"The Eavesdropper"

Name: "The Eavesdropper"
Author: Maulana AzharAH 879-80 / AD 1475-76

İsim	"The Eavesdropper"
Yazar	Maulana AzharAH 879-80 / AD 1475-76
Basım Tarihi:	AH ca. 833 / AD ca. 1430
Basım Yeri	Herat -
Konu	Timurids — Ink, opaque watercolour, silver, and gold on paper
Tür	Resim
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Painting: height: 22.5 cm, width: 12.4 cm; Page: height: 27.9 cm, width: 18.3 cm
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	13.228.13.6
Kayıt Numarası	GalEx6_us_Mus82_7
Lokasyon	The Metropolitan Museum
Tarih	AH ca. 833 / AD ca. 1430
Notlar	This folio once illustrated a magnificent manuscript of Nizami’s Haft Paikar (Seven Portraits). The story of the Seven Portraits comprises a series of moralizing tales as told to the Persian hero Bahram Gur by seven princesses. This lively and lyrical scene illustrates a story in which a youth spies upon maidens swimming in a garden pool by moonlight. The voyeur is barely visible here, peering out of the shuttered window, unbeknownst to the playful bathers below.
Örnek Metin	Gift from Alexander Smith Cochran in 1913
Bu sayfanın künyesi	MWNF Working Number: GalEx6_US2_07
Seçili bibliyografya	Valentiner, W. R., "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, vol. 8, (1913).Jackson, A. V., Williams, A.Y., "Presented to the Metropolitan Museum of Art, New York, by Alexander Smith Cochran.", inA Catalogue of the Collection of Persian Manuscripts, Including also Some Turkish and Arabic, no.10, (1914).Lukens, M. G. "The Language of the Birds: The Fifteenth-Century Miniatures." inMetropolitan Museum of Art Bulletin, vol. XXV, no. 9 (May 1967).Robinson, B. W. "Prince Baysonghor's Nizami." in Ars Orientalis vol. II (1957).Grube, E. J., "Collections in the United States and Canada." inMuslim Miniature Paintings from the XIII to XIX Century, (1962).Grube, E. J., "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., (1968).Museum of Metropolitan Art Bulletin, vol. 33, no. 1 (1975)Lentz, T. W., Lowry G.D., "Persian Art and Culture in the Fifteenth Century." InTimur and the Princely Vision., Los Angeles: Los Angeles County Museum of Art, no.62, (1989).Barry, M., and S. C. Welch. "et l'Enigme de Behzad de Herat (1465–1535)." InL'Art Figuratif en Islam Medieval., Paris: Flammarion, 2004.Ekhtiar, M., P. P. Soucek, S. R. Canby, and N. Haidar, ed.,Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art., 1st ed. New York: The Metropolitan Museum of Art, 2011.

Kaynağa git Museum With No Frontiers

Aramaya Dön

Museum With No Frontiers

Kaynağa git

"The Eavesdropper"

Yazar Maulana AzharAH 879-80 / AD 1475-76

Basım Tarihi AH ca. 833 / AD ca. 1430

Basım Yeri Herat -

Konu Timurids — Ink, opaque watercolour, silver, and gold on paper

Tür Resim

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Painting: height: 22.5 cm, width: 12.4 cm; Page: height: 27.9 cm, width: 18.3 cm

Kütüphane Museum With No Frontiers

Demirbaş Numarası 13.228.13.6

Kayıt Numarası GalEx6_us_Mus82_7

Lokasyon The Metropolitan Museum

Tarih AH ca. 833 / AD ca. 1430

Notlar This folio once illustrated a magnificent manuscript of Nizami’s Haft Paikar (Seven Portraits). The story of the Seven Portraits comprises a series of moralizing tales as told to the Persian hero Bahram Gur by seven princesses. This lively and lyrical scene illustrates a story in which a youth spies upon maidens swimming in a garden pool by moonlight. The voyeur is barely visible here, peering out of the shuttered window, unbeknownst to the playful bathers below.

Örnek Metin Gift from Alexander Smith Cochran in 1913

Bu sayfanın künyesi MWNF Working Number: GalEx6_US2_07

Seçili bibliyografya Valentiner, W. R., "The Cochran Collection of Persian Manuscripts." inMuseum of Metropolitan Art Bulletin, vol. 8, (1913).Jackson, A. V., Williams, A.Y., "Presented to the Metropolitan Museum of Art, New York, by Alexander Smith Cochran.", inA Catalogue of the Collection of Persian Manuscripts, Including also Some Turkish and Arabic, no.10, (1914).Lukens, M. G. "The Language of the Birds: The Fifteenth-Century Miniatures." inMetropolitan Museum of Art Bulletin, vol. XXV, no. 9 (May 1967).Robinson, B. W. "Prince Baysonghor's Nizami." in Ars Orientalis vol. II (1957).Grube, E. J., "Collections in the United States and Canada." inMuslim Miniature Paintings from the XIII to XIX Century, (1962).Grube, E. J., "The Early School of Herat and its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries." InThe Classical Style in Islamic Painting., (1968).Museum of Metropolitan Art Bulletin, vol. 33, no. 1 (1975)Lentz, T. W., Lowry G.D., "Persian Art and Culture in the Fifteenth Century." InTimur and the Princely Vision., Los Angeles: Los Angeles County Museum of Art, no.62, (1989).Barry, M., and S. C. Welch. "et l'Enigme de Behzad de Herat (1465–1535)." InL'Art Figuratif en Islam Medieval., Paris: Flammarion, 2004.Ekhtiar, M., P. P. Soucek, S. R. Canby, and N. Haidar, ed.,Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art., 1st ed. New York: The Metropolitan Museum of Art, 2011.