that are irrelevant to the story itself. The viewer at the court may have enjoyed deciphering them.

Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_25