'Zwei verschiedene Aufnahmen der Rīkah, des Thronsessels, auf welchen man in Mekka die jungfräuliche Braut in der Duchlah-nacht zu erheben pflegt (vergl. Mekka, Bd. II, S. 167ff.). Auf B sitzt der Bräutigam dort, wo die Braut sitzen soll.' [1/2] Photographer: al-Sayyid ʻAbd al-Ghaffār | Kütüphane.osmanlica.com

'Zwei verschiedene Aufnahmen der Rīkah, des Thronsessels, auf welchen man in Mekka die jungfräuliche Braut in der Duchlah-nacht zu erheben pflegt (vergl. Mekka, Bd. II, S. 167ff.). Auf B sitzt der Bräutigam dort, wo die Braut sitzen soll.' [1/2] Photographer: al-Sayyid ʻAbd al-Ghaffār

İsim 'Zwei verschiedene Aufnahmen der Rīkah, des Thronsessels, auf welchen man in Mekka die jungfräuliche Braut in der Duchlah-nacht zu erheben pflegt (vergl. Mekka, Bd. II, S. 167ff.). Auf B sitzt der Bräutigam dort, wo die Braut sitzen soll.' [1/2] Photographer: al-Sayyid ʻAbd al-Ghaffār
Yazar natural light in the middle-ground. This is the first of two related images. Inscriptions: Above the top image
Basım Tarihi: 1886-1889 (CE, Gregorian)
Tür Resim
Dil Arapça
Dijital Evet
Yazma Hayır
Sayfa Sayısı 1
Fiziksel Boyutlar 101 x 130 mm
Kütüphane: Katar Dijital Kütüphanesi
Demirbaş Numarası X463/19
Kayıt Numarası vdc_100023514790.0x000004
Lokasyon British Library: India Office The department of the British Government to which the Government of India reported between 1858 and 1947. The successor to the Court of Directors. Records and Private Papers Documents collected in a private capacity.
Tarih 1886-1889 (CE, Gregorian)
Notlar Genre/Subject Matter: The image shows a richly ornamented interior scene in the bridal chamber. The virgin bride is placed onto the throne (seat) on the first night of marriage, laylat al-duk̲h̲la . The interior consists of a roughly square space, with nine equally sized recesses on three walls. The bridal throne ( arīkah ) is located in the middle of the three recesses that are visible in the lower centre of the image. A close-up view of the throne and the left-hand recess alongside it can be seen in the second of two images – X463/20 – presented together. An arched portico, around which detailed cloth or tile decoration can be seen, separates the camera from the bridal chamber. Although in each of the nine recesses glass lanterns hang, natural light illuminates the decoration visible around the arch, while a further lower ceiling – just visible in the upper part of the image – is shrouded in darkness. A glass chandelier hangs low on a long cord in the space lit by natural light in the middle-ground. This is the first of two related images. Inscriptions: Above the top image, on the right, in ink: ‘XVIIIa’
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'Zwei verschiedene Aufnahmen der Rīkah, des Thronsessels, auf welchen man in Mekka die jungfräuliche Braut in der Duchlah-nacht zu erheben pflegt (vergl. Mekka, Bd. II, S. 167ff.). Auf B sitzt der Bräutigam dort, wo die Braut sitzen soll.' [1/2] Photographer: al-Sayyid ʻAbd al-Ghaffār

Yazar natural light in the middle-ground. This is the first of two related images. Inscriptions: Above the top image
Basım Tarihi 1886-1889 (CE, Gregorian)
Tür Resim
Dil Arapça
Dijital Evet
Yazma Hayır
Sayfa Sayısı 1
Fiziksel Boyutlar 101 x 130 mm
Kütüphane Katar Dijital Kütüphanesi
Demirbaş Numarası X463/19
Kayıt Numarası vdc_100023514790.0x000004
Lokasyon British Library: India Office The department of the British Government to which the Government of India reported between 1858 and 1947. The successor to the Court of Directors. Records and Private Papers Documents collected in a private capacity.
Tarih 1886-1889 (CE, Gregorian)
Notlar Genre/Subject Matter: The image shows a richly ornamented interior scene in the bridal chamber. The virgin bride is placed onto the throne (seat) on the first night of marriage, laylat al-duk̲h̲la . The interior consists of a roughly square space, with nine equally sized recesses on three walls. The bridal throne ( arīkah ) is located in the middle of the three recesses that are visible in the lower centre of the image. A close-up view of the throne and the left-hand recess alongside it can be seen in the second of two images – X463/20 – presented together. An arched portico, around which detailed cloth or tile decoration can be seen, separates the camera from the bridal chamber. Although in each of the nine recesses glass lanterns hang, natural light illuminates the decoration visible around the arch, while a further lower ceiling – just visible in the upper part of the image – is shrouded in darkness. A glass chandelier hangs low on a long cord in the space lit by natural light in the middle-ground. This is the first of two related images. Inscriptions: Above the top image, on the right, in ink: ‘XVIIIa’
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