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غزلیات مولانا جامی, [قرن 17م؟].
(غزلیات مولانا جامی قرن م؟)

İsim غزلیات مولانا جامی, [قرن 17م؟].
İsim Orijinal غزلیات مولانا جامی قرن م؟
Yazar جامي 1414-1492., Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal جامي
Basım Tarihi: [16--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [16--?].
Konu Faceted Application of Subject Terminology Calligraphy, Persian Islamic calligraphy Manuscripts, Persian Persian poetry Michigan—Ann Arbor Specimens 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Calligraphy, Persian—Specimens Islamic calligraphy—Specimens Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Calligraphie persane—Spécimens Calligraphie islamique—Spécimens Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—17th century
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (14 leaves) : paper
Kütüphane: McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420508854
Kayıt Numarası 1420508854
Tarih [16--?]
Notlar Ms. codex. Title from flap of slipcase. Collation: Fourteen leaves or 'panels' hinged together with green silk in accordion format ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing. Layout: Written mainly in 8 lines per page on the diagonal, a hemistich per line ; frame-ruled. Script: Nastaʻlīq ; compact, elegant hand in a medium line (fine specimen of calligraphy) ; serifless with characteristic descent of words to baseline and superscripting of final words and letters as well as elongation of horizontal strokes. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by red pendants and set off by swirling floral vegetal decoration in gold, white, red, etc. on a bright blue (reminiscent of lapis) ground, surmounted by a scalloped dome / triangular piece or hasp set in rectangular piece all filled with similar floral vegetal decoration on fields of gold and blue with turquoise, black and light blue accents, entire piece surmounted by vertical stalks (tīgh) and bordered in bands of gold and blue ; written area gold-flecked and surrounded by rich border consisting of gold, white, blue, and turquoise bands flanking a heavy band of light blue with vegetal decoration in gold ; floral vegetal motifs set off opposite corners of written area ; margins heavily gold-flecked ; elegant illuminated tailpiece at close consisting of upper and lower rectangular pieces with empty gold cartouches (one rosette or mandorla-shaped, the other a scalloped lozenge) surrounded by floral vegetal designs in gold, white, blue and red on fields of blue with turquoise and gold accents surrounded by bands of gold, red, blue and heavy black and gold interlace. Support: Written area in non-European (likely Persian) laid paper, well-burnished ; borders gold-flecked and tinted golden yellow with a slight pink hue ; written area of two leaves mounted on European laid paper. Binding: Heavy pasteboards covered in dark blue leather ; accordion / concertina format ; board linings in green coated paper embossed with scroll / interlace pattern ; upper and lower covers carry blind-stamped mandorla (filled with symmetrical vegetal composition, compare Déroche NSd 7) with tooled and gold-painted border ; sturdy leaves hinged together with green silk ; overall in fair condition with minor abrasion (vegetal design in mandorla only partially visible), staining, lifting and losses of leather, etc. ; housed in sturdy slipcase covered in same dark blue leather with tooled and gold-painted borders and rosette accents, lined with yellow paper ; likely not original binding. Former shelfmark: "108 T. D. M. [i.e. Tammaro De Marinis] on reverse of opening mounted leaf. Origin: Lacks dated colophon ; decoration, etc. would suggest 17th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 277. Incipit: "از خارخار عشق تو در سینه دارم خارها هر دم شکفته بر رخم زان خارها گلزارها ..." Explicit: "هر طرف كان سوخ راند جامي بيصبر و دل از پيش افغان كنان چون دادخواهي بگذرد"
Yazar Rolü Former owner,
Veritabanı WorldCat
Tür Headpieces (layout features) Specimens Specimens. Spécimens.
Sahiplik/Koruma Geçmişi Fairly clean copy.
Kaynağa git McGill Üniversitesi Kütüphaneleri McGill University Libraries
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McGill University Libraries McGill Üniversitesi Kütüphaneleri
Kaynağa git

غزلیات مولانا جامی, [قرن 17م؟].

(غزلیات مولانا جامی قرن م؟)
Yazar جامي 1414-1492., Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal جامي
Basım Tarihi [16--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [16--?].
Konu Faceted Application of Subject Terminology Calligraphy, Persian Islamic calligraphy Manuscripts, Persian Persian poetry Michigan—Ann Arbor Specimens 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Calligraphy, Persian—Specimens Islamic calligraphy—Specimens Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Calligraphie persane—Spécimens Calligraphie islamique—Spécimens Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—17th century
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (14 leaves) : paper
Kütüphane McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420508854
Kayıt Numarası 1420508854
Tarih [16--?]
Notlar Ms. codex. Title from flap of slipcase. Collation: Fourteen leaves or 'panels' hinged together with green silk in accordion format ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing. Layout: Written mainly in 8 lines per page on the diagonal, a hemistich per line ; frame-ruled. Script: Nastaʻlīq ; compact, elegant hand in a medium line (fine specimen of calligraphy) ; serifless with characteristic descent of words to baseline and superscripting of final words and letters as well as elongation of horizontal strokes. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by red pendants and set off by swirling floral vegetal decoration in gold, white, red, etc. on a bright blue (reminiscent of lapis) ground, surmounted by a scalloped dome / triangular piece or hasp set in rectangular piece all filled with similar floral vegetal decoration on fields of gold and blue with turquoise, black and light blue accents, entire piece surmounted by vertical stalks (tīgh) and bordered in bands of gold and blue ; written area gold-flecked and surrounded by rich border consisting of gold, white, blue, and turquoise bands flanking a heavy band of light blue with vegetal decoration in gold ; floral vegetal motifs set off opposite corners of written area ; margins heavily gold-flecked ; elegant illuminated tailpiece at close consisting of upper and lower rectangular pieces with empty gold cartouches (one rosette or mandorla-shaped, the other a scalloped lozenge) surrounded by floral vegetal designs in gold, white, blue and red on fields of blue with turquoise and gold accents surrounded by bands of gold, red, blue and heavy black and gold interlace. Support: Written area in non-European (likely Persian) laid paper, well-burnished ; borders gold-flecked and tinted golden yellow with a slight pink hue ; written area of two leaves mounted on European laid paper. Binding: Heavy pasteboards covered in dark blue leather ; accordion / concertina format ; board linings in green coated paper embossed with scroll / interlace pattern ; upper and lower covers carry blind-stamped mandorla (filled with symmetrical vegetal composition, compare Déroche NSd 7) with tooled and gold-painted border ; sturdy leaves hinged together with green silk ; overall in fair condition with minor abrasion (vegetal design in mandorla only partially visible), staining, lifting and losses of leather, etc. ; housed in sturdy slipcase covered in same dark blue leather with tooled and gold-painted borders and rosette accents, lined with yellow paper ; likely not original binding. Former shelfmark: "108 T. D. M. [i.e. Tammaro De Marinis] on reverse of opening mounted leaf. Origin: Lacks dated colophon ; decoration, etc. would suggest 17th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 277. Incipit: "از خارخار عشق تو در سینه دارم خارها هر دم شکفته بر رخم زان خارها گلزارها ..." Explicit: "هر طرف كان سوخ راند جامي بيصبر و دل از پيش افغان كنان چون دادخواهي بگذرد"
Yazar Rolü Former owner,
Veritabanı WorldCat
Tür Headpieces (layout features) Specimens Specimens. Spécimens.
Sahiplik/Koruma Geçmişi Fairly clean copy.
McGill University Libraries
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