"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music"

Name: "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music"
Author: Attributed to Miskinca. 1570–1604

İsim	"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music"
Yazar	Attributed to Miskinca. 1570–1604
Basım Tarihi:	AH 1006-7 / AD 1597-8
Basım Yeri	Attributed to India -
Konu	Mughals — Main support: ink, opaque watercolour, and gold on paper; Margins: gold on dyed paper
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Height: 24.5cm, width: 15.1cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	13.228.28
Kayıt Numarası	GalEx6_us_Mus82_17
Lokasyon	The Metropolitan Museum
Tarih	AH 1006-7 / AD 1597-8
Notlar	Approximately one century after the Persian poet Nizami wrote hisKhamsa(Quintet), the Indian poetAmirKhusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1556–1605) personal copy ofAmirKhusrau’s verses. It shows the king Bahram Gur with his beautiful slave girl, Dilaram, who could make animals sleep or awaken with the sound of her music.
Bu sayfanın künyesi	MWNF Working Number: GalEx6_US2_17
Seçili bibliyografya	Valentiner, W. R.. "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, old series, vol. 8 (1913)."Mughal Painting under Akbar the Great." inMetropolitan Museum of Art Bulletin, New Series, vol. 12 (October 1953).Dimand, M. S.,Indian Miniatures., New York-Milan, 1959.University Gallery, University of Florida. "April 10th thru May 29th, 1966." InMiniatures and Small Sculptures from India., (1966).Grube, E. J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., Venice: Edizioni Oriens, (1968).Glynn, C.. "An Early Mughal Landscape Painting and Realted Works." inLos Angeles County Museum of Art Bulletin, vol. 20, no. 2 (1974).Beach, M.C.; E. Fischer, B. N. Goswamy, and K. Overton,Masters of Indian Painting.Vols. I, II., Zurich, Switzerland: Artibus Asiae Publishers, 2011.Brend, B., "Akbar's Khamsa of Amir Khursaw Dihlavi-A Reconstruction of the Cycle of Illustration." inArtibus Asiae, vol. 49, nos. 3, 4 (1988/89).Pal, P., ed.,Master Artists of the Imperial Mughal Court., Bombay: Marg Publications, 1991.Kossak, S. M., ed.,Indian Court Painting 16th–19th century., New York: The Metropolitan Museum of Art, 1997.Seyller, J., "The Walters Art Museum Khamsa of Amir Khusraw of Delhi." InPearls of the Parrot of India.Baltimore, MD: Walters Art Museum, (2001).Brend, B., "Illustrations to Amir Khusrau's Khamsa." InPerspectives on Persian Painting., New York: RoutledgeCurzon, (2003).

Kaynağa git Museum With No Frontiers

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Museum With No Frontiers

Kaynağa git

"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music"

Yazar Attributed to Miskinca. 1570–1604

Basım Tarihi AH 1006-7 / AD 1597-8

Basım Yeri Attributed to India -

Konu Mughals — Main support: ink, opaque watercolour, and gold on paper; Margins: gold on dyed paper

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Height: 24.5cm, width: 15.1cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası 13.228.28

Kayıt Numarası GalEx6_us_Mus82_17

Lokasyon The Metropolitan Museum

Tarih AH 1006-7 / AD 1597-8

Notlar Approximately one century after the Persian poet Nizami wrote hisKhamsa(Quintet), the Indian poetAmirKhusrau Dihlavi composed a response using Nizami’s structure but varying his stories slightly. This painting comes from the Mughal emperor Akbar’s (r. 1556–1605) personal copy ofAmirKhusrau’s verses. It shows the king Bahram Gur with his beautiful slave girl, Dilaram, who could make animals sleep or awaken with the sound of her music.

Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_17

Seçili bibliyografya Valentiner, W. R.. "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, old series, vol. 8 (1913)."Mughal Painting under Akbar the Great." inMetropolitan Museum of Art Bulletin, New Series, vol. 12 (October 1953).Dimand, M. S.,Indian Miniatures., New York-Milan, 1959.University Gallery, University of Florida. "April 10th thru May 29th, 1966." InMiniatures and Small Sculptures from India., (1966).Grube, E. J. "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., Venice: Edizioni Oriens, (1968).Glynn, C.. "An Early Mughal Landscape Painting and Realted Works." inLos Angeles County Museum of Art Bulletin, vol. 20, no. 2 (1974).Beach, M.C.; E. Fischer, B. N. Goswamy, and K. Overton,Masters of Indian Painting.Vols. I, II., Zurich, Switzerland: Artibus Asiae Publishers, 2011.Brend, B., "Akbar's Khamsa of Amir Khursaw Dihlavi-A Reconstruction of the Cycle of Illustration." inArtibus Asiae, vol. 49, nos. 3, 4 (1988/89).Pal, P., ed.,Master Artists of the Imperial Mughal Court., Bombay: Marg Publications, 1991.Kossak, S. M., ed.,Indian Court Painting 16th–19th century., New York: The Metropolitan Museum of Art, 1997.Seyller, J., "The Walters Art Museum Khamsa of Amir Khusraw of Delhi." InPearls of the Parrot of India.Baltimore, MD: Walters Art Museum, (2001).Brend, B., "Illustrations to Amir Khusrau's Khamsa." InPerspectives on Persian Painting., New York: RoutledgeCurzon, (2003).