"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens"

Name: "The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens"
Author: Muhammad Husain KashmiriIndiaca. 1560–1611

İsim	"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens"
Yazar	Muhammad Husain KashmiriIndiaca. 1560–1611
Basım Tarihi:	AH 1006-7 / AD 1597-8
Basım Yeri	Attributed to India -
Konu	Mughals — Ink, opaque watercolor, and gold on paper
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Height: 24.8cm, width: 15.9cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	13.228.33
Kayıt Numarası	GalEx6_us_Mus82_16
Lokasyon	The Metropolitan Museum
Tarih	AH 1006-7 / AD 1597-8
Notlar	Approximately one century after the Persian poet Nizami wrote hisKhamsa(Quintet), the Indian poetAmirKhusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1550–1605) copy ofAmirKhusrau’s verses. It depicts a story told by a princess to the king Bahram Gur, about a youth and the fairy queen he imagines meeting nightly in a lush garden.
Bu sayfanın künyesi	MWNF Working Number: GalEx6_US2_16
Seçili bibliyografya	Valentiner, W. R.. "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, old series, vol. 8 (1913).Ashton, L., Sir, ed. "A Commemorative Catalogue of the Exhibiton Held at the Royal Academy of Arts, London 1947-48." InThe Art of India and Pakistan., no.652, New York: Coward-McCann, (1949).Grube, E. J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., Venice: Edizioni Oriens, (1968).Ettinghausen, R., "Islamic Art." inMMA Bulletin, vol. 33, no. 1 (Spring 1975).Brend, B., "Akbar's Khamsa of Amir Khursaw Dihlavi-A Reconstruction of the Cycle of Illustration." inArtibus Asiae, vol. 49, nos. 3, 4 (1988/89).Seyller, J., "The Walters Art Museum Khamsa of Amir Khusraw of Delhi." InPearls of the Parrot of India.Baltimore, MD: Walters Art Museum, (2001).Brend, B., "Illustrations to Amir Khusrau's Khamsa." InPerspectives on Persian Painting., New York: RoutledgeCurzon, (2003).Barry, M., and S. C. Welch.,L'art figuratif en Islam médiéval et l'énigme de Behzâd de Hérât (1465-1535), Paris: Flammarion, 2004.Beach, M.C.; E. Fischer, B. N. Goswamy, and K. Overton,Masters of Indian Painting.Vols. I, II., Zurich, Switzerland: Artibus Asiae Publishers, 2011.Ekhtiar, M., P. P. Soucek, S. R. Canby, and N. Haidar, ed.,Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art., 1st ed., New York: The Metropolitan Museum of Art, (2011).The Metropolitan Museum of Art,The Metropolitan Museum of Art Guide., New York: The Metropolitan Museum of Art, 2012.Stronge, S.,The Great Mughals Art, Architecture and Opulance., London: V&A Publications, 2024.

Kaynağa git Museum With No Frontiers

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Museum With No Frontiers

Kaynağa git

"The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens"

Yazar Muhammad Husain KashmiriIndiaca. 1560–1611

Basım Tarihi AH 1006-7 / AD 1597-8

Basım Yeri Attributed to India -

Konu Mughals — Ink, opaque watercolor, and gold on paper

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Height: 24.8cm, width: 15.9cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası 13.228.33

Kayıt Numarası GalEx6_us_Mus82_16

Lokasyon The Metropolitan Museum

Tarih AH 1006-7 / AD 1597-8

Notlar Approximately one century after the Persian poet Nizami wrote hisKhamsa(Quintet), the Indian poetAmirKhusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1550–1605) copy ofAmirKhusrau’s verses. It depicts a story told by a princess to the king Bahram Gur, about a youth and the fairy queen he imagines meeting nightly in a lush garden.

Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_16

Seçili bibliyografya Valentiner, W. R.. "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, old series, vol. 8 (1913).Ashton, L., Sir, ed. "A Commemorative Catalogue of the Exhibiton Held at the Royal Academy of Arts, London 1947-48." InThe Art of India and Pakistan., no.652, New York: Coward-McCann, (1949).Grube, E. J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., Venice: Edizioni Oriens, (1968).Ettinghausen, R., "Islamic Art." inMMA Bulletin, vol. 33, no. 1 (Spring 1975).Brend, B., "Akbar's Khamsa of Amir Khursaw Dihlavi-A Reconstruction of the Cycle of Illustration." inArtibus Asiae, vol. 49, nos. 3, 4 (1988/89).Seyller, J., "The Walters Art Museum Khamsa of Amir Khusraw of Delhi." InPearls of the Parrot of India.Baltimore, MD: Walters Art Museum, (2001).Brend, B., "Illustrations to Amir Khusrau's Khamsa." InPerspectives on Persian Painting., New York: RoutledgeCurzon, (2003).Barry, M., and S. C. Welch.,L'art figuratif en Islam médiéval et l'énigme de Behzâd de Hérât (1465-1535), Paris: Flammarion, 2004.Beach, M.C.; E. Fischer, B. N. Goswamy, and K. Overton,Masters of Indian Painting.Vols. I, II., Zurich, Switzerland: Artibus Asiae Publishers, 2011.Ekhtiar, M., P. P. Soucek, S. R. Canby, and N. Haidar, ed.,Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art., 1st ed., New York: The Metropolitan Museum of Art, (2011).The Metropolitan Museum of Art,The Metropolitan Museum of Art Guide., New York: The Metropolitan Museum of Art, 2012.Stronge, S.,The Great Mughals Art, Architecture and Opulance., London: V&A Publications, 2024.