ديوان شيرين اداى نابى, [1137ه، 1724 أو 1725م].
(ديوان شيرين اداى نابى ه، أو م)

Name: ديوان شيرين اداى نابى, [1137ه، 1724 أو 1725م].
Author: نابى 1642-1712., نائل صحفى flourished 1724

İsim	ديوان شيرين اداى نابى, [1137ه، 1724 أو 1725م].
İsim Orijinal	ديوان شيرين اداى نابى ه، أو م
Yazar	نابى 1642-1712., نائل صحفى flourished 1724
Yazar Orijinal	نابى نائل صحفى
Basım Tarihi:	[1724 or 1725]
Basım Yeri	- [Place of publication not identified] : [publisher not identified], [1724 or 1725].
Konu	Faceted Application of Subject Terminology Manuscripts, Turkish Turkish poetry Michigan—Ann Arbor Early works Library of Congress Subject Headings Turkish poetry—Early works to 1800 Manuscripts, Turkish—Michigan—Ann Arbor Répertoire de Vedettes-Matière Manuscrits turcs—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—Islamic empire—18th century
Tür	Kitap
Dil	Osmanlıca
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (244 leaves) : paper
Kütüphane:	McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası	1420514781
Kayıt Numarası	1420514781
Tarih	[1724 or 1725]
Notlar	Ms. codex. Title from inscription below headpiece on fol.1b. Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing). Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hāʻ mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red. Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm., single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136. Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block. Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip). Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679. Incipit: [rubric]" قصيده در توحيد باري جل شانه براى باعث ترتيب ديوان ابراهيم پاشا رح [text] تعالى الله زهى ديوانطراز صورت معنا كه جسم لفظله روح مآ لي ايلمش الما ..." Explicit: "طاغيلرسه كور رآنى نكران جمع اولور ايه اولور آب روان" Colophon: "Scribal," rectangular, reads: "تمام شد ديوان نابى رحمه الله تعالى في تاريخ غزلق دست حقير نائل صحفى [؟] تم" Origin: As appears in colophon on fol.281b, copied by Nāʻil Ṣuḥufī []. Date transcription finished appears as a chronogram "غزلق" or 1137 [غ1000 + ز7 + ل30 + ق100 =1137, i.e. 1724 or 1725].
Yazar Rolü	Scribe,
Veritabanı	WorldCat
Tür	Headpieces (layout features) Early works Early works to 1800.
Sahiplik/Koruma Geçmişi	Oval seal impression in black ink repeated numerous times on fol.1a (p.1) but difficult to make out, accompanied by inscription which has been partially effaced and is now only partially legible "...ما باقى" followed by a number "٣١١٢۸٩"; inscription in black ink on fol.1a (p.1) accompanied by small oval seal impression in blue ink, difficult to make out); small oval seal impression in black ink on fol.1b (p.2), very difficult to make out; small oval seal impression in black ink on fol.88b (p.176), also difficult to make out; occasional marginal corrections and glosses.

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ديوان شيرين اداى نابى, [1137ه، 1724 أو 1725م].

(ديوان شيرين اداى نابى ه، أو م)

Yazar نابى 1642-1712., نائل صحفى flourished 1724

Yazar Orijinal نابى نائل صحفى

Basım Tarihi [1724 or 1725]

Basım Yeri - [Place of publication not identified] : [publisher not identified], [1724 or 1725].

Konu Faceted Application of Subject Terminology Manuscripts, Turkish Turkish poetry Michigan—Ann Arbor Early works Library of Congress Subject Headings Turkish poetry—Early works to 1800 Manuscripts, Turkish—Michigan—Ann Arbor Répertoire de Vedettes-Matière Manuscrits turcs—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—Islamic empire—18th century

Tür Kitap

Dil Osmanlıca

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 1 online resource (244 leaves) : paper

Kütüphane McGill Üniversitesi Kütüphaneleri

Demirbaş Numarası 1420514781

Kayıt Numarası 1420514781

Tarih [1724 or 1725]

Notlar Ms. codex. Title from inscription below headpiece on fol.1b. Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing). Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hāʻ mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red. Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm., single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136. Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block. Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip). Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679. Incipit: [rubric]" قصيده در توحيد باري جل شانه براى باعث ترتيب ديوان ابراهيم پاشا رح [text] تعالى الله زهى ديوانطراز صورت معنا كه جسم لفظله روح مآ لي ايلمش الما ..." Explicit: "طاغيلرسه كور رآنى نكران جمع اولور ايه اولور آب روان" Colophon: "Scribal," rectangular, reads: "تمام شد ديوان نابى رحمه الله تعالى في تاريخ غزلق دست حقير نائل صحفى [؟] تم" Origin: As appears in colophon on fol.281b, copied by Nāʻil Ṣuḥufī []. Date transcription finished appears as a chronogram "غزلق" or 1137 [غ1000 + ز7 + ل30 + ق100 =1137, i.e. 1724 or 1725].

Yazar Rolü Scribe,

Veritabanı WorldCat

Tür Headpieces (layout features) Early works Early works to 1800.

Sahiplik/Koruma Geçmişi Oval seal impression in black ink repeated numerous times on fol.1a (p.1) but difficult to make out, accompanied by inscription which has been partially effaced and is now only partially legible "...ما باقى" followed by a number "٣١١٢۸٩"; inscription in black ink on fol.1a (p.1) accompanied by small oval seal impression in blue ink, difficult to make out); small oval seal impression in black ink on fol.1b (p.2), very difficult to make out; small oval seal impression in black ink on fol.88b (p.176), also difficult to make out; occasional marginal corrections and glosses.