[سبحة الابرار, قرن 16م؟]. | Kütüphane.osmanlica.com

[سبحة الابرار, قرن 16م؟].
(سبحة الابرار قرن م؟)

İsim [سبحة الابرار, قرن 16م؟].
İsim Orijinal سبحة الابرار قرن م؟
Yazar جامی 1414-1492., شاه محمد الكاتب, Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal جامی شاه محمد الكاتب
Basım Tarihi: [15--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [15--?].
Konu Faceted Application of Subject Terminology Manuscripts, Persian Masnavis, Persian Persian poetry Michigan—Ann Arbor Early works 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Masnavis, Persian—Early works to 1800 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—16th century
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (106 leaves) : paper
Kütüphane: McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420514786
Kayıt Numarası 1420514786
Tarih [15--?]
Notlar Ms. codex. Title supplied by cataloguer. Collation: ii, 17 III(102), II (106), ii ; almost exclusively ternions ; catchwords present (though often cut-off) ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 15 lines per page, often divided to two columns ; frame-ruled. Script: Nastaʻlīq ; elegant hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with empty gold cartouche flanked by pendants and surrounded by swirling arabesque with floral accents in red, lavender, white, light blue, yellow, and gold on a field of lapis lazuli with border in red and light blue bands, surmounted by a wide band of lapis lazuli filled with arabesque and floral motifs in light blue, pink, red, yellow, etc. with black and gold accents, all surmounted by vertical stalks (tīgh) in blue ; written area surrounded by gold frame with outermost blue rule, columns within defined by narrow gold bands outlined in black fillets ; section headings, some keywords and glosses rubricated ; textual dividers in the form of blue and red inverted commas. Support: non-European (likely Persian or Indian) laid paper with 6 laid lines per cm. (vertical and horizontal, curved though fairly distinct) and some chain lines visible (also not very straight and occasionally grouped, see p.176), cloudy formation, thin and crisp, and quite well-burnished. Binding: Boards covered in maroon leather ; Western style binding ; pastedowns and flyleaves in comb marbled paper (in shades of red, pink, blue, yellow, etc.) ; upper and lower covers carry gold rule borders ; bord edges and turn-ins gold-stamped with foliate design ; spine gold-stamped with title ("CÉPA-TUL EBRARE"), bands and foliate design ; edges of text block gilt ; now sewn in white thread over recessed cords ; stuck-on endbands (traces of pink and yellow primaries from original endbands appear as well) ; register (bookmark) in royal blue ribbon, affixed at head of spine ; overall in fair condition with minor abrasion and staining. Former shelfmark: "480 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf. Accompanying materials: Slip of wove paper with note (describing manuscript) in ink in hand of G. Meredith-Owens [?], reads "359 Subḥat al-abrār An ethico-religious poem by Jāmī. Copied by Shāh Muḥammad Late XVth century (?)." Origin: As appears in colophon on p. 209, copied by Shāh Muḥammad al-Kātib ; date of transcription not specified though copyist, paper, decoration, etc. suggest 16th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 359. Incipit: "المنة لله که بخون گر خفتم یکچند چو غنچه عاقبت بشگفتم" Explicit: "قطع کردیم برین نکته سخن ختم الله لنا بالحسنى و هو مولانا نعم المولى ... خاک قدم سکان کویت باشم نسبت بسک تو بیوفایی نکتم" Colophon: "Scribal," triangular, reads "كتبه العبد المذنب شاه محمد الكاتب تم تم تم"
Yazar Rolü Scribe, Former owner,
Tür Headpieces (layout features) Early works Early works to 1800.
Sahiplik/Koruma Geçmişi Traces of former owners' marks on 'title page' (p.1) including effaced seal impressions and statement ; occasional glosses and corrections (accompanied by signes de renvoi) ; back flyleaf bears booksellers mark (sticker) of "P. Rolandi, Foreign Bookseller, Circulating Library, 20 Berners St."
WorldCat Varlığı View on Worldcat Entities Abdülhamid
Kaynağa git McGill Üniversitesi Kütüphaneleri McGill University Libraries
McGill University Libraries McGill Üniversitesi Kütüphaneleri
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[سبحة الابرار, قرن 16م؟].

(سبحة الابرار قرن م؟)
Yazar جامی 1414-1492., شاه محمد الكاتب, Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal جامی شاه محمد الكاتب
Basım Tarihi [15--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [15--?].
Konu Faceted Application of Subject Terminology Manuscripts, Persian Masnavis, Persian Persian poetry Michigan—Ann Arbor Early works 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Masnavis, Persian—Early works to 1800 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—16th century
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (106 leaves) : paper
Kütüphane McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420514786
Kayıt Numarası 1420514786
Tarih [15--?]
Notlar Ms. codex. Title supplied by cataloguer. Collation: ii, 17 III(102), II (106), ii ; almost exclusively ternions ; catchwords present (though often cut-off) ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 15 lines per page, often divided to two columns ; frame-ruled. Script: Nastaʻlīq ; elegant hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with empty gold cartouche flanked by pendants and surrounded by swirling arabesque with floral accents in red, lavender, white, light blue, yellow, and gold on a field of lapis lazuli with border in red and light blue bands, surmounted by a wide band of lapis lazuli filled with arabesque and floral motifs in light blue, pink, red, yellow, etc. with black and gold accents, all surmounted by vertical stalks (tīgh) in blue ; written area surrounded by gold frame with outermost blue rule, columns within defined by narrow gold bands outlined in black fillets ; section headings, some keywords and glosses rubricated ; textual dividers in the form of blue and red inverted commas. Support: non-European (likely Persian or Indian) laid paper with 6 laid lines per cm. (vertical and horizontal, curved though fairly distinct) and some chain lines visible (also not very straight and occasionally grouped, see p.176), cloudy formation, thin and crisp, and quite well-burnished. Binding: Boards covered in maroon leather ; Western style binding ; pastedowns and flyleaves in comb marbled paper (in shades of red, pink, blue, yellow, etc.) ; upper and lower covers carry gold rule borders ; bord edges and turn-ins gold-stamped with foliate design ; spine gold-stamped with title ("CÉPA-TUL EBRARE"), bands and foliate design ; edges of text block gilt ; now sewn in white thread over recessed cords ; stuck-on endbands (traces of pink and yellow primaries from original endbands appear as well) ; register (bookmark) in royal blue ribbon, affixed at head of spine ; overall in fair condition with minor abrasion and staining. Former shelfmark: "480 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf. Accompanying materials: Slip of wove paper with note (describing manuscript) in ink in hand of G. Meredith-Owens [?], reads "359 Subḥat al-abrār An ethico-religious poem by Jāmī. Copied by Shāh Muḥammad Late XVth century (?)." Origin: As appears in colophon on p. 209, copied by Shāh Muḥammad al-Kātib ; date of transcription not specified though copyist, paper, decoration, etc. suggest 16th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 359. Incipit: "المنة لله که بخون گر خفتم یکچند چو غنچه عاقبت بشگفتم" Explicit: "قطع کردیم برین نکته سخن ختم الله لنا بالحسنى و هو مولانا نعم المولى ... خاک قدم سکان کویت باشم نسبت بسک تو بیوفایی نکتم" Colophon: "Scribal," triangular, reads "كتبه العبد المذنب شاه محمد الكاتب تم تم تم"
Yazar Rolü Scribe, Former owner,
Tür Headpieces (layout features) Early works Early works to 1800.
Sahiplik/Koruma Geçmişi Traces of former owners' marks on 'title page' (p.1) including effaced seal impressions and statement ; occasional glosses and corrections (accompanied by signes de renvoi) ; back flyleaf bears booksellers mark (sticker) of "P. Rolandi, Foreign Bookseller, Circulating Library, 20 Berners St."
WorldCat Varlığı View on Worldcat Entities Abdülhamid
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