[کلیات وحشی, قرن 17م؟].
(کلیات وحشی قرن م؟)

Name: [کلیات وحشی, قرن 17م؟].
Author: وحشی بافقی -1583., محمد عطری

İsim	[کلیات وحشی, قرن 17م؟].
İsim Orijinal	کلیات وحشی قرن م؟
Yazar	وحشی بافقی -1583., محمد عطری
Yazar Orijinal	وحشی بافقی محمد عطری
Basım Tarihi:	[16--?]
Basım Yeri	- [Place of publication not identified] : [publisher not identified], [16--?].
Konu	Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Michigan—Ann Arbor 1500-1796 Library of Congress Subject Headings Persian poetry—1500-1796 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—1500-1796 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—17th century
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (262 leaves) : paper
Kütüphane:	McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası	1420513272
Kayıt Numarası	1420513272
Tarih	[16--?]
Notlar	Ms. codex. Title supplied by cataloguer. Collation: ii, V-1 (9), 4 V(49), IV (57), 20 V(257), II-1+2 (262), ii ; chiefly quinions ; leaves between sections (see pp.85, 135-137, 348-351) and final leaves left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 13 lines per page, with written area mainly divided to two columns ; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes. Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with central gold cartouche (empty) surrounded by swirling floral vegetal decoration in gold, pink, yellow, red, and light blue on lapis lazuli and gold (evoking book cover design), bordered in a dark blue / lapis band with white accents and surmounted by a row of gold lozenges filled with similar floral vegetal decoration itself surmounted a light blue band separating it from a scalloped semi-circular piece (dome) carrying the same manner of swirling floral vegetal decoration on fields of gold and lapis lazuli, all set in a well of red with white accents and surmounted by vertical stalks (tīgh) in dark blue ; additional exquisite headpieces at openings of other sections (see pp.86, 138, 352) ; written area throughout surrounded by frame consisting of a heavy gold band defined by black fillets, rules defining columns within also in gold. Support: non-European laid paper of perhaps a few types ; mainly non-European laid paper with 8-9 laid lines per cm. (horizontal or vertical) and occasional chain lines visible (even in pairs, see p.136), heavily sized and burnished, medium cream in color, quite sturdy / dense and fairly thick ; leaf carrying pp.349-350 delaminating ; added / replacement leaves at close in European laid paper with "TSC" or "TSG" (possibly below an eagle, see p.520-524) ; repairs. Binding: Pasteboards covered in dark maroon leather ; Type II binding (with flap, though now lost) ; pastedowns and flyleaves in pink coated and textured paper (embossed in a repeating leaf pattern) ; upper and lower covers carry central gold-painted spray of leaves and flowers set in a rectangular panel defined by gold fillets with tooled rosette accent cornerpieces and tooled border in gold ; text block edges gold-painted in vegetal designs ; sewn in red thread, two stations ; worked chevron endbands in yellow and red, good condition ; overall in somewhat poor condition with loss of flap, much abrasion, some staining, lifting of leather, etc. ; some subtle repairs to spine. Former shelfmark: "107 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf. Origin: As appears in colophon on p.519, copied by one Muḥammad, known as ʻIṭrī (Mehmet Itri). Date of transcription is not specified though paper, decoration etc. may suggest 17th or even late 16th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 335. Explicit: "یا صاحب ننگ و نام می باید بود یا شهره خاص و عام می باید بود القصه کمال جهد می باید کرد در وادی خود تمام می باید بود" Colophon: "Scribal," triangular, mainly in Arabic, reads "تمت الكتاب بعون الملك الوهاب على يد اضعف العباد محمد الشهير بعطرى غفر ذنوبه تم تم" Incipit: "الهی سینۀ ده آتش افروز در ان سینه دلی و ان دل همه سوز ..."
Yazar Rolü	Scribe,
Veritabanı	WorldCat
Tür	Headpieces (layout features)
Sahiplik/Koruma Geçmişi	Inscription in pencil on verso of front flyleaf "107 T. De M. [i.e. Tammaro De Marinis]" ; effaced seal impression on p.3 ; collation statement in margin of p.346 "اوراق عدد ١٠٦" and p.518 (deliberately covered by paper fill) ; fairly clean copy.

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[کلیات وحشی, قرن 17م؟].

(کلیات وحشی قرن م؟)

Yazar وحشی بافقی -1583., محمد عطری

Yazar Orijinal وحشی بافقی محمد عطری

Basım Tarihi [16--?]

Basım Yeri - [Place of publication not identified] : [publisher not identified], [16--?].

Konu Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Michigan—Ann Arbor 1500-1796 Library of Congress Subject Headings Persian poetry—1500-1796 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—1500-1796 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—17th century

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 1 online resource (262 leaves) : paper

Kütüphane McGill Üniversitesi Kütüphaneleri

Demirbaş Numarası 1420513272

Kayıt Numarası 1420513272

Tarih [16--?]

Notlar Ms. codex. Title supplied by cataloguer. Collation: ii, V-1 (9), 4 V(49), IV (57), 20 V(257), II-1+2 (262), ii ; chiefly quinions ; leaves between sections (see pp.85, 135-137, 348-351) and final leaves left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 13 lines per page, with written area mainly divided to two columns ; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes. Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with central gold cartouche (empty) surrounded by swirling floral vegetal decoration in gold, pink, yellow, red, and light blue on lapis lazuli and gold (evoking book cover design), bordered in a dark blue / lapis band with white accents and surmounted by a row of gold lozenges filled with similar floral vegetal decoration itself surmounted a light blue band separating it from a scalloped semi-circular piece (dome) carrying the same manner of swirling floral vegetal decoration on fields of gold and lapis lazuli, all set in a well of red with white accents and surmounted by vertical stalks (tīgh) in dark blue ; additional exquisite headpieces at openings of other sections (see pp.86, 138, 352) ; written area throughout surrounded by frame consisting of a heavy gold band defined by black fillets, rules defining columns within also in gold. Support: non-European laid paper of perhaps a few types ; mainly non-European laid paper with 8-9 laid lines per cm. (horizontal or vertical) and occasional chain lines visible (even in pairs, see p.136), heavily sized and burnished, medium cream in color, quite sturdy / dense and fairly thick ; leaf carrying pp.349-350 delaminating ; added / replacement leaves at close in European laid paper with "TSC" or "TSG" (possibly below an eagle, see p.520-524) ; repairs. Binding: Pasteboards covered in dark maroon leather ; Type II binding (with flap, though now lost) ; pastedowns and flyleaves in pink coated and textured paper (embossed in a repeating leaf pattern) ; upper and lower covers carry central gold-painted spray of leaves and flowers set in a rectangular panel defined by gold fillets with tooled rosette accent cornerpieces and tooled border in gold ; text block edges gold-painted in vegetal designs ; sewn in red thread, two stations ; worked chevron endbands in yellow and red, good condition ; overall in somewhat poor condition with loss of flap, much abrasion, some staining, lifting of leather, etc. ; some subtle repairs to spine. Former shelfmark: "107 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf. Origin: As appears in colophon on p.519, copied by one Muḥammad, known as ʻIṭrī (Mehmet Itri). Date of transcription is not specified though paper, decoration etc. may suggest 17th or even late 16th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 335. Explicit: "یا صاحب ننگ و نام می باید بود یا شهره خاص و عام می باید بود القصه کمال جهد می باید کرد در وادی خود تمام می باید بود" Colophon: "Scribal," triangular, mainly in Arabic, reads "تمت الكتاب بعون الملك الوهاب على يد اضعف العباد محمد الشهير بعطرى غفر ذنوبه تم تم" Incipit: "الهی سینۀ ده آتش افروز در ان سینه دلی و ان دل همه سوز ..."

Yazar Rolü Scribe,

Veritabanı WorldCat

Tür Headpieces (layout features)

Sahiplik/Koruma Geçmişi Inscription in pencil on verso of front flyleaf "107 T. De M. [i.e. Tammaro De Marinis]" ; effaced seal impression on p.3 ; collation statement in margin of p.346 "اوراق عدد ١٠٦" and p.518 (deliberately covered by paper fill) ; fairly clean copy.