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سير ويسى مع ذيل نبى, [القرن 18م؟].
(سير ويسى مع ذيل نبى القرن م؟)

İsim سير ويسى مع ذيل نبى, [القرن 18م؟].
İsim Orijinal سير ويسى مع ذيل نبى القرن م؟
Yazar اويس بن محمد آلاشهري ويسي 1561-1628., نابي 1641 or 1642-1712.
Yazar Orijinal اويس بن محمد آلاشهري ويسي نابي
Basım Tarihi: [17--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [17--?].
Konu Faceted Application of Subject Terminology Muḥammad,—Prophet,—-632 Manuscripts, Turkish Michigan—Ann Arbor Early works Library of Congress Subject Headings Muḥammad,—Prophet,—-632—Early works to 1800 Manuscripts, Turkish—Michigan—Ann Arbor Répertoire de Vedettes-Matière Manuscrits turcs—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—18th century
Tür Kitap
Dil Osmanlıca
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (340 leaves) : paper
Kütüphane: McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420509107
Kayıt Numarası 1420509107
Tarih [17--?]
Notlar Ms. codex. Title from opening of added table of contents (p.2). 1. p.2-p.11 : [table of contents]. 2. p.12-p.19 : [blank]. 3. p.20-p.176 : [Siyer-i Veysî, part 1] / Veysî. 4. p.177 : [blank]. 5. p.178-p.317 : [Siyer-i Veysî, part 2] / Veysî. 6. p.318-p.219 : [blank]. 7. p.320-p.677 : [Zeyl-i Nabi] / Nabi. Collation: i, 34 V(340), ii ; exclusively quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 21 lines per page ; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Turkish hand ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, mainly closed counters, pointing in conjoined dots ; partially vocalized. Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening of Siyer-i Veysî on p.20, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in pink, orange, red and yellow on fields of gold, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, yellow, red, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and gold interlace ; another illuminated headpiece at opening of second part of Siyer-i Veysî on p.178 ; still another superb illuminated headpiece (ʻunwān / sarlawḥ) at opening of Zeyl-i Nabi on p.320, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in gold and pink, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, orange, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and heavy gold interlace ; written area surrounded by heavy gold frame defined by black fillets, divisions within (poetic passages, etc.) defined by narrow faint gold bands outlined by black fillets ; section headings, key words and passages, and occasional vocalization rubricated or overlined in red ; textual dividers in the form of red inverted commas. Support: non-European laid paper with 9 laid lines per cm. (mainly vertical, curved, fairly distinct) and irregular chain lines occasionally visible, some inclusions, beige in color, crisp and transluscent though quite sturdy, highly burnished ; added table of contents mainly on European wove paper, well-burnished (burnisher's marks visible) ; partial offset of upper portion of headpiece in margin of incipit facing page (p.21) ; flyleaves in European laid paper. Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked yellow-tinted paper ; upper and lower covers carry exquisite stamped (with gold-painted orange recessed onlays) mandorla (filled with symmetrical vegetal composition incorporating chī clouds, compare Déroche class. NSd), pendants and cornerpieces with tooled and gold-painted accents (rosettes, strokes, etc.) as well as elaborate guilloché roll borders built up from a series of s-shaped stamps and defined by gold fillets ; sewn in dark pink thread, two stations ; worked chevron endbands in dark pink and thread and with gold sheed, good condition ; overall in fairly good condition with minor abrasion, etc. ; subtle repair to fore edge flap. Origin: Lacks dated colophon ; dated inscription on recto of second front flyleaf provides a rough terminus ante quem of 1796 ; paper, decoration, etc. also suggest late 18th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 377. Incipit: [Siyer-i Veysî] "كنون وقتست كزكلك سخن كوى بسوى ذكر پيغمبر نهم روى" ; [Zeyl-i Nabi] "يا رب سحاب فيضى باران ايله اول فيضله كشت كامى ريان ايله ..." Explicit: [Siyer-i Veysî] "جناب پيغمبرى اولمديغنه دليل جليل لا ينتطح فيه عنزان نابفه سيله [؟] تسليت بخش خاطر عمير اولدقلريدر والله تعالى اعلم بحقايق الامور" ; [Zeyl-i Nabi] "اشتماليله اعلاى درجات امتيازده جلو كر قلنمق شيوۀ خفيۀ تقديردن مستبعد دكلدر والله تعالى اعلم" Former shelfmark: "464 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٤٥٠" also on verso of front flyleaf.
Yazar Rolü ,
Veritabanı WorldCat
Tür Headpieces (layout features) Early works Early works to 1800.
Sahiplik/Koruma Geçmişi Inscription on recto of second front flyleaf dated 1 Jumādá I 1211 [ca. 2 November 1796] ; occasional marginal corrections.
Kaynağa git McGill Üniversitesi Kütüphaneleri McGill University Libraries
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سير ويسى مع ذيل نبى, [القرن 18م؟].

(سير ويسى مع ذيل نبى القرن م؟)
Yazar اويس بن محمد آلاشهري ويسي 1561-1628., نابي 1641 or 1642-1712.
Yazar Orijinal اويس بن محمد آلاشهري ويسي نابي
Basım Tarihi [17--?]
Basım Yeri - [Place of publication not identified] : [publisher not identified], [17--?].
Konu Faceted Application of Subject Terminology Muḥammad,—Prophet,—-632 Manuscripts, Turkish Michigan—Ann Arbor Early works Library of Congress Subject Headings Muḥammad,—Prophet,—-632—Early works to 1800 Manuscripts, Turkish—Michigan—Ann Arbor Répertoire de Vedettes-Matière Manuscrits turcs—Michigan—Ann Arbor Art & Architecture Thesaurus Headpieces (layout features)—18th century
Tür Kitap
Dil Osmanlıca
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (340 leaves) : paper
Kütüphane McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420509107
Kayıt Numarası 1420509107
Tarih [17--?]
Notlar Ms. codex. Title from opening of added table of contents (p.2). 1. p.2-p.11 : [table of contents]. 2. p.12-p.19 : [blank]. 3. p.20-p.176 : [Siyer-i Veysî, part 1] / Veysî. 4. p.177 : [blank]. 5. p.178-p.317 : [Siyer-i Veysî, part 2] / Veysî. 6. p.318-p.219 : [blank]. 7. p.320-p.677 : [Zeyl-i Nabi] / Nabi. Collation: i, 34 V(340), ii ; exclusively quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization. Layout: Written in 21 lines per page ; frame-ruled. Script: Nastaʻlīq (talik) ; elegant Turkish hand ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, mainly closed counters, pointing in conjoined dots ; partially vocalized. Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening of Siyer-i Veysî on p.20, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in pink, orange, red and yellow on fields of gold, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, yellow, red, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and gold interlace ; another illuminated headpiece at opening of second part of Siyer-i Veysî on p.178 ; still another superb illuminated headpiece (ʻunwān / sarlawḥ) at opening of Zeyl-i Nabi on p.320, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in gold and pink, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, orange, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and heavy gold interlace ; written area surrounded by heavy gold frame defined by black fillets, divisions within (poetic passages, etc.) defined by narrow faint gold bands outlined by black fillets ; section headings, key words and passages, and occasional vocalization rubricated or overlined in red ; textual dividers in the form of red inverted commas. Support: non-European laid paper with 9 laid lines per cm. (mainly vertical, curved, fairly distinct) and irregular chain lines occasionally visible, some inclusions, beige in color, crisp and transluscent though quite sturdy, highly burnished ; added table of contents mainly on European wove paper, well-burnished (burnisher's marks visible) ; partial offset of upper portion of headpiece in margin of incipit facing page (p.21) ; flyleaves in European laid paper. Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked yellow-tinted paper ; upper and lower covers carry exquisite stamped (with gold-painted orange recessed onlays) mandorla (filled with symmetrical vegetal composition incorporating chī clouds, compare Déroche class. NSd), pendants and cornerpieces with tooled and gold-painted accents (rosettes, strokes, etc.) as well as elaborate guilloché roll borders built up from a series of s-shaped stamps and defined by gold fillets ; sewn in dark pink thread, two stations ; worked chevron endbands in dark pink and thread and with gold sheed, good condition ; overall in fairly good condition with minor abrasion, etc. ; subtle repair to fore edge flap. Origin: Lacks dated colophon ; dated inscription on recto of second front flyleaf provides a rough terminus ante quem of 1796 ; paper, decoration, etc. also suggest late 18th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 377. Incipit: [Siyer-i Veysî] "كنون وقتست كزكلك سخن كوى بسوى ذكر پيغمبر نهم روى" ; [Zeyl-i Nabi] "يا رب سحاب فيضى باران ايله اول فيضله كشت كامى ريان ايله ..." Explicit: [Siyer-i Veysî] "جناب پيغمبرى اولمديغنه دليل جليل لا ينتطح فيه عنزان نابفه سيله [؟] تسليت بخش خاطر عمير اولدقلريدر والله تعالى اعلم بحقايق الامور" ; [Zeyl-i Nabi] "اشتماليله اعلاى درجات امتيازده جلو كر قلنمق شيوۀ خفيۀ تقديردن مستبعد دكلدر والله تعالى اعلم" Former shelfmark: "464 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٤٥٠" also on verso of front flyleaf.
Yazar Rolü ,
Veritabanı WorldCat
Tür Headpieces (layout features) Early works Early works to 1800.
Sahiplik/Koruma Geçmişi Inscription on recto of second front flyleaf dated 1 Jumādá I 1211 [ca. 2 November 1796] ; occasional marginal corrections.
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